Adrienne Barbeau News

La Mirada Theatre For The Performing Arts & Mccoy Rigby Entertainment present the fifth show of its 2016-2017 season, Davis Gaines starring in his Ovation award-winning role as Don Quixote in MAN OF LA MANCHA, with book by Dale Wasserman, lyrics by Joe Darion, music by Mitch Leigh, musical direction by Jeff Rizzo, choreography by Patti Colombo and directed by Glenn Casale.

Rock n Roll never forgets!  Greasepaint Youtheatre is proud to present GREASE February 10-19, 2017. Rydell High's senior class of 1959  duck-tailed, hot-rodding 'Burger Palace Boys' and their gum-snapping, hip-shaking 'Pink Ladies' in bobby sox and pedal pushers, evoking the look and sound of the 1950s in this rollicking musical.

LA MIRADA THEATRE FOR THE PERFORMING ARTS & McCOY RIGBY ENTERTAINMENT opened the first show of its 2016-2017 season, the Los Angeles premiere production of THE HUNCHBACK OF NOTRE DAME, music by Alan Menken, lyrics by Stephen Schwartz, book by Peter Parnell, musical direction by Dennis Castellano, choreography by Dana Solimando and directed by Glenn Casale.  THE HUNCHBACK OF NOTRE DAME is running through Sunday, October 9, 2016 at La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd in La Mirada.   BroadwayWorld brings you a first look at the opening night celebration below!

Her talent is legendary, her true story electrifying. The iconic Judy Garland comes to vivid dramatic life in Billy Van Zandt's "The Property Known as Garland", slated for performance at the Bridge Street Theatre Speakeasy, 44 West Bridge Street in Catskill, Fridays through Sundays from August 19th until the 28th.

Her talent is legendary, her true story electrifying. The iconic Judy Garland comes to vivid dramatic life in Billy Van Zandt's 'The Property Known as Garland', slated for performance at the Bridge Street Theatre Speakeasy, 44 West Bridge Street in Catskill, Fridays through Sundays from August 19th until the 28th.

Four-Time Tony Award Winner PIPPIN is heading to Europe with Broadway star Kyle Dean Massey to join in Amsterdam.

Four-Time Tony Award Winner PIPPIN is heading to Europe with Broadway star Kyle Dean Massey to join in Amsterdam.

After a successful run on Broadway as well as a national tour through the country, the high-flying, tony awards-winning hit musical PIPPIN is heading to Europe. Hailed by audiences and critics alike this 'eye-popping, jaw-dropping extravaganza' opens in Amsterdam, The Netherlands on March 9 for a 5-weeks run through April 10. The European premiere is on March 10.

There are some shows that tempt a reviewer to write a lengthy essay going into great detail about the many reasons why the show succeeds or fails. Other shows make a reviewer simply want to say, 'Just go see this show,' and nothing more. While there is, of course, much to say about the touring production of the Broadway musical Pippin, now at Providence Performing Arts Center, the production's merits can absolutely be summed up briefly: See. This. Show.

The extraordinary journey of the Broadway revival of PIPPIN began at the American Repertory Theater in Cambridge a few years back, and now that triumphant Tony Award-winning musical, directed by Diane Paulus, is back in Boston via the national tour. While some tweaks have since been made to the production that had its Broadway tryout at the A.R.T., the show's exuberant joie de vivre and circus-inspired excitement are still intact. If anything, the show's politics and humor have been heightened in this iteration, thanks largely to its sensational cast.

The National Tour of PIPPIN is, hands down, the finest touring production to land at The McCallum Theatre during my tenure in the desert cities. Passionate. Polished. Near Perfection! It is a glorious spectacle of sight, sound and immaculate storytelling that, despite its mesmerizing visual feast of circus spectacle, remains honest and intimate and, at every turn, very human.

There are the warhorse musicals of Rodgers and Hammerstein, Cole Porter, and Irving Berlin; there are the lavish productions befitting Phantoms in opera houses and French revolutionaries and revisionist fairy tales (and you know the ones I mean); there are the Disney powerhouses; and . . . there are musicals of a quaint, mind-nudging nature that don't quite fit into any category. Certainly THE FANTASTICKS comes to mind, and -- at least in the previous productions I have seen -- Stephen Schwartz's PIPPIN. Somewhere in my video collection is a filmed version of the musical with William Katt, and just a few years ago PIPPIN was the first musical staged at the shiny, new Playhouse on the Square (with Alvaro Francisco stepping in for a sidelined Jordan Nichols). I sometimes think that small-scale musicals are better suited to venues less grand than the Orpheum; I needn't have worried, however, as PIPPIN has acquired the kind of theatrical, Cirque du Soleil-style atmosphere that perfectly suits the show's opening number, 'Magic to Do.'

The circus is in town and I ain't talking about Barnum & Bailey! The national tour of the 2013 revival of PIPPIN made its way to the Bayou City and I'm hippopotamusly happy to see this tour! When creative geniuses such as Bob Fosse and Stephen Schwartz are at the helm of the original material, there's no denying that a musical theatre maven such as myself would be overzealous.

David Cerda, the crown prince of Chicago Camp, is back and in top form with his latest queer take on horror anthologies, SCREAM, QUEEN, SCREAM! Cerda, the artistic director of Hell in a Handbag Productions, wrote the show and also stars in one of the trilogy of stories. It runs through Oct. 31 at Mary's Attic (5400 N. Clark).

Tens of thousands of people converged on the Donald E. Stephens Convention Center in Chicago, Illinois during the recent Wizard World Comic Con in the hope of getting an autograph or shaking the hand of the man whose movies had changed their lives-Hollywood megastar Burt Reynolds. Scroll down for photos!

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. Tours of 'Persuasion,' 'Pippin' and '42nd Street,' dueling productions of 'American Idiot,' Michael Kingston and Jane Lynch solo out, 'Bette' adds a date, Theo Ubique announced 'Blood Brothers,' Porchlight sets the season, and 'The Wiz Live!' gets movin' down the road!

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'Pippin' performs at the Cadillac Palace and Sidetrack, dueling showtune concerts on August 17, and a summer 'Altar Boyz.' Plus local premieres of 'The Boy From Oz,' 'American Idiot' and 'Dogfight,' 'Gypsy' in Lake County, and 'The Producers' in true rep with 'Victor/Victoria!'

Actor-turned-filmmaker Michael Lee Stever (SUPER FORCE, BROADWAY: THE GOLDEN AGE) and revered stage actress and Academy Award nominee Piper Laurie (THE HUSTLER, TWIN PEAKS, CARRIE) are joining 'Scares That Care' founder Joe Ripple and his entire team tonight, tomorrow & Sunday in Williamsburg, Virginia for the second annual 'Scares That Care' Weekend film festival and convention.  

Like most theatre enthusiasts, I've always enjoyed Stephen Schwartz's score for PIPPIN, with "Magic To Do" and "Corner Of The Sky" easily being my favorite songs. That being said, the original production of the show (which, admittedly, I knew only from the VHS recording of the original Broadway cast, and a low-budget college production I saw) never resonated with me. While the opening of the show was always exciting, the show lost its glitter after the first few scenes. Then, in 2013, when I took a front-row seat at New York's Music Box Theatre to catch the celebrated Broadway revival, I found myself lost in this version's newly polished magic. The revival had won me over, and eventually I made two more trips back to New York (to the same seats) for two additional performances.

PIPPIN does what musical theatre ought to do: hooks you with a great opening number, gives you characters to love and hate, treats your senses with song, dance, costuming, sets and lights and offers fresh perspective on a timeless theme.