Derrick Lee Weeden News

Cyrano de Bergerac is a master of all trades, maddeningly uncompromising and brilliantly accomplished - poet, warrior, and romantic. Still, there's triangular trouble in his love for Roxane - his adversary DeGuiche, his friend Christian, and his own spectacular nose. When you've uncovered the courageous heart behind the nose, you'll fall in love under the stars in the Solvang Festival Theater August 17 through September 1. Revel in a rhapsody of words as pointed as rapiers in Rostand's poignant portrait of panache that goes beyond romantic pageantry.

Shakespeare Theatre Company's new production of Coriolanus offers a no-nonsense approach to the text and memorable performances that go a long way to make a case for audiences to discover this difficult play.

The Shakespeare Theatre Company, recipient of the 2012 Regional Theatre Tony Award, probes the burdens of leadership and the price of power in its Hero/Traitor Repertory of Coriolanus and Wallenstein. In the hands of The Studio Theatre's Artistic Director David Muse and STC's Artistic Director Michael Kahn, this pairing of Shakespearean and German epics challenges the concept of control among military and government institutions. Coriolanus and Wallenstein play at Sidney Harman Hall (610 F Street NW) from tonight, March 28-June 2, 2013.

The Shakespeare Theatre Company, recipient of the 2012 Regional Theatre Tony Award, probes the burdens of leadership and the price of power in its Hero/Traitor Repertory of Coriolanus and Wallenstein. In the hands of The Studio Theatre's Artistic Director David Muse and STC's Artistic Director Michael Kahn, this pairing of Shakespearean and German epics challenges the concept of control among military and government institutions. Coriolanus and Wallenstein play at Sidney Harman Hall (610 F Street NW) from March 28-June 2, 2013.

The Oregon Shakespeare Festival will produce the world premiere of All the Way, written by Pulitzer Prize-winning playwright Robert Schenkkan and directed by Bill Rauch, OSF artistic director. The production is the fourth commission fromAmerican Revolutions: the United States History Cycle to premiere at OSF and the second this season. All the Way is the third Robert Schenkkan play produced at OSF (Handler, 2002; By the Waters of Babylon, 2005).

The Oregon Shakespeare Festival will launch the Black Swan Lab for New Work on July 7, 2009, running through October 31. The Lab will provide approximately 390 hours of development time in 2009 and offer a shifting menu of developmental activities, including actor-driven work, work that may include on-going development but no audience component, and work that is shared in-house.

The Oregon Shakespeare Festival will launch the Black Swan Lab for New Work on July 7, 2009, running through October 31. The Lab will provide approximately 390 hours of development time in 2009 and offer a shifting menu of developmental activities, including actor-driven work, work that may include on-going development but no audience component, and work that is shared in-house.

The Oregon Shakespeare Festival will launch the Black Swan Lab for New Work on July 7, 2009, running through October 31. The Lab will provide approximately 390 hours of development time in 2009 and offer a shifting menu of developmental activities, including actor-driven work, work that may include on-going development but no audience component, and work that is shared in-house.

The Oregon Shakespeare Festival will open its summer season with one of Shakespeare's rarely produced history plays, Henry VIII. Last produced at OSF in 1984, the play will be staged with all the spectacle of the Field of the Cloth of Gold. Some tickets remain available for previews and openings. To purchase tickets go to www.osfashland.org or call the Box Office at (541) 482-4331.

The Oregon Shakespeare Festival will open its summer season with one of Shakespeare's rarely produced history plays, Henry VIII. Last produced at OSF in 1984, the play will be staged with all the spectacle of the Field of the Cloth of Gold. Some tickets remain available for previews and openings. To purchase tickets go to www.osfashland.org or call the Box Office at (541) 482-4331.

The Tony Award-winning Oregon Shakespeare Festival opens its 74th year the weekend of February 20-22 and celebrates the 50th anniversary of the Elizabethan Stage. In honor of that milestone, OSF is dedicating the 2009 season to principal theatre and scenic designer, Richard L. Hay, acknowledging his creative work that spans more than 50 years at OSF and includes the design of all three theatre spaces, beginning with the current Elizabethan Stage in 1959, half a century ago.

The Tony Award-winning Oregon Shakespeare Festival opens its 74th year the weekend of February 20-22 and celebrates the 50th anniversary of the Elizabethan Stage. In honor of that milestone, OSF is dedicating the 2009 season to principal theatre and scenic designer, Richard L. Hay, acknowledging his creative work that spans more than 50 years at OSF and includes the design of all three theatre spaces, beginning with the current Elizabethan Stage in 1959, half a century ago. 'I am deeply moved as I reflect on the achievement and commitment of our extraordinary theater artist, Richard Hay,' OSF Artistic Director Bill Rauch said, 'whose dedication to our artform and to OSF is an inspiration to all of us. The remarkable spaces he designed allow for a connection between actors and audiences that make OSF's theater experience unique and richly satisfying. And he remains an unstoppable creative force, designing scenery for two world premiere adaptations this season: The Servant of Two Masters and Don Quixote.' The 2009 season opens at 8:00 p.m. Friday, February 20, in the Angus Bowmer Theatre on the battlefields of Scotland with William Shakespeare's tragic play, Macbeth, directed by guest artist Gale Edwards. On Saturday, February 21 at 1:30 p.m. in the Angus Bowmer Theatre, theatergoers will have the opportunity to see the rarely produced Death and the King's Horseman,, written by Nigeria's Nobel Laureate playwright Wole Soyinka and directed by Goodman Theatre resident artist Chuck Smith. At 8:00 p.m. that evening, audiences will be treated to Meredith Willson's classic American musical The Music Man, directed by Rauch.

The Tony Award-winning Oregon Shakespeare Festival opens its 74th year the weekend of February 20-22 and celebrates the 50th anniversary of the Elizabethan Stage. In honor of that milestone, OSF is dedicating the 2009 season to principal theatre and scenic designer, Richard L. Hay, acknowledging his creative work that spans more than 50 years at OSF and includes the design of all three theatre spaces, beginning with the current Elizabethan Stage in 1959, half a century ago. 'I am deeply moved as I reflect on the achievement and commitment of our extraordinary theater artist, Richard Hay,' OSF Artistic Director Bill Rauch said, 'whose dedication to our artform and to OSF is an inspiration to all of us. The remarkable spaces he designed allow for a connection between actors and audiences that make OSF's theater experience unique and richly satisfying. And he remains an unstoppable creative force, designing scenery for two world premiere adaptations this season: The Servant of Two Masters and Don Quixote.' The 2009 season opens at 8:00 p.m. Friday, February 20, in the Angus Bowmer Theatre on the battlefields of Scotland with William Shakespeare's tragic play, Macbeth, directed by guest artist Gale Edwards. On Saturday, February 21 at 1:30 p.m. in the Angus Bowmer Theatre, theatergoers will have the opportunity to see the rarely produced Death and the King's Horseman,, written by Nigeria's Nobel Laureate playwright Wole Soyinka and directed by Goodman Theatre resident artist Chuck Smith. At 8:00 p.m. that evening, audiences will be treated to Meredith Willson's classic American musical The Music Man, directed by Rauch.

Chicago Shakespeare Theater has mounted a truly state-of-the-art production of one of the Bard's greatest tragedies, Othello, in its mainstage Courtyard Theater on Navy Pier. Everything, from the acting to the designs to the elocution to the pacing, is top-notch and exemplary. Now if they could just find a script worthy of all that theatrical expertise!