Alan Lee News

The Boiler Room Theatre (in The Factory at Franklin, 230 Franklin Road, Bldg Six, Franklin, 37064) opens its 10th Anniversary season with the classic musical 'Fiddler on the Roof.'

The Boiler Room Theatre (BRT), Williamson County's residentprofessional theatre company, will open its 10 th season on Feb. 5, 2010 with Fiddler onthe Roof for a run through Feb. 27 at the theatre, located in the historic Factory at Franklin, 230 Franklin Rd., Building Six, in Franklin, Tenn.

The Boiler Room Theatre (in The Factory at Franklin, 230 Franklin Road, Bldg Six, Franklin, 37064) opens its 10th Anniversary season with the classic musical 'Fiddler on the Roof.'

The inspired lunacy of Michael Frayn's Noises Off is a good choice for any theatre company seeking to offer a glimpse into the wacky antics of life on the boards and Circle Players continues its 60th annual season with a largely successful production that features the aforementioned stellar performances of Maggie Pitt and Jeremy Maxwell in the roles of Poppy and Tim (the techies in Frayn's show-within-a-show structure). Pitt and Maxwell deliver disarmingly natural performances amid all the hilarious hijinks taking place in Frayn's wonderfully funny farce and they very nearly-actually, they do it outright-steal the show.

Opening Friday, October 16, at Nashville's Z. Alexander Looby Theatre, and running for three weekends, the plot of Noises Off focuses on a 'highly dysfunctional theatre troupe as it puts on an unfunny farce called Nothing On,' explains Regine McClain, Circle's public relations director. 'In Act 1, the audience gets to see a dress rehearsal that is not going well. In Act 2, the cast performs the first act as the audience watches from the backstage perspective, where things are getting out of hand. The final act shows the play after two months of touring, when the show has deteriorated into a total disaster, yet a delightful one.'

Michael Frayn's Noises Off is the next production of Circle Players' 2009-2010 season, running October 16 through November 1. Frayn's comedy is a play with a play, filled with door slams and physical gags as a dysfunctional cast and crew attempt to open a new theatre production to tour the British provinces.

Green has long been heralded as one of the region's finest music directors, while Ditty has gained a justifiably stellar reputation as one of the best choreographers around. With this production, which exemplifies the term 'all-singing, all-dancing,' it's apropos then that the two would share the directing credit. Obviously, from the first notes of the overture to the final tormented moments of Jesus Christ's death on the cross, the shared vision of the two men is vividly portrayed and stunningly realized. The work, widely considered the first 'rock opera,' is movingly exhilarating, taking audiences on a veritable rollercoaster ride of emotional highs and lows.

Andrew Lloyd Webber and Tim Rice's historic rock opera Jesus Christ Superstar bows at Boiler Room Theatre Friday night, August 21, continuing through September 19 at the Franklin theatre. Directed by Jamey Green, with choreography by Billy Ditty, Jesus Christ Superstar is widely regarded as the first rock opera, originally created as a concept album at the end of the '60s.

Andrew Lloyd Webber and Tim Rice's historic rock opera Jesus Christ Superstar bows at Boiler Room Theatre Friday night, August 21, continuing through September 19 at the Franklin theatre. Directed by Jamey Green, with choreography by Billy Ditty, Jesus Christ Superstar is widely regarded as the first rock opera, originally created as a concept album at the end of the '60s.

The Boiler Room Theatre (BRT), Williamson County?s resident professional theatre company, will present Andrew Lloyd Webber?s rock opera Jesus Christ Superstar, beginning Aug. 21, 2009 at the theater, located in the historic Factory at Franklin, 230 Franklin Rd., Building Six, for a run through Sept. 19, 2009.

You have to hand it to the creative minds at Boiler Room Theatre: year after year they mount seasons filled with ambitious offerings, they attract some of the most talented actors, directors and theatre technicians to be found and, most compellingly, they draw loyal, involved audiences