Alex Jaeger News

Magic Theatre welcomes back award-winning playwright Luis Alfaro with the world premiere of Bruja, a reimagining of Euripides' Medea, running from tongiht, May 24 - June 24. From the critically acclaimed writer of Oedipus el Rey, comes a contemporary story so haunting and sensual, it explodes one of the ancient myths most firmly embedded in our culture.

Magic Theatre is proud to welcome back award-winning playwright Luis Alfaro with the world premiere of Bruja, a reimagining of Euripides' Medea, running from May 24 - June 24. From the critically acclaimed writer of Oedipus el Rey, comes a contemporary story so haunting and sensual, it explodes one of the ancient myths most firmly embedded in our culture.

American Conservatory Theater (A.C.T.) continues its 2011-12 season with the West Coast premiere of Maple and Vine, written by Jordan Harrison and directed by A.C.T. Associate Artistic Director Mark Rucker. Fresh from a run at Playwrights Horizons in New York City, Maple and Vine tells the story of married couple Katha and Ryu, a pair of stressed-out urban professionals who feel unfulfilled by the impersonal gadgets and fast-paced lifestyle of the modern world. After meeting a charismatic man from a community of 1950s reenactors, they decide to swap cell phones and sushi for phone trees and fish sticks by joining a community where life is slower, passion is risqué, and a cocktail is a daily accessory. In this recreated world, where retro attitudes about gender, race, and sexuality stir up powerful questions, Katha and Ryu must decide how much they are willing to sacrifice for happiness and whether the 'good old days' were really that good. Maple and Vine performs a limited run March 29-April 22, 2012, at the American Conservatory Theater (415 Geary Street, San Francisco). Tickets (starting at $10) are on sale now and may be purchased online at act-sf.org or by calling 415.749.2228. Check out the video preview with clips from the show and audience interviews below!

American Conservatory Theater (A.C.T.) continues its 2011-12 season with the West Coast premiere of Maple and Vine, written by Jordan Harrison and directed by A.C.T. Associate Artistic Director Mark Rucker. Fresh from a run at Playwrights Horizons in New York City, Maple and Vine tells the story of married couple Katha and Ryu, a pair of stressed-out urban professionals who feel unfulfilled by the impersonal gadgets and fast-paced lifestyle of the modern world. After meeting a charismatic man from a community of 1950s reenactors, they decide to swap cell phones and sushi for phone trees and fish sticks by joining a community where life is slower, passion is risque, and a cocktail is a daily accessory. In this recreated world, where retro attitudes about gender, race, and sexuality stir up powerful questions, Katha and Ryu must decide how much they are willing to sacrifice for happiness and whether the "good old days" were really that good. Maple and Vine performs a limited run March 29-April 22, 2012, at the American Conservatory Theater (415 Geary Street, San Francisco). Tickets (starting at $10) are on sale now and may be purchased online at act-sf.org or by calling 415.749.2228.

Asolo Repertory Theatre's rep season begins on January 6, 2012 with the opening of Broadway legends Kaufman and Hart's ONCE IN A LIFETIME.

Asolo Repertory Theatre's rep season begins on January 6, 2012 with the opening of Broadway legends Kaufman and Hart's ONCE IN A LIFETIME.

When the night is dark and stormy, or the mist is rising on the moors under a full moon; when there are macabre stirrings in the tomb, or the unearthly howling of laughter from audience members - it must be the season for THE MYSTERY OF IRMA VEP, Charles Ludlam's ribald sendup of gothic romance and horror that begins preview next Wednesday, October 12, opens October 15, and continues through November 6 at RUBICON THEATRE COMPANY.

When the night is dark and stormy, or the mist is rising on the moors under a full moon; when there are macabre stirrings in the tomb, or the unearthly howling of laughter from audience members - it must be the season for THE MYSTERY OF IRMA VEP, Charles Ludlam's ribald sendup of gothic romance and horror that begins preview next Wednesday, October 12, opens October 15, and continues through November 6 at RUBICON THEATRE COMPANY.

When the night is dark and stormy, or the mist is rising on the moors under a full moon; when there are macabre stirrings in the tomb, or the unearthly howling of laughter from audience members - it must be the season for THE MYSTERY OF IRMA VEP, Charles Ludlam's ribald sendup of gothic romance and horror that begins preview next Wednesday, October 12, opens October 15, and continues through November 6 at RUBICON THEATRE COMPANY.

The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).

The Studio Theatre follows up its 2008 hit production of The History Boys with Alan Bennett's next play, The Habit of Art. Deep in the bowels of London's National Theatre, rehearsals for a new play go apace: Benjamin Britten is having trouble with his latest opera and seeks out his collaborator, poet W. H. Auden, after a twenty-five year separation. Between visits by a rent boy and a biographer-whom Auden briefly mistakes for the rent boy-these aging artists wrestle with their desires, their jealousies, the ephemeral connection between creativity and inspiration, and all the reasons their friendship fell apart.

The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).

The Studio Theatre follows up its 2008 hit production of The History Boys with Alan Bennett's next play, The Habit of Art. Deep in the bowels of London's National Theatre, rehearsals for a new play go apace: Benjamin Britten is having trouble with his latest opera and seeks out his collaborator, poet W. H. Auden, after a twenty-five year separation. Between visits by a rent boy and a biographer-whom Auden briefly mistakes for the rent boy-these aging artists wrestle with their desires, their jealousies, the ephemeral connection between creativity and inspiration, and all the reasons their friendship fell apart.

The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).

This world premiere penned by MacArthur genius Luis Alfaro and directed by Loretta Greco will close on Sunday, March 14th.

Spurred by critical acclaim and audience demand, Magic Theatre, San Francisco's home for new plays, has extended the run of Oedipus el Rey for an additional two weeks. This world premiere penned by MacArthur genius Luis Alfaro and directed by Loretta Greco must close Sunday, March 14th.

Magic Theatre, San Francisco's home for new plays, kicks off the new year with the world premiere of Oedipus el Rey by Luis Alfaro, directed by Loretta Greco. Oedipus el Rey, a reimagined classic, opens February 3rd, 2010.