BWW Reviews: Baltimore Symphony Features Movie Music Maven Jean-Yves Thibaudet

Related: Baltimore Symphony, Jean-Yves Thibaudet

BWW Reviews: Baltimore Symphony Features Movie Music Maven Jean-Yves Thibaudet

When I first saw the 2013-14 Baltimore Symphony Orchestra schedule, one concert jumped out at me...it was entitled "Thibaudet Plays Bernstein".

I remember so well French pianist Jean-Yves Thibaudet's last time at the Meyerhoff Symphony Halls in November, 2009 when he performed Gershwin's "Rhapsody in Blue" under Maestra Marin Alsop. I first became familiar with Thibaudet thanks to his marvelous piano solos in the films "Atonement" and "Pride and Prejudice". His performance was just plain outstanding.

The evening started with George Gershwin's wonderful ten minute "Cuban Overture" written in 1932. It is written in three sections and the first and last make you want to do the Rumba. The middle portion included a hint of "Rhapsody in Blue". The entire perscussion section shined, especially Christopher Williams who seemed to be having a blast on the bongos. It was a great way to open the concert.

To end the first half of the evening, Maestra Alsop took to the microphone to talk a little about Leonard Bernstein's Symphony No. 2, "The Age of Anxiety". Alsop mentioned Bernstein wrote three symphonies, this was his second. The basis for the work was a poem by W. H. Auden in 1947 of the same name. Four individuals meet at a bar, three men and a woman named Rosetta. Then they head to Rosetta's apartment and listen to the radio about news about World War II. She mentioned the beautiful solo of two clarinets and a descending scale by the flute...the stages of life. Birth and innocence is represented by the solo piano. She continued that adolscence was represented by an awkward meter, 5/8 time. This was followed by adulthood.




More On: Marin Alsop, George Gershwin, Christopher Williams, Leonard Bernstein, W. H. Auden, Tim Smith, Ann Hampton Callaway, Jack Everly, Signature Theatre, Jon Kalbfleisch.

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Charles Shubow Originally from Boston, Charles' first college show was "Barefoot in the Park," he played the role of the telephone repairman. Next came "How to Succeed..." in which he played in the ensemble and then Chairman of the Board. He appeared in "Fiddler on the Roof" at the White Marsh Dinner Theatre as Lazar Wolf. Charles' daughter Britt played one of Tevye's younger daughters. Britt later completed a five year stint in Broadway's "Mamma Mia!" as the Sophie understudy. Charles conducts theatre trips to Broadway shows as the "Shubow Shuttle."



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