'Thinking Pictures': Moscow Conceptual Art in the Dodge Collection
September 6 to December 31, 2016 / Voorhees Special Exhibition Gallery
'Thinking Pictures' draws on one of the great strengths of the Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. It presents the visually provocative objects that distinguish Moscow Conceptualism from the forms associated with its namesake, the canonical oeuvres of American and British conceptual artists, in particular. This exhibition focuses on more than 40 individual artists and several collectives who lived and worked in Soviet Moscow from the 1960s to the 1990s. They were concerned with the essential task of creating an audience in an environment that lacked galleries, critics, and a viable art market but had its own institutional framework-one that privileged painting (Socialist Realism).
The Toronto International Film Festival® adds 2 Galas and 14 Special Presentations to its highly anticipated Galas and Special Presentations lineups.
Sony Classical just released the original soundtrack for Woody Allen's CAFE SOCIETY both digitally and on CD on July 8, 2016.
The Utah Symphony and music director Thierry Fischer perform at Carnegie Hall in April 2016-in a concert celebrating the orchestra's 75th anniversary.
The recording, a hybrid SACD is out today, Friday, April 8, 2016, is the second in an ongoing series by Music Director Thierry Fischer and the Utah Symphony for Reference Recordings. It follows the release of Gustav Mahler's Symphony No. 1 'Titan,' recorded live by the Utah Symphony and Mr. Fischer, issued in September 2015. DAWN TO DUST will be available from iTunes, Amazon.com, and other music retailers.
As part of its 75th-anniversary celebrations, the Utah Symphony releases Dawn to Dust, a new recording featuring live performances of orchestral works commissioned from three leading American composers: Augusta Read Thomas, Nico Muhly, and Andrew Norman.
The Utah Symphony and music director Thierry Fischer perform at Carnegie Hall in April 2016-in a concert celebrating the orchestra's 75th anniversary.
When FWD Theatre Project introduced itself in 2014 (at City Winery Chicago,) audiences, actors, producers, and critics took notice. Something special had arrived for the city's arts community and for the future of musical theatre in Chicago. A group of seasoned theatre professionals combined to create a Festival of Works in Development, part of an effort to build Chicago into a premiere destination for writers and creators to showcase their new musicals in process. One year later and FWD's inaugural season of five staged readings - selected from the world's best projects on offer - was a success, selling out many of its events at a variety of Chicago venues.
Barry University is welcoming back alumnus and Academy Award winning writer Alex Dinelaris, of Birdman or (The Unexpected Virtue of Ignorance), to the Broad Auditorium on January 30. Dinelaris will be joined by Grammy sensation and Miami powerhouse Gloria Estefan, Academy Award nominee Danny Aiello and actor Matthew Rauch (Cinemax's hit show Banshee) for a dynamic Broadway-style reading of his play, Still Life.
The 16th edition of Malibu International Film Festival presented by Yelp proudly unveils the full lineup of films and special events that kicks off December 3 at Regal Cinemas Malibu with Chip Croft's powerful documentary Lost Compassion followed by the Opening Night Party at Cafe Habana.
The Boston Symphony Orchestra and Music Director Andris Nelsons have entered into a new partnership to create Classical Live, a unique initiative that offers a new paradigm for the distribution of live recordings of classical music available only on Google Play Music. Classical Live will offer participating orchestras—the BSO, Cleveland Orchestra, New York Philharmonic, London Symphony Orchestra, and Amsterdam's Royal Concertgebouw Orchestra—an opportunity to release up to four live concert recordings each season for download exclusively on Google Play Music with the first recordings to be made available at music.google.com or classical-live.com beginning on June 15.
Announcing the program for Year TENN, Provincetown Tennessee Williams Theater Festival (TW Fest), Co-founder and Curator David Kaplan said, "This year's festival celebrates what happened to Tennessee Williams in Provincetown during the last ten years: his plays got performed here. We've rethought his classics, and rethought the plays he wrote that had been ignored or dismissed. The mantra that Williams had lost his mojo was replaced with cheers at the world premieres in P'town of The Remarkable Rooming-House of Madame LeMonde (TW Fest 2009) and The Milk Train Doesn't Stop Here Anymore (TW Fest 2013). So we're bringing those two productions back for our audiences to cheer in 2015, along with eight other hits and variations."
The Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company continues with three concerts celebrating the genius of two of the most prolific and most important writing teams in musical theatre history in a show entitled RODGERS & HART & HAMMERSTEIN.
The Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company continues with three concerts celebrating the genius of two of the most prolific and most important writing teams in musical theatre history in a show entitled RODGERS & HART & HAMMERSTEIN.
The Los Angeles Chamber Orchestra (LACO) presents 'LACO @ The Movies Celebrates Walt Disney Animation Studios,' an extraordinary evening of musical world premieres and eye-popping animation spanning more than 80 years with orchestral scores performed live by Los Angeles Chamber Orchestra, led by six-time Emmy Award-winning composer Mark Watters, on Saturday, June 13, 2015, 7 pm, at The Theatre at Ace Hotel, an historic movie palace in Downtown LA.
The Concert Hall at Sydney Opera House was filled with Christmas Cheer as Brian Castles-Onion, the Sydney International Orchestra, Christmas Choir and singers Emma Pask and Eddie Perfect presented a somewhat eclectic mix of seasonal songs in CHRISTMAS AT THE HOUSE's JINGLE BELL ROCK.
I'm happy to confess that this piece was a total, happy accident.
EgoPo announces their 2014-15 American Giants Festival devoted to three of America's theatrical giants and their examination of the American dream. EgoPo's season includes Arthur Miller's iconic Death of a Salesman, Tennessee William's fantastical Stairs to the Roof, and Eugene O'Neill's expressionistic The Hairy Ape.
Legendary director/writer/producer Garry Marshall will direct the Vineyard Theatre's New York debut of Mike Bencivenga's comedy BILLY & RAY this fall, with performances set to begin October 2 and an opening night scheduled for October 20 at The Vineyard, it has been announced by Douglas Aibel, Artistic Director, and Sarah Stern, Co-Artistic Director.
“Fantasia”—Disney's crown jewel that changed the course of animation forever when it was released in 1940—is brought to fresh, new life when Pacific Symphony presents the captivating blend of music and moving pictures, live and under the stars, as part of “Mercedes-Benz presents Summer Festival 2014.” A perfect evening for reliving childhood memories or introducing new ones to youngsters, “Disney 'Fantasia': Live in Concert” features stunning footage from the original version as well as “Fantasia 2000” shown on the big screen above the stage, as the orchestra performs classical masterpieces in sync with the animation. Starring the iconic Mickey Mouse in “The Sorcerer's Apprentice,” the presentation also delights with colorful and vibrant animations of dancing hippos, baby unicorns, flamingos and Disney's other favorite characters—Donald and Daisy Duck in the 2000 version of “Pomp and Circumstance.” Led by Principal Pops Conductor Richard Kaufman, the Symphony also performs selections from Beethoven's Fifth and Sixth symphonies, “The Nutcracker Suite,” “Carnival of the Animals,” “Firebird,” “Pines of Rome,” “Claire de Lune” and “Dance of the Hours.”
Sartre's No Exit is exactly about that: people who were once masters of their own universe now being forced to see the lives they once lived through the eyes of other people - strangers to boot - and discover that those same lives they led while alive have accompanied them into the depth of Hell. It really isn't so bad in this place that, as Cradeau Garcin makes clear towards the play's start, is meant to have devices of torture around every turn and the torturer ready and relentless in his quest to make the dead suffer. What is so ironic here, though, is that the ability to see themselves for what they really are - essentially now being on the outside looking in - makes each character less human than how he or she was when first walking through the doors of the room eternity will be spent in. Introducing humanity into the lives of people who were without it for their entire existence actually makes Cradeau, Inez and Estelle worse because of the chunk of confidence reflecting on their own lives that disappears as they do so. In a way, having eternity to ponder why each will forever be in Hell is absolutely great as juxtaposed to a lifetime of fire, torture and pain. Why is it, then, that having nothing but their own lives to think about their lives that have ended in one sense and were never really disrupted in another makes for such an exciting and thought provoking play? Honestly, people are forced to face their own humanity, and it applies to every person who goes to see this production of No Exit by the Pearl Theatre Company.
This production is filled with so many novel approaches while maintaining the classic's integrity, that viewing it was much like unwrapping a gift. And don't let its humble 8 member cast fool you- good things do come in small packages. Arguably the best set designer in town, Michael S. Brewer creates a first impression in his lovely 1940's abandoned London theater set that immediately intrigues audience members as being both non-traditional and perfect, all at once. Director Joe Bishara combines the traditional tale with Patrick Barlow's twist- a group of actors who perform the play in said abandoned theater, and creates memorable scenes with a dynamic cast of only a few performers who play multiple roles, and a vintage marionette utilized as Tiny Tim.
Kenny Leon and True Colors Theatre Company have announced their upcoming production of George C. Wolfe's Spunk, an adaptation of three short stories by Zora Neale Hurston directed by Hilda Willis. Spunk will run from today, September 17 - October 13, 2013 at the 14th Street Playhouse located at 173 14th Street, Atlanta, GA.
Theater Resources Unlimited (TRU) is offering some much-needed guidance for anybody who is thinking about putting up a showcase production in New York: the 2013 TRU Producer Boot Camp: Weekend Intensive for Showcase Producing on Saturday and Sunday, September 21-22, 2013 from 10am-6pmat the Players Theatre, 115 Macdougal Street, 3rd floor, NYC. Details and application can be found at http://www.truonline.org/BootCampWeekend13.htm. Early bird registration is extended to 09/14 and is $210 ($175 for TRU members). After 09/14, registration is $260 ($225 for TRU members).
Kenny Leon and True Colors Theatre Company have announced their upcoming production of George C. Wolfe's Spunk, an adaptation of three short stories by Zora Neale Hurston directed by Hilda Willis. Spunk will run from September 17 - October 13, 2013 at the 14th Street Playhouse located at 173 14th Street, Atlanta, GA.
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