Love 1984 - Articles Page 26

The Pulitzer Prize and OBIE Award-winning Theatre for the New City (TNC) will hold its 10th Annual LOVE ‘N' COURAGE benefit gala on Monday, February 25, 2013 at the National Arts Club (15 Gramercy Park South in Manhattan), this year honoring award-winning actor and playwright Charles Busch, it has been announced by Crystal Field, co-founder and artistic director of Theater for the New City. The LOVE ‘N' COURAGE celebration will begin with cocktails at 6:30pm, with dinner following at 7:00pm, and performances at 8:00pm. Proceeds benefit the Emerging Playwrights' Program at Theater for the New City, located at 155 First Avenue in the East Village, where it remains one of the few remaining outposts for experimental and political theater in 21st century New York.

Today we are talking to a versatile performer first known to the world at large through her iconic early-career movie theme recordings - singing the Oscar-winning 'The Morning After' from THE POSEIDON ADVENTURE, as well as the classic themes from THE TOWERING INFERNO, SUPERMAN and musical material and a memorable musical moment in AIRPLANE!; in addition to her many full-length studio albums later in life - who then emerged as a compelling theatrical performer with a string of roles on Broadway, Off Broadway and in regional theater - a replacement star of NINE, as well as THE PIRATES OF PENZANCE, as well as original cast member of 1989's THE 3 PENNY OPERA, 1984's premire production of BROWNSTONE, and, most recently, a Broadway featured cast member in LITTLE WOMEN - the radiant and vocally resplendent Maureen McGovern. Looking back on her remarkable career and taking us on the journey from Hollywood to Broadway and beyond, McGovern reflects on some famous co-stars and her side of the riveting productions she participated in both onstage and onscreen, as well as opens up about some of her favorite recordings and composers to date insofar as her recording career is concerned, to say nothing of her proud position as the so-deemed self-confessed 'Disaster Theme Queen'. We also outline her cabaret work over the years, in anticipation of McGovern's week of shows at 54 Below, titled HOME FOR THE HOLIDAYS, beginning December 18 and running through December 23, where she will be sharing some of her favorite seasonal songs, new and old, as well as reviving some of her show-stopping standards and iconic movie themes and perhaps a surprise or two, too. Additionally, we touch upon her bio-musical, CARRY IT ON, her new women writer retrospective concert show and much, much more!

THE CARRIE DIARIES takes place in 1984, where life is not easy for 16-year-old Carrie Bradshaw. Since their mother passed away, Carrie's younger sister Dorritt is more rebellious than ever, and their father Tom is overwhelmed with the responsibility of suddenly having to care for two teenage girls on his own. Carrie's friends - sweet, geeky Mouse, sarcastic and self-assured Maggie and sensitive Walt - make life bearable, but a suburban life in Connecticut isn't doing much to take her mind off her troubles. And even though the arrival of a sexy new transfer student named Sebastian brings some excitement to Carrie's world, she is struggling to move on from her grief. So when Tom offers Carrie the chance to intern at a law firm in Manhattan, she leaps at the chance. Carrie's eyes are opened wide at the glamour and grit of New York City - and when she meets Larissa, the style editor for Interview magazine, she's inspired by the club culture and unique individuals that make up Larissa's world. Carrie's friends and family may have a big place in her heart, but she's fallen in love for the first time with the most important man in her life - Manhattan.

Cinderella and her colorful friends return to Raleigh Little Theatre (RLT) this holiday season, once again bringing to life this timeless tale and delighting families from across the region. This year marks both the 29th anniversary and the 300th performance of this production, which was first performed on December 13, 1984. Cinderella will perform on the Sutton Main Stage at RLT from Dec. 6-16, 2012.

Celebration Theatre in association with DEMAND PRoductions and Peter Schneider have announced the first show of its celebratory 30th Anniversary Season, the smash-hit, critically-acclaimed world premiere musical, JUSTIN LOVE, book by Patricia Cotter and David Elzer, story by David Elzer and Bret Calder, music by Lori Scarlett and David Manning, lyrics by Lori Scarlett, directed by Michael Matthews, choreography by Janet Roston and musical direction by Gregory Nabours is adding performances through Sunday, December 16 at Celebration Theatre, 7051B Santa Monica Blvd in Hollywood.

Jay Leno will return as the Grand Marshal of the 29th Anniversary of the Harley-Davidson Love Ride on Sunday, October 21 from 10 a.m. to 4 p.m. at Castaic Lake, California.

The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, and the Abrons Arts Center, present the American premiere of Love's End, from writer and director Pascal Rambert, as part of the 2012 Crossing the Line festival. This unraveling of a broken relationship features Kate Moran, currently a featured performer in Einstein on the Beach, and Obie Award-winner Jim Fletcher, best known for his work in Elevator Repair Service's Gatz and Richard Maxwell's New York City Players.

The Celebration Theatre in association with DEMAND PRoductions and Peter Schneider has launched its celebratory 30th Anniversary Season with the world premiere musical JUSTIN LOVE. On hand for the September 21st opening was Broadway World TV and Los Angeles correspondent Michael Sterling and BWW TV's Jerry Evans of JLE Media Group, Inc. Watch interviews with the cast and creative team below!

The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, and the Abrons Arts Center, present the American premiere of Love's End, from writer and director Pascal Rambert, as part of the 2012 Crossing the Line festival. This unraveling of a broken relationship features Kate Moran, currently a featured performer in Einstein on the Beach, and Obie Award-winner Jim Fletcher, best known for his work in Elevator Repair Service's Gatz and Richard Maxwell's New York City Players.

According to a feature about the new UK arena touring production of Jesus Christ Superstar in the Sydney Morning Herald, Andrew Lloyd Webber reveals he would like to collaborate with Stephen Sondheim.

Celebration Theatre in association with DEMAND PRoductions and Peter Schneider have announced the first show of its celebratory 30th Anniversary Season, the world premiere musical, JUSTIN LOVE, with book by Patricia Cotter and David Elzer, story by David Elzer and Bret Calder, music by Lori Scarlett and David Manning and lyrics by Lori Scarlett. The show will be directed by Michael Matthews with choreography by Janet Roston and musical direction by Gregory Nabours. JUSTIN LOVE will begin previews tonight, September 7, and will open on Friday, September 21, running through Sunday, November 18, 2012, at Celebration Theatre, 7051B Santa Monica Blvd in Hollywood.

The multi-award winning team of shake & stir theatre co are back at the Queensland Performing Arts Centre (QPAC) from tonight, 16 August to 1 September in the Cremorne Theatre with an adaption of George Orwell's classic novel 1984.

Celebration Theatre in association with DEMAND PRoductions and Peter Schneider have announced the first show of its celebratory 30th Anniversary Season, the world premiere musical, JUSTIN LOVE, with book by Patricia Cotter and David Elzer, story by David Elzer and Bret Calder, music by Lori Scarlett and David Manning and lyrics by Lori Scarlett. The show will be directed by Michael Matthews with choreography by Janet Roston and musical direction by Gregory Nabours. JUSTIN LOVE will begin previews on Friday, September 7, and will open on Friday, September 21, running through Sunday, November 18, 2012, at Celebration Theatre, 7051B Santa Monica Blvd in Hollywood.

Just last night, Tony Award-nominee Robert Cuccioli (Jekyll & Hyde, Les Miserables), Helen Hayes Award-winner Natascia Diaz (Man of La Mancha, Seussical, The Capeman, Carnival) and Drew Sarich (Les Miserables, Lestat, starring in the upcoming Broadway-bound production of Rocky the Musical in Europe) starred in the benefit concert of the Benny Andersson, Tim Rice and Bjorn Ulvaeus musical CHESS for The Actor's Fund. This special CHESS "In Concept" Concert took place at LaGuardia Arts at Lincoln Center (100 Amsterdam Avenue). This stripped down all through-sung concert-version focused on the music, lyrics and characters, emulating the original 1984 concept album and incorporating virtually all of the original London score. BroadwayWorld brings you exclusive highlights from the concert below!

The July 30th 7:30pm benefit concert for The Actors Fund of the Benny Andersson, Tim Rice and Bjorn Ulvaeus musical CHESS will offer a limited amount of $30 Student Rush Tickets to students with a valid ID, cash only. Starring Tony Award-nominee Robert Cuccioli (Jekyll & Hyde, Les Miserables), Helen Hayes Award-winner Natascia Diaz (Man of La Mancha, Seussical, The Capeman, Carnival) and Drew Sarich (Les Miserables, Lestat, starring in the upcoming Broadway-bound production of Rocky the Musical in Europe) this special CHESS "In Concept" Concert will take place at LaGuardia Arts at Lincoln Center (100 Amsterdam Avenue); this stripped down all through-sung concert-version will focus on the music, lyrics and characters, emulating the original 1984 concept album and incorporating virtually all of the original London score.

Tony Award-nominee Robert Cuccioli (Jekyll & Hyde, Les Miserables), Helen Hayes Award-winner Natascia Diaz (Man of La Mancha, Seussical, The Capeman, Carnival) and Drew Sarich (Les Miserables, Lestat, starring in the upcoming Broadway-bound production of Rocky the Musical in Europe) will star in today's July 30th 7:30pm benefit concert of the Benny Andersson, Tim Rice and Bjorn Ulvaeus musical CHESS for The Actor's Fund. This special CHESS "In Concept" Concert will take place at LaGuardia Arts at Lincoln Center (100 Amsterdam Avenue). This stripped down all through-sung concert-version will focus on the music, lyrics and characters, emulating the original 1984 concept album and incorporating virtually all of the original London score.

Tony Award-nominee Robert Cuccioli (Jekyll & Hyde, Les Miserables), Helen Hayes Award-winner Natascia Diaz (Man of La Mancha, Seussical, The Capeman, Carnival) and Drew Sarich (Les Miserables, Lestat, starring in the upcoming Broadway-bound production of Rocky the Musical in Europe) will star in the July 30th 7:30pm benefit concert of the Benny Andersson, Tim Rice and Bjorn Ulvaeus musical CHESS for The Actor's Fund. This special CHESS "In Concept" Concert will take place at LaGuardia Arts at Lincoln Center, and the stripped down all through-sung concert-version will focus on the music, lyrics and characters, emulating the original 1984 concept album and incorporating virtually all of the original London score. Check out photos of the cast and creative team in rehearsal below!

Tony Award-nominee Robert Cuccioli (Jekyll & Hyde, Les Miserables), Helen Hayes Award-winner Natascia Diaz (Man of La Mancha, Seussical, The Capeman, Carnival) and Drew Sarich (Les Miserables, Lestat, starring in the upcoming Broadway-bound production of Rocky the Musical in Europe) will star in the July 30th 7:30pm benefit concert of the Benny Andersson, Tim Rice and Bjorn Ulvaeus musical CHESS for The Actor's Fund. This special CHESS "In Concept" Concert will take place at LaGuardia Arts at Lincoln Center (100 Amsterdam Avenue). This stripped down all through-sung concert-version will focus on the music, lyrics and characters, emulating the original 1984 concept album and incorporating virtually all of the original London score.

The multi-award winning team of shake & stir theatre co are back at the Queensland Performing Arts Centre (QPAC) from 16 August to 1 September in the Cremorne Theatre with an adaption of George Orwell's classic novel 1984.

LA CAGE AUX FOLLES recently made Tony Awards history as the first show to ever win the Tony Award three times for best production. The classic musical comedy by Jerry Herman and Harvey Fierstein originally won six Tony Awards in 1984, including Best Musical. A Broadway revival won two 2005 Tony Awards including the Best Revival of a Musical prize. The new, freshly reconceived LA CAGE won three 2010 Tony Awards including Best Revival of a Musical and Best Director of a Musical (Terry Johnson).

LA CAGE AUX FOLLES recently made Tony Awards history as the first show to ever win the Tony Award three times for best production. The classic musical comedy by Jerry Herman and Harvey Fierstein originally won six Tony Awards in 1984, including Best Musical. A Broadway revival won two 2005 Tony Awards including the Best Revival of a Musical prize. The new, freshly reconceived LA CAGE won three 2010 Tony Awards including Best Revival of a Musical and Best Director of a Musical (Terry Johnson).

LA CAGE AUX FOLLES recently made Tony Awards history as the first show to ever win the Tony Award three times for best production. The classic musical comedy by Jerry Herman and Harvey Fierstein originally won six Tony Awards in 1984, including Best Musical. A Broadway revival won two 2005 Tony Awards including the Best Revival of a Musical prize. The new, freshly reconceived LA CAGE won three 2010 Tony Awards including Best Revival of a Musical and Best Director of a Musical (Terry Johnson).

The year is 1984…or is it? In a world where Big Brother is always watching, the Thought Police monitor every word and action, and yesterday's news is literally rewritten to correspond with today's most pressing political concerns, even the most basic information - names, dates, key historical events - is distressingly unreliable.

Forget "Rock Of Ages." That 21st century musical about the 1980s has nothing on the real thing. "Cats," the show that set much of the look and tone of musical theater for the next decade or so when it opened in London in 1981 and in New York in 1982 (and began continuous touring in 1984, a record unmatched in theater history) is on display for this week only (sorry, "Now And Forever") at Chicago's Cadillac Palace Theatre. Forget "Rock Of Ages." That 21st century musical about the 1980s has nothing on the real thing. "Cats," the show that set much of the look and tone of musical theater for the next decade or so when it opened in London in 1981 and in New York in 1982 (and began continuous touring in 1984, a record unmatched in theater history) is on display for this week only (sorry, "Now And Forever") at Chicago's Cadillac Palace Theatre. And I, who saw the original Broadway production twice during that heady decade and have not seen the show in any form since then, was eager to go and see what the fuss was, and is, all about. So I went, Tuesday night. If you've never seen this show, if you kids have never seen it, or if you want to experience the magic of this unique theatrical masterpiece one more time, then this is a great opportunity to do so, as this is the only remaining North American production to (somewhat) accurately replicate the award-winning, record-setting British musical that took America and the world by storm thirty years ago. This tour of non-Equity performers, with its usual orchestra of five beefed up to eight for a weeklong stand (May 1-6) in a major theatrical market, has enough going for it that I highly recommend it. It's a little like entering a time machine, and there's a lot of sleight of hand, but it works. Let me explain. What is "Cats?" Much maligned by insiders, derided as dated by visual artists, underrated by dance teachers and ignored by voice teachers (save for its megahit song, "Memory," which is heard twice, but never in the sheet music version everything has heard and claims to know), it is in many ways a dichotomy. It's a dance show (choreography by Gillian Lynne) written by a singer's songwriter (Andrew Lloyd Webber), as well as a British song cycle based on poems written by a St. Louis-born English poet (T. S. Eliot) who never intended his work ("Old Possum's Book Of Practical Cats," and other snippets) to be either musicalized or staged. Its plot, slight though it is, is also the subject of much derision, but to this observer is very reminiscent of "A Chorus Line," a universally revered work that does include dialogue and more depth of character, but also honors unity of time and place. However, there are indeed works that dispense with plot entirely, and which people unabashedly love (you know, revues--"Ain't Misbehavin'" comes to mind), and even shows like "Forever Plaid" and Lloyd Webber's "Starlight Express" feature heaven-going as a climax that is not entirely a surprise. So, enough complaining about there being no dramatic tension, already. But the spectacle! Is it a rock concert with dance, a dance concert with character, a makeup and hair extravaganza with arena-style lighting (still thrilling, the work of David Hersey, as recreated by Rick Belzer), a radio-friendly cast album with a decidedly British keyboard-rock spin, an intellectual set of inscrutable poems with earworm melodies, an environmental theater piece that's fun for all ages (an unmistakeable set and costume design by the remarkable John Napier)--what exactly is going on? The answer, of course, is all of the above. Oh, and it owes a lot to the English music hall tradition and to contemporary classical music, too, not to mention Puccini. Name another show that encompasses so much. Not to mention that original marketing campaign. Aside from his immature works (the children's show "Joseph And The Amazing Technicolor Dreamcoat" and others), Lloyd Webber's previous shows written with Tim Rice (the two nominated for the Best Revival of a Musical Tony Award this year, "Jesus Christ Superstar" and "Evita,") were both introduced to the world via record albums and marketing campaigns that featured a logo rather than a star name and image. But "Cats" seemed to take that even further, dispensing with the concept album and zeroing in on the show AS the star. Indeed, this show has no leading roles. Really. But who can forget that moon/cats' eyes/dancer silhouette logo, and the letters of the title in color-coordinated graffiti (echoing the oversized junkyard scene design). It was exciting and revolutionary at the time, and the only shows that have done it better since then (Lloyd Webber's "The Phantom Of The Opera" and director Trevor Nunn's "Les Miserables," all three produced by wunderkind Cameron Mackintosh) are the only ones that have run longer in London and New York, due to the lessons they learned from the feline juggernaut before us now. It was "the birth of the musical spectacular," as Broadway In Chicago's promotional materials tell us. This particular edition of the endless "Cats" tour, directed and choreographed by Richard Stafford and featuring mostly young, recent graduates of top U.S. musical theater and dance schools, is indeed "cut down" from the total makeover that the Winter Garden Theatre in New York displayed for the 18 years it played there (1982-2000). But the "Christmas lights" that once ringed the audience do indeed extend past the proscenium arch, and the cast makes several trips out into the aisles, a nice touch. The back wall of the set does not swing down to reveal the ship's set needed for the "Growltiger's Last Stand" sequence--they use drops and a false proscenium downstage center here, and I almost liked it better. The set as a whole is not as detailed and certainly not as deep as it once was, but if you haven't seen the video of the London production, or the show as it played in the early '80s, you would be none the wiser. Sound-wise, I have to give credit to sound designer Duncan Robert Edwards, musical supervisor Kristen Blodgette and music director J. Michael Duff. I swear the show sounds better than ever, even with a smaller orchestra than originally employed. And I could understand the lyrics! The costumes and makeup design look simplified to me, though, but again, a newcomer to the proceedings wouldn't know. And do I care of part of the set is inflatable, as rumor would have it? I don't care how they get it from city to city, or how quickly they do it, but somebody does care, and they figured out a way to make it work! The floating tire and the thing that comes down from the fly space (spoiler alert?) look great, absolutely. Absolutely. The cast is led by Melissa Grohowski as Grizabella, the role made famous by Elaine Paige and Betty Buckley and carrying with it, shall we say, a certain expectation of a certain money note. Boy, does Ms. Grohowski deliver! Three people stood during the applause for the number. Bravo to Clemmons/Dewing Casting, I say! The two singing roles for the men, Old Deuteronomy and Gus/Growltiger/Bustopher Jones, are essayed here by Nathan Morgan and Christopher E. Sidori, who both acquitted themselves well and were very effective theatrically, whatever their actual ages. Among the dance roles, Daniel J. Self as the narrator Munkustrap, Chris Stevens as Rum Tum Tugger and especially Chaz Wolcott as Mistoffelees were crowd pleasers: Self with his movement detailing, Stevens with his Elvis impersonation and Wolcott with his amazing fouette turns. The cast of two dozen or so performers dances uniformly well, and sings very well, too, save for a few minor quibbles with single lines here. And there or some missing low notes that older performers would probably have no trouble with. But these are easily forgiven. Who cares if the leading lights of Broadway (Harry Groener, Terrence Mann, Anna McNeely and of course Ken Page) have been replaced in these roles by recent graduates of Wright State, SUNY-Purchase and Oklahoma City University? These energetic, disciplined performers are working their tails off (pun intended), singing like people who can't dance a lick and are basking in the glow of theater history with every city they visit. Yes, the show has moments that seem a little longwinded, and sure, it doesn't challenge your intellect as much as it challenges your wallet and your caffeine intake (it takes place at night, and everybody is dressed like a cat!). But I challenge you to remain unmoved when Grizabella begs for physical contact, when old Gus relives his moment of youthful theatrical triumph, when assorted junk becomes the train that Skimbleshanks loves, and when the sopranos of the ensemble soar on the words, "'Round the cathedral rang 'Vivat!" Come on! It's "Cats." It's eye and ear candy galore. I don't even like cats, but I do like "Cats." Very much. "Cats" plays this week only, Tuesday night through Sunday night, with additional matinee performances on Saturday and Sunday, at the Cadillac Palace Theatre, 151 W. Randolph Street in Chicago. Tickets are available at all Broadway In Chicago box offices, the Ticket Kiosk at Water Tower Place, all Ticketmaster retail outlets, by phone (800.775.2000) and online at www.BroadwayInChicago.com. Photos: Melissa Grohowski; The Cast

Williamstown Theatre Festival Artistic Director Jenny Gersten announced today the final production of the 2012 Nikos Stage Season and an additional pre-season offering for the Festival's 58th, the second under Ms. Gersten's leadership. Academy Award nominee Patricia Clarkson (Pieces of April; WTF's The Ride Down Mount Morgan) and Bradley Cooper (Limitless; The Understudy at WTF) will return to Williamstown in The Elephant Man, written by Bernard Pomerance and directed by Scott Ellis, completing the Nikos Stage season and playing from July 25 - August 5, 2012.