When We are Forty-One - 1905 - New York Articles Page 9

The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Today, August 5 with Weekend One: Puccini and Italian Musical Culture.

The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Friday, August 5 with Weekend One: Puccini and Italian Musical Culture.

One week into the virtually sold-out run of MSMT's Fiddler on the Roof, cast members, Bill Nolte, Susan Cella, Erick Devine, and Rachel Rhodes-Devey, together with MSMT's Managing Director Stephanie Dupal convened in the third Peek Behind the Curtain panel discussion at the Curtis Memorial Library on July 27, 2016, to examine the phenomenon of the show that continues to mesmerize audiences fifty-two years after its Broadway debut. In response to moderator Carla Maria Verdino-Sullwold's observation that Fiddler is a show which - like its characters - survives, the participants discussed their individual perspectives on the show, their characters, and the universal themes that continue to speak powerfully to audiences.

As the characters Alfred Lunt and Lynn Fontanne, Mark Edward Lang and Alison J. Murphy seem to be a perfect fit in the play about the famous Broadway actors. Lang and Murphy are married in real life and have been performing together for many years. Recently visiting San Antonio, Texas, BWW had a chance to sit down and chat with them about their roles and about the show LUNT AND FONTANNE 'THE CELESTIALS OF BROADWAY.'

"I haven't specifically counted," the dynamic actress sitting opposite me replies. "Somewhere between 1000-2000 performances, I think. I've done the role with Theodore Bikel and Harvey Fierstein, on both national tours, and in regional and stock houses all over the country." Susan Cella is speaking of her signature portrayal of Golde, the vehicle which has brought her to the latest stop in her artistic journey, Maine State Music Theatre in a new production of the Bock-Harnick musical, Fiddler on the Roof, that opens July 20.

'It's all about growing and being willing to change…about people finding a way to look at things from both sides and learn to empathize.' The soft-spoken man sitting opposite me thoughtfully answers my question about the universality of the musical theatre piece in which he stars, Fiddler on the Roof. There is a gentle, heartfelt quality to all his comments, and one understands immediately why Bill Nolte makes an ideal Tevye. The Broadway actor, singer, and visual artist makes his Maine State Music Theatre debut on July 20 in a part he has played twice before, and he waxes eloquent about the experience in Maine and his reunion with director/choreographer Gary John LaRosa and many of the veteran cast members.

'This is like a real homecoming. The last time I worked at Maine State Music Theatre was in 1995, and it was also Fiddler on the Roof,' says nationally acclaimed director-choreographer Gary John LaRosa. La Rosa, who is widely considered one of the reigning authorities on the beloved 1964 Bock-Harnick bitter-sweet musical about Russian Jews confronting a changing world, has in his own words, 'literally done dozens' of Fiddler productions throughout his vibrant, busy career. 'I've actually stopped counting,' he says with a smile, though we note that among all these, he staged the 50th anniversary Fiddler gala on Broadway, as well as at least four of these won prestigious theatre awards and nominations. This month he finds himself in Brunswick, Maine, directing a thirty-six person cast in MSMT's third main stage show of the 2016 season.

'The flutist Marya Martin's festival brings an elite roster of chamber musicians to the ever-desirable vacation spot,' said The New Yorker of last year's Bridgehampton Chamber Music Festival. This summer, the 33rd season of Long Island's longest-running classical music festival comprises 14 concerts from July 31 to August 28, featuring the signature mix of renowned and up-and-coming artists and classic and new music that has made it one of the most noteworthy summer music festivals in the country.

Greece's most prominent film director of the post-1968 era, Theo Angelopoulos (1935–2012) was a master cinema stylist. His investigations into history and politics, tyranny and resistance, and spiritual anomie and emotional devastation place him on equal footing with filmmakers like Andrei Tarkovsky, Bernardo Bertolucci, and Wim Wenders. Today, at a time when Greece has struggled with impending economic collapse, and as the country's refugee crisis has worsened, with displaced populations fleeing war in the Middle East and massing on its borders, the themes of Angelopoulos's cinema are pressing once again. Museum of the Moving Image will present Eternity and History: The Cinema of Theo Angelopoulos, a complete retrospective of the director's career—the first in the United States in 25 years—from July 8 through 24, 2016. The retrospective will also be presented at the Harvard Film Archive in Cambridge, Massachusetts, from July 15 through August 22. The presentation of the retrospective at Museum of the Moving Image was made possible with support from the Stavros Niarchos Foundation and the Hellenic American Chamber of Commerce.

If laughter is the best medicine, then I will not be sick for the rest of the year. Between the hilarious plays I have seen recently and last night's DIE FLEDERMAUS (The Bat), I have certainly had a couple of weeks full of chuckles. Birmingham is certainly the place to be if you need a laugh this weekend.So go to www.BhamMusicClub.org or call 205-253-1313 for more information about DIE FLEDERMAUS. Or better yet, just head on down to ASFA tonight or tomorrow afternoon and get a ticket at the door. But hurry- this delight will only be presented this weekend, June 10-12.

The Juilliard School will confer honorary doctorates on five remarkable artists during its 111th Commencement Ceremony today, May 20, 2016, at 11 a.m. in Alice Tully Hall, Lincoln Center (Broadway at 65th Street, New York City).

This summer, the 33rd season of Long Island's longest-running classical music festival comprises 13 concerts from July 31 to August 28, featuring the signature mix of renowned and up-and-coming artists and classic and new music that has made it one of the most noteworthy summer music festivals in the country.

City Theatre Artistic Director Tracy Brigden has announced the full lineup for 2016-2017, the South Side company's 42nd Season.

McCarter Theatre Center Artistic Director and Resident Playwright Emily Mann is pleased to announce the lineup for the upcoming 2016-2017 Theater Series.

The Juilliard School will confer honorary doctorates on five remarkable artists during its 111th Commencement Ceremony on Friday, May 20, 2016, at 11 a.m. in Alice Tully Hall, Lincoln Center (Broadway at 65th Street, New York City). Christine Baranski will give Juilliard's Commencement Address.

Lincoln Center Theater welcomes McKinley Belcher III, Khris Davis, Montego Glover, John Lavelle, and Clarke Peters to the stage in its production of THE ROYALE, a new play by Marco Ramirez, directed by Rachel Chavkin, opening tonight, March 7, at the Mitzi E. Newhouse Theater (150 West 65 Street). Let's see what the critics had to say...

The Man Who Shot Liberty Valance was originally a short story penned in 1953 by Dorothy M. Johnson (1905 - 1984), who wrote numerous articles and stories with Western themes. In 1962, Valance was adapted for motion pictures in a blockbuster film directed by John Ford and starring John Wayne, James Stewart, and Lee Marvin, in the title role of the sadistic gunslinger who is taken on by Stewart, who portrayed a tenderfoot attorney new to the dusty town of Shinbone. Jethro Compton's new stage play is based on the short story instead of the movie, getting its start in England in 2014. The Rubicon Theatre Company's new production marks the play's American debut, starring Gregory Harrison in the role of Bert Barricune, the equivalent of John Wayne's Tom Doniphon in the film. Reviews of the play have called it 'gripping drama' and 'consistently absorbing.' We spoke with Jenny Sullivan, who is directing Rubicon's production and she talked about the process of presenting a subject that has become much more famous through the film adaptation than for the original story.

INTIMATE APPAREL, a play described by Nottage as a 'quiet play' in which 'every scene takes place in some sort of boudoir,' is in it's heart about the private relationships between those close to us and those we wish were closer.

Tonight, Artistic Director Mark Clements and Managing Director Chad Bauman announced Milwaukee Repertory Theater's 2016/17 Season to a group of The Rep's subscribers, donors, community leaders, and members of the press.

Esther is an African-American seamstress in early 20th century New York. Her specialty is creating lingerie for both the ladies of the night and the women of high society. While she carefully crafts sexy, romantic garments for others, she cannot "sew" the seeds of love for herself. Her loneliness is replaced by optimism when romantic letters from a mysterious stranger begin arriving. As Esther eagerly ponders the source of these notes, she might be overlooking a love that is both true and real.

Independent Shakespeare Co. (ISC), presenters of the Griffith Park Free Shakespeare Festival and recipients of the 2015 Los Angeles Drama Critics Circle Margaret Harford Award for sustained excellence in theater, announce the debut of a new works reading series, iambic lab, presented Friday, February 12 and Saturday, February 13 at 7:30pm and Sunday, February 14 at 2pm at Independent Studio in the Atwater Crossing Arts + Innovation Complex, 3191 Casitas Ave., #168 in Atwater Village.

Newnan Theatre Company is ready to go back in time to a cafe in Paris in 1905, with Steve Martin's "Picasso at the Lapin Agile." The cafe is buzzing with customers, but two particular customers stand out in this comedy.

Before taking on the role of Anatevka's poor tailor, the actor explored the land of Sholem Aleichem.

Theatre Nova, Ann Arbor's professional playwrights' theater, is thrilled to announce its 2016 Season of Michigan and World Premieres in The Yellow Barn performance space at 416 West Huron, in downtown Ann Arbor. The season is made up of four World Premieres and three Michigan Premieres, and features another season of fun, funny, thought-provoking, and innovative new plays sourced both from around the country and right here in Michigan.

The New York Festival of Song marks its eleventh annual co-presentation with Juilliard's Ellen and James S. Marcus Institute for Vocal Arts with a new program titled HARRY, HOAGY, and HAROLD.