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Breakdown
2016-17 SEASON
Mertz Theatre LORT B
GUYS & DOLLS
music/lyrics Frank Loesser
book Jo Swerling and Abe Burrows
Dir: Josh Rhodes
1st reh: 10/11/16. Perfs: 11/15 - 1/1/17
All actors must have at least basic dance ability. Roles specifically listed as requiring dance must have advanced level dance skills.
NICELY-NICELY JOHNSON
Late 20s-Late 40s, All Ethnicities. High tenor up to B-flat. Funny character guy, likeable and somehow sweet, comedic. An eccentric gambler and one of Nathan’s closest associates.
BENNY SOUTHSTREET
Early 30s-Late 40s, All Ethnicities. Baritone up to high G. Funny character man. Abbott to Nicely’s Costello.
RUSTY CHARLIE
Early 30s-Late 40s. All Ethnicities. Baritone. Gambler, looking for action wherever he can find it. Actor may play other roles in the ENSEMBLE.
SARAH BROWN
Mid-20s-Late 30s, All Ethnicities. Soprano up to high A. Prim and proper Salvation Army officer. Has a hidden wild streak waiting to come out. An idealistic but sheltered missionary. Kind-hearted but like Sky, too categorical in her view of the world. Charisma, a natural beauty and a silky jazz voice are important attributes.
ARVIDE ABERNATHY
Late 50s-Early 70s, All Ethnicities. Lyric baritone. Salvation Army man and Sarah’s paternal figure. Kind, gentle, thoughtful. A reasonable old man with a warm heart that harbors only
the kindest intentions, even if he tends to be a little gullible.
AGATHA
Early 20s-Late 30s. All Ethnicities. Mezzo. Member of the Save-a-Soul Mission band. Must be able to dance because actress also plays a HOT BOX GIRL.
CALVIN/HAVANA WAITER
Early 20s-Late 30s. All Ethnicities. Flexible vocal range. Member of the Save-a-Soul mission band. Actor also plays HAVANA WAITER and may also play other roles in the ENSEMBLE.
MARTHA
Early 20s-Late 30s. All Ethnicities. Flexible vocal range. Member of the Save-a-Soul Mission band. Must be able to dance because actress also plays a HOT BOX GIRL.
HARRY THE HORSE
Early 30s-Late 40s, All Ethnicities. Gambler; all talk and little action. Mouthpiece for Big Jule. Actor may play other roles in the ENSEMBLE.
LT. BRANNIGAN
Early 30s-Early 50s, All Ethnicities. Non-singing. Member of the police force trying to stop the floating crap games; tries to command respect, but the gangsters don’t really play along.
NATHAN DETROIT
Late 20s-Early 40s, All Ethnicities. Baritone up to high F. A rogue and a gambler but also a respected leader of his gang of ne’er do wells. Comedic and charming but a bit strapped for cash. A consummate businessman with divided loyalties. Adelaide’s fiancé.
ANGIE THE OX
18+, All Ethnicities. A gambler. A bit of a bruiser, likes a good dice game. Actor may play other roles in the ENSEMBLE.
MISS ADELAIDE
Late 20s-Early 40s, All Ethnicities.Mezzo to A. A showgirl with a heart of gold and a perpetual, psychosomatic cold. Easy-going, electric, comedic tour-de-force. Smarter than she’s given credit for. Very aware of how very long she’s been engaged to Nathan.
SKY MASTERSON
Late 20s-Early 40s, All Ethnicities. Baritone up to E-flat. Smart, charming, handsome gambler. Romantic leading man with a bit of an edge. Able to adapt to any situation but ready to reel off pre-prepared anecdotes regarding his view of the world. Despite his failings, Sky is immensely likeable and oozes style.
JOEY BILTMORE
Early 20s-Early 40s. All Ethnicities. Owner of the garage where Nathan hopes to hold the crap game. Smart aleck with a bit of a smart mouth. Doesn’t take nonsense from anyone, not even Nathan. Actor may play other roles in the ENSEMBLE.
MIMI
Early 20s-Late 30s. All Ethnicities. Flexible vocal range. One of the Hot Box Girls – a dancer in Adelaide’s revue. Must have strong dance ability. Actress may play other roles in the ENSEMBLE.
GENERAL MATILDA B. CARTWRIGHT
Early 40s-Early 60s, All Ethnicities. Mezzo. Business like and in-control, but ready to cut loose. Actress may play other roles in the ENSEMBLE.
BIG JULE
Early 30s-Early 50s, All Ethnicities. Imposing, tough gangster from Chicago. An intimidating hustler. Temperamental. A sore loser. Although not necessarily a large man, he has undisputed stage presence.
HOT BOX GIRL/ENSEMBLE
Female Early 20s – Early 30s. All Ethnicities. Flexibly talented singer-dancer. Flexible voice part.
HOT BOX GIRL/ENSEMBLE
Female Early 20s – Early 30s. All Ethnicities. Flexibly talented singer-dancer. Flexible voice part.
HOT BOX GIRL/ENSEMBLE
Female Early 20s – Early 30s. All Ethnicities. Flexibly talented singer-dancer. Flexible voice part.
HOT BOX GIRL/ENSEMBLE
Female Early 20s – Early 30s. All Ethnicities. Flexibly talented singer-dancer. Flexible voice part.
GAMBLER/ENSEMBLE
Male Early 20s – Early 30s. All Ethnicities. Flexibly talented singer-dancer. Flexible voice part.
GAMBLER/ENSEMBLE
Male Early 20s – Early 30s. All Ethnicities. Flexibly talented singer-dancer. Flexible voice part.
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THE GREAT SOCIETY
by Robert Schenkkan
Dir:Nicole A. Watson
1st reh: 11/29/16. Perfs: 1/11 - 4/2/17
MAYOR RICHARD DALEY
60s, Caucasian. Mayor of Chicago and President of the Cook County Democratic Central Committee. From a working-class, Irish-Catholic Chicago neighborhood. Collaborated with Martin Luther King and the SCLC to foster open housing in Chicago and eventually pass the Fair Housing Art of 1968. A shrewd politician who looks out for his own. Actor also plays GEN. WHEELER and other roles in the ENSEMBLE.
GENERAL EARLE WHEELER
Late 50s-Early 60s, Caucasian. Chairman of the Joint Chiefs of Staff, the nation’s top military officer. Oversaw the expansion of the US military presence in Vietnam, and encouraged LBJ to strike North Vietnam harder. A military man, through and through. Actor also plays RICHARD DALEY and other roles in the ENSEMBLE.
STOKELEY CARMICHAEL
20s, African-American. Civil rights activist. Gradually develops more radical political stances and abandons his allegiance to nonviolent protest, becoming a leader in the Black Power movement. Actor also plays JOHN LEWIS and other roles in the ENSEMBLE.
JOHN LEWIS
20s, African-American. Civil Rights activist. Helped lead the march from Selma to Montgomery, and was attacked by troopers. Staunchly committed to civil rights, fearless, influential orator. Actor also plays STOKELY CARMICHAEL and other roles in the ENSEMBLE.
EVERETT DIRKSEN
Late 50s-Early 70s, Caucasian. Senator from Illinois, Senate Minority Leader. Co–author of landmark Civil Rights Act of 1964 and Open Housing Act of 1968. Staunch supporter of Vietnam War. Known as 'The Wizard of Ooze' for his oratorical style, he is a slick political operator, who sees Johnson as a kindred spirit. A very smooth operator, accustomed to wielding great power. Actor also plays DELOACH and other roles in the ENSEMBLE.
DEKE DELOACH
Late 50s-Early 70s, Caucasian. Deputy Director of the FBI and Hoover’s right-hand-man. Actor also plays DIRKSEN and other roles in the ENSEMBLE.
BOB MOSES
Late 20s-Mid 30s, African-American. Leader of Student Nonviolent Coordinating. Committee. Leader of the Freedom Summer Project and the Mississippi Freedom Democratic Party. Heavily involved in the anti-Vietnam War movement. Shrewd, eloquent, passionate, tactical. Actor also plays REV. DOBYNES, HOSEA WILLIAMS, MARQUETTE FRYE, and other roles in the ENSEMBLE.
HOSEA WILLIAMS
Late 20s-Mid 30s, African-American. Civil Rights activist, leader in the Southern Christian Leadership Conference, and trusted friend of MLK. Helped lead the first march from Selma to Montgomery. Soldier, minister, and politician. Actor also plays BOB MOSES, REV. DOBYNES, MARQUETTE FRYE, and other roles in the ENSEMBLE.
REVEREND JAMES DOBYNES
Late 30s-Early 50s, African-American. Church minister in Marion, AL actively involved in the Civil Rights movement. Actor also plays BOB MOSES, HOSEA WILLIAMS, MARQUETTE FRYE, and other roles in the ENSEMBLE.
MARQUETTE FRYE
Late 20s-Mid 30s, African-American. His arrest as a suspected drunk driver started the Watts riots of 1965. Actor also plays BOB MOSES, REV. DOBYNES, HOSEA WILLIAMS, and other roles in the ENSEMBLE.
CORETTA SCOTT KING
Late 30s-Early-50s, African-American. Civil Rights activist and Martin Luther King, Jr.’s wife. Fierce, protective, loyal to her beliefs and her husband, protective of her family. Actress also plays SALLY CHILDRESS and other roles in the ENSEMBLE.
SALLY CHILDRESS
Early 40s-Early 60s, African-American. Secretary to LBJ. Devoted, quiet, a steadying presence. Actress also plays CORETTA SCOTT KING and other roles in the ENSEMBLE.
ROBERT MCNAMARA
Late-30s-Mid-50s, Caucasian. Secretary of Defense. Profoundly intelligent business executive forever marred by his architecture of the Vietnam War. Long accustomed to being the smartest kid in the room, a Whiz Kid hangover from JFK, not always comfortable with LBJ and his cronies. Actor also plays WILBUR MILLS and other roles in the ENSEMBLE.
REP. WILBUR MILLS
Late 30s-Mid 50s, Caucasian. US Representative for Arkansas; chairman of the House Ways and Means Committee. Considered by some as “the most powerful man in Washington.” Helped create the Medicare program. Tax expert and leading architect of the Tax Reform Act of 1969. A penny pincher, he puts the squeeze on LBJ over the budget and spending on the Vietnam conflict. Actor also plays ROBERT MCNAMARA and other roles in the ENSEMBLE.
JAMES BEVEL
Late 20s-Mid 30s, African-American. Leader with the SCLC, assisting with the 1965 Selma to Montgomery marches and the 1966 Chicago Open Housing Movement. Actor also plays JIMMIE LEE JACKSON and other roles in the ENSEMBLE.
JIMMIE LEE JACKSON
Late 20s-Mid 30s, African-American. Deacon and Civil Rights activist in Marion, AL. Killed by troopers and shot by an Alabama State Trooper while peaceful protesting, inspiring the Selma to Montgomery marches. Actor also plays JAMES BEVEL and other roles in the ENSEMBLE.
MURIEL HUMPHREY
Late 30s-Early 50s, Caucasian. Hubert Humphrey’s wife. Kind, warm-hearted, and supportive. Humphrey’s partner in everything. Actress also plays other roles in the ENSEMBLE.
STANLEY LEVISON
Late 40s – Early 50s. Progressive, liberal, social activist. Close advisor to Martin Luther King, Jr. Suspected communist. Actor also plays other roles in the ENSEMBLE.
FEMALE PROTESTOR
20s-40s. African American. Fiery and full of spirit; ready to fight for her beliefs.
The roles of President Lyndon Baines Johnson, Governor George Wallace, Richard Nixon, John McCone, Jim Clark, Dr. Martin Luther King, Jr., Lady Bird, Hubert Humphrey, Pat Nixon, Adam Walinsky, Robert F. Kennedy, Charles Robb, Norman Morrison, Dr. Appel, Gardner Ackley, Seymore Trammell, J. Edgar Hoover, Clark Clifford, Gen. William Westmoreland, Lynda Bird Johnson, Col. Al Lingo, Ralph Abernathy, Rep. Adam Clayton Powell, and the Sheriff’s Auxiliary have been cast.
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THE ORIGINALIST
by John Strand
Dir: Molly Smith
1st reh: 11/30/16. Perfs: 1/18 - 3/5/17
CAT
Mid to late 20s, a woman of color. A fiery, passionate young woman. A liberal lesbian, she is smart as a whip, a lawyer, and a quick thinker. She is deeply loyal, committed to her beliefs, and becomes increasingly confident in abilities over the course of the play.
The roles of Justice Antonin Scalia and Brad have been cast.
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BORN YESTERDAY
by Garson Kanin
Dir: Peter Amster
1st reh: 1/3/17. Perfs: 2/8 - 4/15/17
Mertz Theatre LORT B
BILLIE DAWN
Late 20s-Late 30s, any ethnicity. Former chorus girl and Brock’s girlfriend. Used to having her worth determined by her looks. Feisty and scrappy. A growing determination to better herself and separate herself from Brock.
HARRY BROCK
Early 30s-Late 40s, Caucasian. Junk yard salesman. A brute used to getting his way with money or force. Single-track mind with the inability to believe others could out maneuver him.
PAUL VERALL
Late 20s-Late 30s, any ethnicity. Staff writer for the New Republic. Personable, alert, energetic. Has a tendency to take things, and himself, too seriously, and he knows this. Fierce intellectual mind with a true passion for justice.
ED DEVERY
Late 40s-Early 60s, any ethnicity. Former secretary to a Supreme Court Justice; now Brock’s personal lawyer. A man formerly destined for greatness who lost his way – a burnt out shell of a great man. He uses alcohol to help him ignore Brock’s unscrupulous dealings and his own failures.
SENATOR NORVAL HEDGES
40s-60s, Caucasian. Washington Senator. Worried and worn down, though still possessing the bearing of a statesman. He is not a great man; he merely looks like one.
MRS. HEDGES
40s-60s, Caucasian. A typical Washington politician’s wife - a member of the “proper” social circles who knows just enough of all the right people and does just enough of all the right things. A standard Junior League member who is no longer “junior.”
The roles of Eddie Brock, Helen, the Assistant Manager, the Bellhop, the Barber, the Bootblack, and the Waiter have been cast.
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THE LITTLE FOXES
by Lillian Hellman
Dir: Frank Galati
1st reh: 2/9/17. Perfs: 3/15 - 4/15/17
ADDIE
Late 30s-Mid 50s, African-American. Intelligent, dignified, maternal. A servant in the Giddens’ household and Alexandra’s primary caretaker. She has seen it all but could say very little until now.
CAL
Late 30s-Mid 50s, African-American. A newer servant in the Giddens’ household, but trustworthy, reliable, and good-natured.
OSCAR HUBBARD
Late 30s-Late 40s, Caucasian. Second son and always playing second fiddle to older brother, Ben. A hot head with no poker face and little cunning, fighting for his fair share of the bounty. Abusive husband and father.
REGINA GIDDENS
Late 30s-Mid 40s, Caucasian. Smart, seductive, tenacious, no-holds-barred. Spent her whole life watching her brothers get what she wanted. A fierce competitor who uses all of her intelligence and sexuality to get what she wants. A force of nature.
WILLIAM MARSHALL
Early 40s-Mid 60s, Caucasian. Industrialist and philanthropist; likes making money and is good at it. Confident, pleasant, self-possessed, sophisticated, and sleekly handsome. A Harvard type.
HORACE GIDDENS
Mid 40s-Mid 50s, Caucasian. Patriarch of the Giddens’ family whose illness and absence has not stripped him of his influence on Regina’s life. A former romantic whose relationship with his wife has been broken down. Careworn, may appear older than his years due to his lengthy illness, but still quietly strong and willing to fight for his point of view.
The roles of Ben Hubbard, Birdie Hubbard, Leo Hubbard, and Alexandra Giddens have been cast.
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BEATSVILLE
music/lyrics Wendy Leigh Wilf
book Glenn Slater
Dir: Bill Berry
1st reh: 3/28/17. Perfs: 4/27 - 5/28/17
A world premiere musical, this work is still in development – information on all role offerings may change.
CARLA
All Ethnicities. 19-22. A young fresh faced thing, wholesome and innocent, bright eyed, eager to fit in and belong. Cheery mezzo-soprano, but with a strong lower register as well.
NATASHA
All Ethnicities. 25-35. Sexy, she has a dangerous quality about her, seductive, sinister, she has a way of slithering across the stage. Should possess a remarkable jazz voice, with impeccable pitch and nimble vocal dexterity. Experience in jazz vocalese/scat singing are a plus.
ALICE/GALLERISTA
All Ethnicities. ALICE: 25-30, a not very bright model (or so she says), a bombshell, brassy, thinks she has seen much more of the world than she actually has, desperate to be the center of attention at all times. GALLERISTA: thinks she has seen much more of the art world than she actually has, and wants to be the one to discover the next great thing. Robust vocal stylist with a wide range (low: F below middle C; high: F# at top of staff)
MRS. ZWICKER/ MRS. GREENBERG/TOURIST WOMAN
All Ethnicities. Age 50+. Character woman older than everyone else. MRS. ZWICKER: a bit nosy, filled with maternal warmth for both Walter and even more for her cat Frankie (a bit of a “crazy cat lady”). MRS GREENBERG: Carla’s Connecticut suburban mother who adores Eisenhower, order, conformity, and pearls. TOURIST WOMAN: A day tripper to the Yellow Door Café, wants to live like an artist without the struggle or danger or commitment- so safely and only for a day. (Very light vocal duties, but should be a competent singer)
NAOLIA/ART COLLECTING HEIRESS
All Ethnicities. 20s. NAOLIA: a strung out Beatnik Groupie. Ensemble singer.
BETTY/EURO HIPSTER WOMAN
All Ethnicities. 20s. BETTY: A Beatnik Groupie. Totally into the scene. Ensemble singer.
WALTER PAISLEY
All Ethnicities. 22-28. The Yellow Door Café’s busboy, just wants to belong and be part of the group but unsure of himself. Tenor to A.
MAXWELL BROCK/MUSUEM CURATOR
All Ethnicities. BROCK 28-32. An avant garde beatnik poet of some celebrity, at least the most famous poet at The Yellow Door Café, he is confident, cocky, full of himself and takes his opinions and poetry extremely seriously. The “elder statesman” for the beatniks. MUSUEM CURATOR: pretentious takes his opinions very seriously. Strong baritone capable of delivering poetry as vocal “performance art.”
LEONARD DESANTIS
All Ethnicities. late 40s - early 50s, the Yellow Door Café’s irascible owner, he has seen it all. Cantankerous, character bari/tenor but with the ability to deliver rapid-fire lyrics when needed.
CLAUDE 1
All Ethnicities. 20s. A Beatnik, Natasha’s ever present sidekick. Quirky tenor, strong jazz singer with great vocal dexterity and pitch.
CLAUDE 2
All Ethnicities. 20s. A Beatnik, Natasha’s ever present sidekick. Quirky tenor, strong jazz singer with great vocal dexterity and pitch.
LOU/SERIOUS MAN/DIEGO/TOURIST MAN/NEWSBOY/GUY/YOUNG MAN
All Ethnicities. LOU: 20s-30s A Beatnik…in disguise. Intense and driven, he is actually a Detective. Investigating a potential drug ring within the Beatnik community. DEIGO: an ultra-Beatnik. The kind of guy Walter wishes he could be. TOURIST MAN: a day tripper to the Yellow Door Café, wants to live like an artist without the struggle or danger or commitment- so safely and only for a day. As Lou (Bop Cop), must be a show-stopping performer/vocalist/showman, with jazz sensibilities and an ability to scat/improvise.
THELONIOUS/PRETENTIOUS CRITIC
All Ethnicities. 20s. A Beatnik. Ensemble singer.
MR. GREENBERG/ DETECTIVE BURKLE
All Ethnicities. 35 – 45 MR. GREENBERG: Carla’s suburban middle class respectable father. DETECTIVE BURKLE: a straight laced, but somewhat dim detective. Ensemble singer.
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Cook Theatre LORT D
THE ELABORATE ENTRANCE OF CHAD DEITY
by Kristoffer Diaz
Dir: Jen Wineman
1st reh: 3/7/17. Perfs: 4/5 - 4/30/17
MACEDONIO GUERRA (MACE)
Early 20s-Early 40s, Puerto Rican. Professional wrestler. Undersized, but good at what he does. Likeable and smart, but not a “star.”
EVERETT K. OLSON (EKO)
Early 30s-Early 60s, Caucasian. Owner of THE Wrestling. Brash, confident, ostensibly the villain. Focused on what sells – a keen, glib business mind wrapped in a smarmy package.
CHAD DEITY
Early 20s-Late 30s, African-American. Champion of THE Wrestling. Confident, handsome. A decent wrestler, but an excellent showman. Understands what his public wants and how to give it to them.
VIGNESHWAR PADUAR (VP)
Late teens-Early 30s, Indian-American. Brooklynite. Charismatic, natural, effortless, loquacious. Quirky and offbeat, has great potential to do or be anything – never expected to tumble into the world of professional wrestling.
THE BAD GUY (BILLY HEARTLAND, OLD GLORY)
Any age, all Ethnicities. A non-descript professional wrestler. Actor must be expert in professional wrestling techniques and/or fight choreography.
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Asolo Rep is also seeking mature men and women, young men and women, and children to fill understudy roles throughout the 2016-2017 season.
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