BWW Interviews: Tenor Mario Frangoulis - International Superstar to Perform in NYC

Related: Mario Frangoulis, Opera, Classical crossover, Placido Domingo, Marilyn Horne, Alfredo Kraus, Freddie Mercury, Queen, Tony Bennett, Adam Lambert, Josh Groban, Alexandra Burke

BWW Interviews: Tenor Mario Frangoulis -  International Superstar to Perform in NYCWith a dozen gold and platinum releases under his belt, two hit PBS Specials and a decade of sold-out concerts world-wide, international superstar Mario Frangoulis returns to New York for two shows this weekend at Lincoln Center.

Still, much like soccer and universal healthcare, Mario Frangoulis has yet to really catch fire here in the U.S. But, with a multi-city U.S. tour beginning this week, perhaps U.S. audiences will discover what the rest of the world already knows: the cross-over sensation, blessed with movie-star good looks and one of the most beautiful tenor voices on earth, is one of the most diverse and dynamic performers in the world today. BWW managed to catch up with the tenor for lunch this week to discuss his new CD "Beautiful Things," his current U.S. Tour and his upcoming shows at Lincoln Center this weekend.

____________________________________________________BWW Interviews: Tenor Mario Frangoulis -  International Superstar to Perform in NYC________________________________________

Few performers in the world have a pedigree quite like yours, spanning serious Opera, Broadway, Classical-Crossover, pop, etc. I hate categorizing artists as it is often limiting, but what do you consider yourself first and foremost?

A classical crossover performer is exactly that! An artist who embraces various styles, with a passion for Opera. I don't see myself playing Othello any time soon though. However, I would like to be on the interviewer's side of the desk and ask this same question to my audiences!

You have had some very famous teachers along the way. Among them Marilyn Horne, Alfredo Kraus. Was there any one thing that all of them stressed? Anything they all cautioned against?

They all cautioned against my excess energy even though that was my 'natural energy' and that's what (I thought at least) gave me the 'drive and stamina' to pull through 8 shows a week in musical theatre playing leading roles and the ability to sing for 8 hour rehearsals without feeling 'tired'...On the downside, I was a man who wanted 'results' and also never accepted 'defeat' so.... both Marilyn Horne and Alfredo Kraus Both knew there was a 'risk' in my future as an opera singer because they knew I had no patience and was so driven to succeed. Marilyn Horne felt I didn't take it as seriously as I could have... but Kraus felt that if he could do contemporary musical theatre, he would do no opera... I thought he was joking! He was a perfect singer with an immaculate singing technique! Marilyn Horne is a legend and knows the ART OF SINGING very well and has such high expectations of those she believes in.

You have always been an extremely gracious artist and performer, in addition to your staggering about of charitable work, you constantly share the stage with new and upcoming artists, giving them the benefit of your platform and popularity. Do you think that is a result of your own experience and the special artists who guided you in your own career?

Of course it is a result of the generosity and mentorship that I received early in my career. You model what you were taught and experienced... and it reflects my own belief in young people, and the potential for the future. Having said that, I love to collaborate with other artists, because no matter what, I am always learning and growing as an artist myself. This is why I love to experiment with different genres and styles. Of course, I have a "classical" voice, but I like to blend what I do with others who are best in class in their own respective genres and styles. This is why Classical Crossover music is such a love of mine - because it gives me the opportunity to take my training and what I do best and blend it with other musical styles - making my music more accessible to a broader audience.

Placido Domingo has been a big fan and supporter of you for many years, have you had the chance to hear any of his new endeavors into the Baritone repertoire?

Of course...Simon Boccanegra, Germond in La Traviata and most recently in ENCHANTED ISLAND! All good... Placido is Placido... one and only.

As the THREE TENORS have faded into history, a new crop of tenors are coming up. Are you a particular fan of any?

I think Jonas Kaufman is exceptional. But it will be a great challenge to find new talented singers with different voice types. Still CORELLI was amazing... and still on my list of 5 TOP singers that will never be forgotten!

Bryn Terfel just did a wonderful Sweeney Todd at Lincoln Center, would you ever consider returning to the musical theater stage? And if so, under what circumstances?

I would consider returning to the stage if the right opportunity presented itself. Of course the role would have to be right for who I am today and would have to support what I am doing in my career right now. I am less interested in doing the same things again and again - if it is something that will challenge me and help me grow and evolve as an actor and singer I would be all for it!

The term classical-crossover has gotten expanded to include quite a few different styles of singing. Recently in the UK a CC artist got some seriously bad press for constantly billing herself as a "Mezzo-soprano" and an "opera star." Do you think Classical and Classical crossover can peacefully co-exist?

Of course I believe they can co-exist! For me, Classical to Classical-Crossover just represents a continuum of music from one genre to another. I believe that it doesn't matter what you do, you must try to make it your own and do your best. Of course it is great to be educated and able to sing everything... but you have to be true to what you are doing. For me authenticity is what is most important. If you are doing Classical don't try to be pop or Classical-Crossover, if you are doing Classical-Crossover, shouldn't try to be Classical...etc. That's what opens people up to being criticized because the press and fans are educated listeners and I believe if you are honest with yourself and your audience you have nothing to fear.

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Peter Danish Peter Danish is a Media Marketing Consultant and Classical Arts Presenter. He is a founding member of ArtsRock, where he presented concerts with such world renowned artists as Grammy winning Classical Guitarist Sharon Isbin, Grammy winning Violinist Marc O'Connor, The Eroica Trio, The American Brass Quintet, The New York Philharmonic Brass Quintet, Alec Baldwin, Louis Black and Robert Klein. At The Riverspace Performing Arts Center, he presented such artists as Meryl Streep, Jonathan Demme, Bill T. Jones, Bill Irwin, Mike Nichols, Ani Di Franco, Eve Ensler, Pete Seeger, Ellen Burstyn, Edward Albee and Kathleen Turner. He has programmed concerts and educational programs for a multitude of local arts organizations including the American National Opera and the Westchester Hudson Opera, and has lectured on opera and classical music in schools and libraries as part of their outreach programs. For over two decades he has served as Director of Marketing for NBC, Vice President of Marketing for Telemundo, Senior Vice President of Sales and Marketing for Azteca TV Network, and Marketing Consultant to PBS. He is a member of the Dramatist Guild of America, The Wagner Society of N.Y. and Board of Trustees of the award-winning classical concert series, The Carnegie Room Concerts at the Nyack Library. His work has appeared in The New York Times Magazine, Ad Age, Ad Week and Media Week.


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