Hermanos Gutiérrez Release New Single 'Hermosa Drive'

Zurich-based duo Hermanos Gutiérrez, comprised of brothers Estevan and Alejandro Gutiérrez, are thrilled to unveil another powerful instrumental track, "Hermosa Drive" from their forthcoming new album. "Hermosa Drive" follows previously released acclaimed songs "Los Chicos Tristes," "Tres Hermanos," a song they recorded with The Black Keys' Dan Auerbach, and "El Bueno Y El Malo," the title track from their forthcoming album, which is set for release on October 28th via Auerbach's label Easy Eye Sound.

Earlier this year the band played sold out shows at New York's Bowery Ballroom, LA's the Hollywood Forever Masonic Lodge, and their set at Newport Folk Festival. The duo will also be opening for Jason Isbell in Nashville at the legendary Ryman later this month and Nathaniel Rateliff & The Night Sweats in Colorado in December.

"When Alejandro and I play together, it's like we are driving a car," says Estevan Gutiérrez. "It's like we are taking a road trip. Sometimes we're driving through a desert. Sometimes we're traveling up the coast. But always we are in nature, and we see the most beautiful landscapes, sunrises, sunsets."

The music these two brothers make evokes expansive plains and rough wildernesses, saguaros and surfs, spaghetti westerns and Morricone soundtracks, Lynch and Jarmusch. With their guitars they travel through landscapes haunted by vaqueros, cancioneros, wanderers, fugitives, lovers, family-and whatever ghosts their listeners bring to the music.

El Bueno Y El Malo is their most epic journey yet: working with Dan Auerbach at his Easy Eye Sound studio in Nashville, they've crafted ten vivid compositions that highlight their intimate guitar playing, where one brother's rhythms and the other brother's melodies twine around each other so that they become inextricable. Together, they generate what Estevan calls a "deeper, darker energy" defined by complex arrangements, sophisticated playing, and most of all their very close relationship.

Started a few years earlier, Hermanos Gutiérrez began releasing music on their own, all of which gained traction in 2020. "My brother and I," says Estevan, "we did everything by ourselves- all the music, even the artwork. But during Covid, our music was streamed all over the world," especially their 2020 album, Hijos del Sol.

Perhaps because people were looking for an escape from their worries or were traveling to new landscapes without leaving their homes, the music of Hermanos Gutiérrez spread by word of mouth, eventually finding its way to Auerbach. After a twenty-minute conversation, they signed with Auerbach's Easy Eye Sound record label and started writing songs for their forthcoming album.

Setting up shop a few months later at Easy Eye Sound studio, El Bueno Y El Malo was recorded quickly and organically, despite it being the first time they'd ever met Auerbach in-person. They worked on the fly, hewing closely to the songs they had brought over from Switzerland while remaining open to any and all new ideas.

El Bueno Y El Malo gently expands their sound, retaining the foundation while adding drums, castanets, strings, and congas. The additions are more than subtle; they're subliminal. They focus the attention on the two main figures and the intricate, almost telepathic interplay of their instruments.

In perhaps the most significant addition to their two-guitar sound, their producer even played on one song. As the brothers struggled with an arrangement, Auerbach suggested an idea for a melody, even plugging in and playing it for them. They loved it so much they invited him to record it with them, even retitling that song, "Tres Hermanos."

The title of the album is, of course, a reference to Sergio Leone's legendary 1966 spaghetti western The Good, the Bad, and the Ugly and especially its score by Ennio Morricone. But the phrase has a deeper meaning: "We think that everybody has a good side and a bad side," says Estevan.

"It's every person, every moment, every situation. Everybody has these two faces." It's not a cynical idea, but one that celebrates the depths and dualities of humanity, and music-even music that does not include vocals or lyrics-is the perfect vehicle to explore such big ideas.

Listen to the new single here:

TOUR DATES

10/12 Utrecht, NL @ TivoliVredenburg

10/13 Amsterdam, NL @ Paradiso

10/15 Helsinki, FI @ Korjaamon Kulmasali

10/16 Stockholm, SE @ Hus7

10/18 Zürich, CH @ Kaufleuten

10/22 Nashville, TN @ The Ryman Auditorium *

10/29 Los Angeles, CA @ Hollywood Forever - Dia de los Muertos Fest

10/31 Washington, D.C. @ Miracle Theatre

11/2 Philadelphia, PA @ World Café Live

11/3 Boston, MA @ Arts at the Armory

11/4 New York, NY @ Opera House

11/5 Montreal, QC @ PHI Centre

11/6 Toronto, ON @ The Drake

11/8 Minneapolis, MN @ Turf Club

11/9 Chicago, IL @ Sleeping Village

11/10 Denver, CO @ Globe Hall

11/12 Seattle, WA @ Crocodile

11/13 Portland, OR @ Mission Theater

11/14 San Francisco, CA @ Great American Music Hall

11/16 Los Angeles, CA @ The Pico Union Project

11/17 Pioneertown, CA @ Pappy & Harriet's

11/18 Ventura, CA @ Ventura Music Hall

11/19 Phoenix, AZ @ Musical Instrument Museum

11/20 Santa Fe, NM @ St. Francis Auditorium

11/22 Austin, TX @ Antone's

12/16 Denver, CO @ Ball Arena **

* Supporting Jason Isbell and the 400 Unit

** Supporting Nathaniel Rateliff & The Night Sweats

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