The Courtroom 2019 - Articles Page 8

Brand new photographs are released today providing a first look at the new cast of Witness for the Prosecution by Agatha Christie at London County Hall. The production images mark the first week of performances featuring the new company, which began on Tuesday 27 March. Check them out below!

Lakewood Theatre Company will begin its 66th season with six productions on its Mainstage and three productions on its Side Door stage beginning July 6, 2018.  

Theatre enthusiasts packed the Mountain View Center for the Performing Arts tonight to hear Founding Artistic Director Robert Kelley and Executive Director Phil Santora of TheatreWorks Silicon Valley reveal the lineup for the company's 49th season, which launches this summer. Among the exhilarating works announced were: the World Premiere of a new piece by Hershey Felder on Claude Debussy, an acclaimed Tony-winning musical, a thrilling political prizefight, and an array of Regional Premieres that include a hit comedy that sends up suburban values, a gospel/rhythm & blues musical developed at TheatreWorks, a heart-stirring musical for the holidays, a comic drama about one of the key historical events in the last century, a searing look at an unsung American hero, plus the return of the grown-up holiday hit The Santaland Diaries. For more information or to purchase subscriptions ($143 - $583) the public can call 650-463-1960 or visit theatreworks.org. Subscriptions are on sale now; single tickets will go on sale in spring 2018. Special pricing is available for seniors (65+), educators, and patrons 35 and under.

Charles Fee, Producing Artistic Director of Great Lakes Theater (GLT), unveiled an ambitious, six-production array of classics to headline the company's 2018-19 season. Great Lakes Theater's fifty-seventh year is scheduled to run from September 2018 through May 2019 at Playhouse Square's Hanna and Ohio Theatres.

Building the Wall lays out the potential consequences of contemporary anti-immigration campaign rhetoric. Set in 2019, the play imagines the rhetoric has become policy, and massive numbers of undocumented immigrants and others have been incarcerated in private prisons and camps. As Rick, the former warden of one facility, awaits sentencing for events which happened under his watch, he is interviewed by Gloria, a historian who has come in search of the truth about how the unthinkable became the inevitable.