Equity Chorus Call / Singers
Tuesday, March 25th, 2014
10 AM - Equity Female Singers
2 PM - Equity Male Singers
LORT (at La Jolla) and COST (at Paper Mill) *
Pearl Studios NYC "500"
500 Eighth Avenue
New York, NY
Male and Female Ensemble Singers and Swings:
All should have fantastic singing voices of all ethnicities and should be familiar with Latin.
see breakdown for more info.
Please prepare a traditional legit musical theatre song that shows legit technique and high range. An accompanist will be provided.
Please bring a picture and resume, STAPLED TOGETHER.
See breakdown for Rehearsal and Run dates for both La Jolla Playhouse and Paper Mill Playhouse.
* Salary note:
At La Jolla: $812/wk min. At Paper Mill: $824/wk min.
Based on the Victor Hugo Novel and Disney film
Producer: Disney Theatrical Productions
Casting: Tara Rubin Casting
Director: Scott Schwartz
Music: Alan Menken
Lyrics: Stephen Schwartz
Book: Peter Parnell
Music Supervisor: Michael Kosarin
Music Director: Brent-Alan Huffman
· Chorus rules are in effect.
· A monitor will be provided.
Performers of all ethnic and racial background are encouraged to attend.
Always bring your Equity Membership Card to auditions.
La Jolla Playhouse
LORT B Contract/$812 wkly. minimum
Artistic Director: Christopher Ashley
Managing Director: Michael Rosenberg
Associate Producer: Dana Harrel
First rehearsal is September 16, 2014
First Tech is Oct 14, 2014
First preview – October 26, 2014
Opening – Nov 9, 2014
Closing – Dec 7, 2014
Paper Mill Playhouse
COST Tier 4- Equity Minimum $824/week
Producing Artistic Director: Mark S. Hoebee
Managing Director: Todd Schmidt
Rehearsals start Monday, Feb 16 , 2015
Tech begins Thursday, Feb 26, 2015
First preview Wednesday, March 4, 2015
Press opening Friday, March 13 , 2015
Closing April 5, 2015
Disney Theatrical Productions is currently developing The Hunchback of Notre Dame into a new stage musical based on Victor Hugo’s famous 1831 novel and the 1996 Disney animated feature. This is a reinvention of the 1999 German production Der Glockner von Notre Dame. This new approach to the material incorporates a “story theatre” style of dramatization in an intimate staging. The epic tale is set in late 15th century Paris. The Hunchback of Notre Dame investigates “what makes a monster and what makes a man.” This musical features the Oscar nominated score by Alan Menken (music) and Stephen Schwartz (lyrics) with a new book by Peter Parnell.
MALE ENSEMBLE AND SWINGS (with no understudy/covers)
Seeking men with fantastic singing voices of all ethnicities- should be familiar with Latin. These men should be all ages and sizes. The ensemble men may also play featured roles, townspeople, priests, gargoyles, gypsies, soldiers, etc. Will also understudy principals.
FEMALE ENSEMBLE AND SWING (with no understudy/covers)
Seeking women with fantastic singing voices of all ethnicities- should be familiar with Latin. The ensemble women may also play featured roles, townspeople, priests, gargoyles, gypsies, soldiers, etc. Will also understudy principals.
20s, deformed and reclusive. Longs to see the outside world, but staunchly loyal to his master, Frollo. Possesses great vulnerability, but covers a deep well of pain and rage. This actor will be physically representing Quasimodo’s deformity, much like in An Elephant Man. Therefore actors submitted for this role must be dexterous and flexible. Strong tenor. Range Bb 2 to C5. Will UNDERSTUDY the role of QUASIMODO
50s, Archdeacon of Notre Dame. A severe man who is convinced of his own goodness and righteousness. He struggles with the conflict between the self-denial required by his religious belief and his strong sexual desire for Esmerelda. This struggle ultimately drives him mad. Baritone with a rich lower register. Range: F2 to F4. For EPA audition, please sing a song featuring the lower part of range. Will UNDERSTUDY the role of FROLLO
20s, exquisitely beautiful, exotic and oozing with sexuality. A free-spirited gypsy who has often gotten into trouble for speaking her mind and standing up for what she believes in. Mezzo. Range E3 to Eb 5. For EPA audition, please sing contemporary pop theatre (not rock) song. Will UNDERSTUDY the role of ESMERALDA
30s, dashing captain of the Cathedral Guard. Leading man type who is conflicted between following his duty and doing what’s right. Tenor. Range: C3 to A4. Will UNDERSTUDY the role of PHOEBUS
30s/40s, a great character man with flair. The King of the Gypsies. High tenor. C3 to Bb 4.