Stephanie Trudeau to Return to Don't Tell Mama With BECOMING CHAVELA
by Chloe Rabinowitz - Dec 2, 2021
Actor/cabaret singer Stephanie Trudeau will return to Don't Tell Mama, 343 W. 46th Street, on December 30 at 7:00 PM in the updated version of her docu-cabaret musical, 'Becoming Chavela.' Written and performed by Ms. Trudeau, the piece is more than just a musical cabaret based on the songs of legendary Mexican singer Chavela Vargas.
BWW Review: TRAVIATA Triumphs at Opera Theatre of St. Louis
by Steve Callahan - May 22, 2018
Of all the composers in the world Giuseppe Verdi is by far the most popular. Of all the operas in the world his 'La traviata' is by far the most frequently performed. Have you missed out on this mega hit? You can fill in that cultural gap with the splendid production now offered by Opera Theatre of St. Louis.
Stephanie Trudeau to Return to Pangea with CHAVELA: THINK OF ME
by BWW News Desk - Jun 6, 2017
Actor/cabaret singer Stephanie Trudeau will perform a return engagement of her docu-cabaret, 'Chavela: Think Of Me,' at Pangea Supper Club, 178 Second Ave. (East Village), June 26 at 7:30 PM. She had debuted the piece there on May 15 and has been invited back in response to the appreciation of her audience and an enthusatic review.
Seattle Musical Theatre Announces 2015/2016 Season
by Sally Henry Fuller - Apr 11, 2015
Seattle Musical Theatre, Seattle's oldest musical theatre house, celebrates its 38th season with Tony-winners and upbeat classics. Early bird subscription packages (three show $85; four show $110) are now available; regular subscription packages (three show $100; four show $130) go on sale April 27, 2015; single tickets go on sale June 1, 2015.
BWW Reviews: The Rep's Colorful and Uproarious THE COMEDY OF ERRORS
by Chris Gibson - Mar 20, 2012
Anyone who reads my reviews regularly knows that I'm a fan of Shakespearean re-imaginings. Sure, I like my Shakespeare played straight as well, but sometimes when one of his plays is tinkered with in just the right fashion it comes to life in new and unexpectedly exciting ways. Such is the case with the Rep's slapstick take on THE COMEDY OF ERRORS, which is given the background of New Orleans during Mardi Gras, and given a heavy dose of 1930's period music to liven things up considerably. It's a brilliant take and leaves the Rep with a perfect batting average for the season. It's the reason why we go to Rep in the first place; they consistently provide entertaining shows that are expertly acted and directed, in a theatre that puts you right on top of the action. What more could you ask for?