Michael Dale - Page 86

In their new City Center home, the Mint presents the American premiere of the Irish playwright's workplace drama.

The new musical from Steve Martin and Edie Brickell wraps up its Kennedy Center engagement and begins Broadway previews in February.

"This is a young person's form," Bill Irwin insisted when Signature's James Houghton insisted he and Shiner create a new show together.

By striving to be low-budget and affordable, the long-running company located in the basement of a pizza place doesn't qualify for funding. impacttheatre

The highest bidder receives two VIP tickets for HAMILTON and a backstage tour with the star after the show.

A major name in contemporary dance gets his first taste of choreographing for musical theatre.

With less than a week's preparation, Lewis steps into a production her predecessor denounced as seen through 'the filter of the white gaze.'

With one book released in 2015 and two more on the way, the great humorist can't stop writing.

Owner Shelly Fireman plans an new opening on the 46th Street side of the Edison this spring.

Fans come in knowing most of the songs, but they need to be re-arranged for a new dramatic context.

Though only 16% of The Bard's characters are women, Rice is prepared to re-imagine roles.

She'll be best remembered for RUNAWAYS, but Elizabeth Swados' musical contributions to theatre are varied and extensive.

The Tony and Obie winning solo performer once again plays a multicultural collage of characters in her piece about sex and commerce.

The Broadway legend was first seen by New York audiences in a political operetta by Marc Blitzstein.

The actor supports Germaine Greer's statement that trans women are men who 'have themselves castrated.'

Before the musical's pre-Broadway premiere, the composer/lyricist received assistance in creating a main character from a student with Duchenne Muscular Dystrophy.

The Tony-winning playwright explains what happened on the night he was stabbed in a seemingly random attack.

The two young actors earn places in the Hollywood and Entertainment division of the magazine's prestigious list.

The 1632 publication assembled 38 Shakespeare plays for print, eighteen of which were previously unpublished.