Artistic Director BJ Jones and Executive Director Timothy J. Evans announce the Chicago Premiere of Mauritius by Theresa Rebeck, directed by Rick Snyder. The production, featuring Anne Adams, Lance Baker, Gary Houston, Dan Kuhlman and Suzanne Lang runs February 25- April 5, 2009 at Northlight Theatre, 9501 Skokie Blvd in Skokie. The press performance is Thursday, March 5, 2009, at 7:30 p.m.
Profiles Theatre continues its 20th Anniversary Season with the acclaimed new dark comedy The Wonderful World of Dissocia by Anthony Neilson, directed by Profiles Associate Artistic Director Darrell W. Cox. The production runs March 26 - May 10, 2009, at Profiles Theatre, 4147 N. Broadway. The press opening is Thursday, March 26, 2009, at 8:00 p.m.
Emmy-nominated Paul Anthony Stewart stars as Raskolnikov in a gripping 90-minute adaptation of Dostoevsky's Crime and Punishment at The Cleveland Play House. In addition to numerous New York and regional theatre roles, Stewart, who was nominated for his recurring role on 'Guiding Light,' recently appeared on Broadway in the revivals of Fiddler on the Roof and Cyrano - The Musical. Performed with only three actors, the adaptation of Crime and Punishment by Marilyn Campbell and Cut Columbus is being helmed by the acclaimed director of the 2005 Play House production of I Am My Own Wife, Anders Cato. Crime and Punishment begins in the Drury Theatre at The Cleveland Play House on Friday, February 27 and runs through Sunday, March 22, 2009. Tickets are on sale now at The Cleveland Play House box office by calling 216.795.7000 ext 4 or online at www.clevelandplayhouse.com. Crime and Punishment is presented in promotional partnership with National City and Baker & Hostetler.
The producers of Blithe Spirit are pleased to announce the show will play The Shubert Theatre (225 West 44th Street). Rehearsals are scheduled to begin Monday, January 26, 2009 with the first performance on Thursday, February 26, 2009.
TALK RADIO by Eric Bogosian will be directed by Gift ensemble member Maureen Payne Hahner, and
assistant directed by Gift ensemble member Alexandra Main from April 2nd - May 30th, 2009.
Artistic Director BJ Jones and Executive Director Timothy J. Evans announce the Chicago Premiere of Mauritius by Theresa Rebeck, directed by Rick Snyder. The production, featuring Anne Adams, Lance Baker, Gary Houston, Dan Kuhlman and Suzanne Lang runs February 25- April 5, 2009 at Northlight Theatre, 9501 Skokie Blvd in Skokie. The press performance is Thursday, March 5, 2009, at 7:30 p.m.
The stakes are high when half-sisters inherit a book of rare stamps that may include the 'crown jewel' of the stamp-collecting world. The battle for possession takes a dangerous turn when three rival collectors enter the sisters' world, willing to go to any lengths to stake their claim on the find.
Named one of Time Magazine's 'Top Ten Plays of 2007,' Mauritius is a gripping blend of sharp comedy and heart-pounding drama that combines the best aspects of Hitchcock, Chandler and Mamet. Mauritius was written by the Pulitzer Prize nominated author of Omnium Gatherum and The Scene.
On Monday Evening, February 23 at 7:00 PM, six New York theater institutions will participate in a special panel discussion featuring five current and upcoming Off-Broadway shows. Harlem Stage (150 Convent Avenue at West 135th Street) will host producing companies Classical Theatre of Harlem, Manhattan Theatre Club, Playwrights Horizons, The Public Theater and Signature Theatre Company in an evening titled I'VE KNOWN RIVERS: A Conversation with Christina Anderson, Charles Fuller, Lynn Nottage & Liesl Tommy.
The event marks a unique collaborative effort between six New York theater institutions: a panel discussion in which five gifted African-American theater artists - all of whom have projects happening almost simultaneously at five of New York's most respected non-profit theaters - will discuss their lives, work, and current projects.
Moderated by actress Sabrina LeBeauf (Three Sisters, Classical Theatre of Harlem in partnership with Harlem Stage, February/March), the evening's four panelists will be Christina Anderson (author, Inked Baby, Playwrights Horizons, March/April), Charles Fuller (author, Zooman and the Sign, Signature Theatre Company, March/April), Lynn Nottage (author, Ruined, Manhattan Theater Club, January-March) and Liesl Tommy (director, The Good Negro, The Public Theater, March/April).
The event title comes from a poem by Langston Hughes, 'The Negro Speaks of Rivers.'
On Monday Evening, February 23 at 7:00 PM, six New York theater institutions will participate in a special panel discussion featuring five current and upcoming Off-Broadway shows. Harlem Stage (150 Convent Avenue at West 135th Street) will host producing companies Classical Theatre of Harlem, Manhattan Theatre Club, Playwrights Horizons, The Public Theater and Signature Theatre Company in an evening titled I'VE KNOWN RIVERS: A Conversation with Christina Anderson, Charles Fuller, Lynn Nottage & Liesl Tommy.
When is anyone morally sanctioned to take another's life? Is redemption possible for anyone who has committed the sin of murder? These questions lie at the heart of Fyodor Dostoyevsky's Crime and Punishment-the classic, celebrated Russian novel of motive and murder, perhaps the greatest and most insightful crime story ever written. Thrillingly adapted for only three actors, this absorbing and highly theatrical drama will unfold in a heart-stopping 90 minutes at the Jungle Theater, March 27 - May 3.
GATES OF GOLD, a new comedic drama by Frank McGuinness will hold its American Premiere at 59E59 Theaters. Previews begin Thursday, February 19, 2009. The official opening will be on Sunday, March 1, 2009. Produced by Artists Theatre Group, Inc., Warren Baker and Sally Jacobs, the production is directed by Kent Paul.
Strawdog Theatre Company continues their 21st season with Curt Columbus' translation of Anton Chekhov's classic 'Cherry Orchard' (note this translation doesn't have 'The' in the title); directed by Strawdog Artistic Associate Kimberly Senior. Chekhov's dark comedy follows the aristocratic Gayev family as they return to their beloved orchard estate, desperate to save it from foreclosure. 'Cherry Orchard' was the last play written by Chekhov, whose esteemed canon includes 'Uncle Vanya,' 'The Seagull' and 'Three Sisters.' 'Cherry Orchard' runs about two hours with one intermission, and includes free admittance to Strawdog Late Night following the Friday and Saturday shows (Late Night schedule available on www.strawdog.org).
Music from around the world, from the ?40s Big Band Song and Dance Revue IN THE MOOD, the very funny and entertaining 3 REDNECK TENORS, the ever popular IRISH ROVERS, Miami?s hot Cuban timba band TIEMPO LIBRE, Portuguese fado singer MARIZA along with a newly added performance by the MARIACHI LOS CAMPEROS de NATI CANO who will bring the second performance season at the Balboa Theatre to a resounding close!
Artistic Director BJ Jones and Executive Director Timothy J. Evans announce the Chicago Premiere of Mauritius by Theresa Rebeck, directed by Rick Snyder. The production, featuring Anne Adams, Lance Baker, Gary Houston, Dan Kuhlman and Suzanne Lang runs February 25- April 5, 2009 at Northlight Theatre, 9501 Skokie Blvd in Skokie. The press performance is Thursday, March 5, 2009, at 7:30 p.m.
The stakes are high when half-sisters inherit a book of rare stamps that may include the 'crown jewel' of the stamp-collecting world. The battle for possession takes a dangerous turn when three rival collectors enter the sisters' world, willing to go to any lengths to stake their claim on the find.
Named one of Time Magazine's 'Top Ten Plays of 2007,' Mauritius is a gripping blend of sharp comedy and heart-pounding drama that combines the best aspects of Hitchcock, Chandler and Mamet. Mauritius was written by the Pulitzer Prize nominated author of Omnium Gatherum and The Scene.
Pittsburgh CLO is proud to announce the three new shows that will make up the 2009-2010 CLO Cabaret season, including two Cabaret premieres. Subscriptions are available online at CLOCabaret.com or by calling 412-281-2822.
The Andak Stage Company announces the sixth world premiere of their first three seasons.
Emmy-nominated Paul Anthony Stewart stars as Raskolnikov in a gripping 90-minute adaptation of Dostoevsky's Crime and Punishment at The Cleveland Play House. In addition to numerous New York and regional theatre roles, Stewart, who was nominated for his recurring role on 'Guiding Light,' recently appeared on Broadway in the revivals of Fiddler on the Roof and Cyrano - The Musical. Performed with only three actors, the adaptation of Crime and Punishment by Marilyn Campbell and Cut Columbus is being helmed by the acclaimed director of the 2005 Play House production of I Am My Own Wife, Anders Cato. Crime and Punishment begins in the Drury Theatre at The Cleveland Play House on Friday, February 27 and runs through Sunday, March 22, 2009. Tickets are on sale now at The Cleveland Play House box office by calling 216.795.7000 ext 4 or online at www.clevelandplayhouse.com. Crime and Punishment is presented in promotional partnership with National City and Baker & Hostetler.
Oskar Eustis, Artistic Director of The Public Theater, has announced the 26-member Broadway cast of HAIR: The American Tribal Love-Rock Musical. Newcomers to the cast include Gavin Creel, Caissie Levy and Sasha Allen, who join the rest of the tribe, who are reprising their roles from Central Park last summer. Currently in rehearsal at the Union Square Theatre, HAIR begins preview performances on Friday, March 6 at the Al Hirschfeld Theatre (302 West 45th Street, NYC) with an Opening Night set for Tuesday, March 31, 2009.
Strawdog Theatre Company continues their 21st season with Curt Columbus' translation of Anton Chekhov's classic 'Cherry Orchard' (note this translation doesn't have 'The' in the title); directed by Strawdog Artistic Associate Kimberly Senior. Chekhov's dark comedy follows the aristocratic Gayev family as they return to their beloved orchard estate, desperate to save it from foreclosure. 'Cherry Orchard' was the last play written by Chekhov, whose esteemed canon includes 'Uncle Vanya,' 'The Seagull' and 'Three Sisters.' 'Cherry Orchard' runs about two hours with one intermission, and includes free admittance to Strawdog Late Night following the Friday and Saturday shows (Late Night schedule available on www.strawdog.org).
The John F. Kennedy Center for the Performing Arts today announced casting for its production of RAGTIME in the Eisenhower Theater April 18 - May 10, 2009. Based on a 1975 novel by E.L. Doctorow, the production features book by Terrence McNally, music by Stephen Flaherty and lyrics by Lynn Ahrens, and will be directed and choreographed by Marcia Milgrom Dodge. The musical is part of the Kennedy Center's Broadway: The Third Generation, a series celebrating the current generation of Broadway musical composers. The official press night will take place on Saturday, April 25, 2009 at 7:30 p.m.
On Monday Evening, February 23 at 7:00 PM, six New York theater institutions will participate in a special panel discussion featuring five current and upcoming Off-Broadway shows. Harlem Stage (150 Convent Avenue at West 135th Street) will host producing companies Classical Theatre of Harlem, Manhattan Theatre Club, Playwrights Horizons, The Public Theater and Signature Theatre Company in an evening titled I'VE KNOWN RIVERS: A Conversation with Christina Anderson, Charles Fuller, Lynn Nottage & Liesl Tommy.
The event marks a unique collaborative effort between six New York theater institutions: a panel discussion in which five gifted African-American theater artists - all of whom have projects happening almost simultaneously at five of New York's most respected non-profit theaters - will discuss their lives, work, and current projects.
Moderated by actress Sabrina LeBeauf (Three Sisters, Classical Theatre of Harlem in partnership with Harlem Stage, February/March), the evening's four panelists will be Christina Anderson (author, Inked Baby, Playwrights Horizons, March/April), Charles Fuller (author, Zooman and the Sign, Signature Theatre Company, March/April), Lynn Nottage (author, Ruined, Manhattan Theater Club, January-March) and Liesl Tommy (director, The Good Negro, The Public Theater, March/April).
The event title comes from a poem by Langston Hughes, 'The Negro Speaks of Rivers.'
On Monday Evening, February 23 at 7:00 PM, six New York theater institutions will participate in a special panel discussion featuring five current and upcoming Off-Broadway shows. Harlem Stage (150 Convent Avenue at West 135th Street) will host producing companies Classical Theatre of Harlem, Manhattan Theatre Club, Playwrights Horizons, The Public Theater and Signature Theatre Company in an evening titled I'VE KNOWN RIVERS: A Conversation with Christina Anderson, Charles Fuller, Lynn Nottage & Liesl Tommy.
The New Group proudly presents Eugene O'Neill's epic drama Mourning Becomes Electra as the second production in its 2008-2009 season. Directed by Scott Elliott, this production will play a limited Off-Broadway run January 27 - April 18, with Official Opening Night on Thursday, February 19 at 6:00 PM. Headlining a standout cast are Lili Taylor as Christine Mannon, Jena Malone as Lavinia Mannon, Joseph Cross as Orin Mannon, Anson Mount as Brant, Mark Blum as Ezra Mannon, Robert Hogan as Seth. This production will play at The New Group @ Theatre Row (410 West 42nd Street) Monday - Saturday @ 7:00 PM and Saturday at 12:00 PM (noon) and features original music by multi-Grammy? Award-winning jazz musician Pat Metheny.
The New Group proudly presents Eugene O'Neill's epic drama Mourning Becomes Electra as the second production in its 2008-2009 season. Directed by Scott Elliott, this production will play a limited Off-Broadway run January 27 - April 18, with Official Opening Night on Thursday, February 19 at 6:00 PM. Headlining a standout cast are Lili Taylor as Christine Mannon, Jena Malone as Lavinia Mannon, Joseph Cross as Orin Mannon, Anson Mount as Brant, Mark Blum as Ezra Mannon, Robert Hogan as Seth. This production will play at The New Group @ Theatre Row (410 West 42nd Street) Monday - Saturday @ 7:00 PM and Saturday at 12:00 PM (noon) and features original music by multi-Grammy? Award-winning jazz musician Pat Metheny.
GATES OF GOLD, a new comedic drama by Frank McGuinness will hold its American Premiere at 59E59 Theaters. Previews begin Thursday, February 19, 2009. The official opening will be on Sunday, March 1, 2009. Produced by Artists Theatre Group, Inc., Warren Baker and Sally Jacobs, the production is directed by Kent Paul.
Written by acclaimed Irish author Frank McGuinness, who earned a Tony Award nomination for Someone Who'll Watch Over Me, and received a Tony Award for best revival in 1997 for A Doll's House, GATES OF GOLD is an acerbic duel between Hilton Edwards and Miche?l MacLiamm?ir, fashionable and eloquent theatrical trailblazers who founded Dublin's Gate Theatre. GATES OF GOLD is funny, witty, deeply moving and a vibrant celebration of art, love, and, finally, life itself.
This production marks the American premiere of GATES OF GOLD, which starred Alan Howard in Dublin and William Gaunt in the West End.
Frank McGuinness was born in Buncrana, Co. Donegal, lives in Dublin and lectures in English at University College, Dublin. His plays include: The Factory Girls (Abbey Theatre, Dublin, 1982 and Arcola Theatre, London, January 2006), Baglady (Abbey Theatre, Dublin, 1985), Observe the Sons of Ulster Marching Towards the Somme (Abbey Theatre, Dublin, 1985; Hampstead Theatre, London, 1986), Innocence (Gate Theatre, Dublin, 1986), Carthaginians (Abbey Theatre, Dublin, 1988; Hampstead Theatre, London, 1989), Mary and Lizzie (RSC, 1989), The Bread Man (Gate Theatre, Dublin, 1991), Someone Who'll Watch Over Me (Hampstead, West End and Broadway (Tony nominated Best Play, 1992); The Bird Sanctuary (Abbey Theatre, Dublin, 1992), Mutabilitie (RNT, 1997), Dolly West's Kitchen (Abbey, 1999; Old Vic, 2000) and Gates of Gold (The Gate Theatre, Dublin, 2002, Finborough Theatre, London, 2004). His translations include Ibsen's Rosmersholm (RNT, 1987), Lorca's Yerma (Abbey, 1987), Peer Gynt (Gate, 1988; RSC and international tour, 1994; RNT, 2000), Chekhov's Three Sisters (Gate and Royal Court, 1990), Brecht's The Threepenny Opera (Gate, 1991), Hedda Gabler (Roundabout Theatre, Broadway, 1994), Uncle Vanya (Field Day Production, 1995), A Doll's House (Playhouse Theatre, Broadway, 1997, which earned a Tony Award for Best revival), The Caucasian Chalk Circle (RNT, 1997), Sophocles' Electra (Chichester, Donmar Warehouse, Broadway, 1998), Ovstrovsky's The Storm (Almeida Theatre, London, 1998), Miss Julie (West End, 2000), Euripides' Hecuba (Donmar Warehouse, 2004), his adaptation of Du Maurier's Rebecca (David Pugh Productions, national tour, 2005) and his version of Phaedra (Donmar Warehouse, 2006). Frank's latest play There Came a Gypsy Riding was produced by the Almeida Theatre in 2007. His recent adaptation of Oedipus just ended its highly successful run at the National in London.
Simon Callow (Pozzo) and Ronald Pickup (Lucky) will join Ian McKellen (Estragon) and Patrick Stewart (Vladimir) in Sean Mathias' Theatre Royal Haymarket production of Samuel Beckett's Waiting for Godot. Waiting for Godot will preview at the Theatre Royal Haymarket from 30 April with press night on 6 May 2009 and is booking until 28 June 2009 for a strictly limited season. Designs are by Stephen Brimson Lewis and lighting is by Paul Pyant. Waiting for Godot is produced by the Theatre Royal Haymarket Company in partnership with Duncan C. Weldon Productions Ltd.
Prior to the Theatre Royal Haymarket run, Waiting for Godot tours to Malvern Theatres (5 - 14 March), Milton Keynes Theatre (16 - 21 March), Brighton Theatre Royal (23 - 28 March), Bath Theatre Royal (30 March - 4 April), Norwich Theatre Royal (6 - 11 April), Edinburgh King's Theatre (13 - 18 April) and Newcastle Theatre Royal (20 - 25 April).
Waiting for Godot follows two consecutive days in the lives of Vladimir and Estragon, who divert themselves by clowning around, joking and arguing, while waiting expectantly and unsuccessfully for the mysterious Godot. Beckett's Waiting for Godot exploded on to the London stage over 50 years ago when it shocked as many people as it delighted.
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