EMMA **Revised** Equity Principal Audition - Staged Reading Auditions

Posted January 18, 2017
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EMMA **Revised** - Staged Reading

EMMA - NYC EPA **Revised**

Stageworks Media


**Revised Salary**


AUDITION DATE

Jan 30, 2017

10:00 am - 6:00 pm (EST)

Lunch 1:30 to 2:30

Jan 31, 2017

10:00 am - 6:00 pm (EST)

Lunch 1:30 to 2:30

CONTRACT

Staged Reading Contractapproval pending; $500/week


SEEKING

Equity actor/singers for various roles.



PREPARATION

Please prepare two 16-bar selections, pop songs only. Song selections should have storytelling or comedy spins. Bring sheet music, an accompanist will be provided.

Please bring a picture and resume, stapled together.


LOCATION

Pearl Studios NYC (500)

500 8th Avenue

New York, NY 10018-6504

12th floor



PERSONNEL

Written by: Eric Price
Adapted from the novel by: Jane Austen
Score: Various
Director: Travis Greisler
Choreographer: Misha Shields
Musical Director: Dan Green
General Mgt: Kyle Provost/DR Theatrical Management
Casting: Laura Stanczyk Casting



OTHER DATES

1st rehearsal: 2/13/17
Reading Presentations: 2/23/17 & 2/24/17



OTHER

EPA Procedures are in effect for this audition.

An Equity monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.


BREAKDOWN

EMMA WOODHOUSE
A beautiful and smart high school senior who exudes confidence, especially when it concerns what other people should do with their lives. When it comes to her own life, she’s not so sure, but covers it up with witty banter, energy and humor. Must be a strong singer and dancer/mover. Hip hop a plus.

HARRIET SMITH
A sophomore who is somewhat shy, easily swayed and incurably romantic. Her emotions can vary wildly, but her sweetness never goes away. Must be a strong singer, dancer/mover, hip hop a plus

JEFF KNIGHTLEY
A smart clean cut high school senior who finds himself enlisted as a substitute teacher for the freshman and sophomore science classes. He is witty and has a good sense of humor, but a bit of a know-it-all. Strong singer, dancer/mover - hip hop.

FRANKIE CHURCHILL
A world famous pop star who attended Highbury during his freshman year before he got a record contract and left school. Sometimes uncomfortable having such a glamorous life, and wishes he could be a little more normal. A very strong singer, who can dance well - hip hop specifically.

JANE FAIRFAX
A junior from Ohio who is considering transferring to Highbury. Rebellious and occasionally gives off a sense of entitlement. But when she lets her guard down, she’s caring and genuine. Must sing well, and dance hip hop.

PHILIP ELTON
A junior running for president of next year’s student council Snobby, arrogant, and a true politician, in the worst sense of the word. Must sing well, strong dancer - hip hop.

MARTIN
A sweet, shy, kinda dorky sophomore at the local public school. Has a part time job as a dishwasher/busboy in the kitchen at Highbury. His two favorite things are his bowling team and Harriet. Must sing and dance well. Specifically hip hop.

ASHLEY
A junior who is exuberant and narcissistic who starts dating Philip. An ambitious social climber who wants to be an actress and singer and is ready to perform for anyone at any time. Must be a great singer, and dance well. Specifically hip hop.

MISS BATES
Highbury Prep’s Head Mistress. Can be overly imposing, overly emotional and sometimes over enthusiastic. Must sing well, and be a strong mover.

BENNET (female, pronounced Bennét), DASH (female), and WOODY (male)
Three dynamic Highbury students who are always on hand to perform. WOODY performs in all numbers with the girls.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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