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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A BRONX TALE THE MUSICAL (LONGACRE) |
$582,857 | $582,857 | $90 $225 |
6,497 | 8,352 | 8 | 77.80% |
|
ALADDIN (NEW AMSTERDAM) |
$1,413,892 | $1,413,892 | $103 $216 |
13,694 | 13,816 | 8 | 99.10% |
|
ANASTASIA (BROADHURST) |
$839,754 | $839,754 | $100 $273 |
8,415 | 9,144 | 8 | 92.00% |
|
ANGELS IN AMERICA (NEIL SIMON) |
$928,535 | $928,535 | $109 $247 |
8,539 | 9,954 | 7 | 85.80% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$710,611 | $710,611 | $112 $247 |
6,358 | 8,208 | 8 | 77.50% |
|
CAROUSEL (IMPERIAL) |
$1,282,413 | $1,282,413 | $122 $323 |
10,555 | 11,424 | 8 | 92.40% |
|
CHICAGO (AMBASSADOR) |
$700,234 | $700,234 | $89 $187 |
7,861 | 8,640 | 8 | 91.00% |
|
CHILDREN OF A LESSER GOD (STUDIO 54) |
$354,180 | $354,180 | $58 $247 |
6,093 | 8,032 | 8 | 75.90% |
|
COME FROM AWAY (SCHOENFELD) |
$1,237,166 | $1,237,166 | $145 $347 |
8,525 | 8,368 | 8 | 101.90% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,733,174 | $1,733,174 | $217 $448 |
7,987 | 7,872 | 8 | 101.50% |
|
ESCAPE TO MARGARITAVILLE (MARQUIS) |
$698,231 | $698,231 | $89 $247 |
7,856 | 13,008 | 8 | 60.40% |
|
FROZEN (ST. JAMES) |
$1,774,655 | $1,774,655 | $134 $297 |
13,256 | 13,440 | 8 | 98.60% |
|
HAMILTON (RICHARD RODGERS) |
$3,081,677 | $3,081,677 | $287 $849 |
10,756 | 10,568 | 8 | 101.80% |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$1,272,136 | $1,272,136 | $98 $287 |
12,976 | 12,976 | 8 | 100.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HELLO, DOLLY! (SHUBERT) |
$1,053,117 | $1,053,117 | $99 $297 |
10,640 | 11,568 | 8 | 92.00% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$911,645 | $911,645 | $95 $249 |
9,561 | 11,392 | 8 | 83.90% |
|
LOBBY HERO (HAYES) |
$492,024 | $492,024 | $109 $299 |
4,502 | 4,648 | 8 | 96.90% |
|
MEAN GIRLS (AUGUST WILSON) |
$1,469,881 | $1,469,881 | $149 $300 |
9,891 | 9,800 | 8 | 100.90% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$940,629 | $940,629 | $110 $323 |
8,552 | 8,552 | 8 | 100.00% |
|
ONCE ON THIS ISLAND (CIRCLE IN THE SQUARE) |
$474,934 | $474,934 | $92 $250 |
5,151 | 5,568 | 8 | 92.50% |
|
ROCKTOPIA (BROADWAY) |
$613,009 | $613,009 | $60 $247 |
10,252 | 14,040 | 8 | 73.00% |
|
SAINT JOAN (FRIEDMAN) |
$219,105 | $219,105 | $45 $199 |
4,882 | 5,176 | 8 | 94.30% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$917,165 | $917,165 | $90 $248 |
10,226 | 12,184 | 8 | 83.90% |
|
SPONGEBOB SQUAREPANTS (PALACE) |
$657,315 | $657,315 | $69 $248 |
9,586 | 12,880 | 8 | 74.40% |
|
SPRINGSTEEN ON BROADWAY (WALTER KERR) |
$1,925,155 | $1,925,155 | $508 $850 |
3,792 | 3,792 | 4 | 100.00% |
|
SUMMER (LUNT-FONTANNE) |
$962,917 | $962,917 | $88 $197 |
10,950 | 11,760 | 8 | 93.10% |
|
THE BAND'S VISIT (ETHEL BARRYMORE) |
$844,448 | $844,448 | $109 $247 |
7,724 | 8,312 | 8 | 92.90% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,163,173 | $1,163,173 | $134 $478 |
8,650 | 8,376 | 8 | 103.30% |
|
THE ICEMAN COMETH (JACOBS) |
$872,548 | $872,548 | $138 $397 |
6,324 | 6,324 | 6 | 100.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,117,628 | $2,117,628 | $157 $225 |
13,449 | 13,568 | 8 | 99.10% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,081,646 | $1,081,646 | $88 $213 |
12,272 | 12,840 | 8 | 95.60% |
|
THE PLAY THAT GOES WRONG (LYCEUM) |
$316,767 | $316,767 | $63 $197 |
5,067 | 6,832 | 8 | 74.20% |
|
THREE TALL WOMEN (GOLDEN) |
$853,774 | $853,774 | $136 $348 |
6,296 | 6,296 | 8 | 100.00% |
|
TRAVESTIES (AMERICAN AIRLINES) |
$319,321 | $319,321 | $62 $147 |
5,138 | 5,816 | 8 | 88.30% |
|
WAITRESS (BROOKS ATKINSON) |
$891,796 | $891,796 | $117 $270 |
7,609 | 8,360 | 8 | 91.00% |
|
WICKED (GERSHWIN) |
$1,798,728 | $1,798,728 | $119 $240 |
15,085 | 15,408 | 8 | 97.90% |
| TOTAL | $37,506,240 | $1,041,840 | $119.08 $302.96 |
314,967 | 347,294 | 281 | 90.69% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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