BWW Review: BROOKLYN BALLET Celebrates The Holidays Like No Other In The Brooklyn Nutcracker
December 7, 2016 kicked off the premiere of Brooklyn Ballet's The Brooklyn Nutcracker at the Brooklyn Museum.
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BWW Dance Review: Pushing the Boundaries of Ballet with AMERICAN BALLET THEATRE
For a limited two week engagement at the David H.
BWW Dance Review: Pushing the Envelope Forward with NEW CHAMBER BALLET
On September 16, 2016, Artistic Director, Miro Magloire, and company New Chamber Ballet, kicked off its' 2016-17 season with an exciting mix of old and new works at the City Center Studios.
BWW Review: DANCES PATRELLE Opens Its 26th Repertory Season with Macbeth
Francis Patrelle, who is (remarkably!) celebrating his 45th year as a sought-after dance teacher in New York City, explains in a program note that he decided to bring back his 1995 balletic rendering of Shakespeare's Macbeth because 'the story has a lot to tell us about our own times; deep themes of
BWW Review: BALLETX, Philly's Groundbreaking Contemporary Company, Offers Three NYC Premieres at the Joyce
On August 16th 2016, opening night of a six-day run at the Joyce, BalletX did not disappoint dancegoers anticipating a taste of the quirky fare for which the troupe has become known.
BWW Dance Review: Celebrating Diversity in Ballet with THE BLACK IRIS PROJECT
On June 29, 2016, The Black Iris Project, under the direction of the award-winning choreographer Jeremy McQueen, performed their new ballet entitled Black Iris at Central Park as part of SummerStage- the largest free performing arts festival in New York City.
BWW Review: ABT's 'The Golden Cockerel' Is More of a Grandiose Theatrical Production Than a Ballet
ABT's Resident Choreographer Alexei Ratmansky, who created the version of 'The Golden Cockerel' that had its company premiere on June 6th 2016, is quoted in a Playbill article by Caroline Hamilton as saying, 'This production is overwhelmingly theatrical'.
BWW Review: NEW YORK CITY BALLET's 'Classic NYCB II' Is a Reminder of Why the Company in an Artistic Treasure
On the afternoon of May 22nd 2016, audience members at a nearly sold out performance of New York City Ballet's 'Classic NYCB II' program at the Koch Theater in Lincoln Center were treated to five selections that underscored the impressive range and enduring excellence of the troupe's repertoire.
BWW Review: AMERICAN BALLET THEATRE's 2016 Spring Gala Offered a Delightful Sampling of the Season's Repertoire
On the evening of May 16th 2016 at the Metropolitan Opera House in Lincoln Center, the beloved troupe that was recognized as 'America's National Ballet Company' in 2006 by the United States Congress proved once again that the American Ballet Theatre is indeed a treasure.
BWW Dance Review: Celebrating the Hispanic Diaspora with BALLET HISPANICO
Last week, Ballet Hispanico continued its 45th anniversary tour with their spring New York season at The Joyce Theater, April 5-10, 2016.
BWW Review: PACIFIC NORTHWEST BALLET Offered a Forsythe-Infused Triple Bill at New York City Center
Seattle's Pacific Northwest Ballet under the artistic direction of Peter Boal returned to New York City Center in February 2016 with an 'All Balanchine' program on the 24th and 25th followed by a triple bill, 'Contemporary Innovations', on the 26th and 27th.
BWW Review: NEW YORK CITY BALLET Triumphs With 'La Sylphide' and 'Tschaikovsky Piano Concerto No. 2'
Peter Martins' reconstruction of the 1836 tragicomedy, 'La Sylphide', and Balanchine's 1972 update of 'Tschaikovsky Piano Concerto No.
BWW Review: NEW YORK CITY BALLET Offers a Win-Win with a Balanchine and Robbins Double Bill
As part of New York City Ballet's Winter Season 2016 at Lincoln Center's Koch Theater, the program appropriately entitled 'Masters at Work' was a perfect pairing of two disparate yet in one way similar creations by the troupe's founding choreographers, George Balanchine and Jerome Robbins.
BWW Review: BALLET MEMPHIS Brings Diversity and a Southern Sensibility to a Run at the Joyce
In the wake of the media frenzy about African-American ballerina Misty Copeland, a recent article in The New York Times by Gia Kourlas applauds the fact that the American Ballet Theatre and the New York City Ballet are featuring black, Asian, Latino, and multiracial dancers 'where it matters most: L
BWW Review: AMERICAN BALLET THEATRE Is as Versatile as Ever in a Mixed Bill
According to a 1998 review of ABT by Jack Anderson in The New York Times, publicists for the company in the early days used to call the troupe 'a museum of the dance.
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