Showcasing world-class jazz and classical music, IN/TERSECT is a rare opportunity to experience some of the most sophisticated music being created today. The two-day music festival is produced with Chamber Music America and curated by Patrick Zimmerli.
Center Theatre Group Artistic Director Michael Ritchie has set the 2017-2018 season at Center Theatre Group's Kirk Douglas Theatre in Culver City.
The Cleveland Orchestra and Music Director Franz Welser-Most have announced details of the Orchestra's 2017-18 calendar. The season will be the ensemble's 100th year of concerts and marks the launch of its Second Century. 2017-18 is also the 16th year of the Orchestra's acclaimed partnership with Franz Welser-Most.
Laguna Playhouse Artistic Director Ann E. Wareham is thrilled to announce the third show in the Laguna Playhouse 2016-2017 season, CHAPATTI, written by Christian O'Reilly and directed by David Ellenstein, based on the direction of Judith Ivey. "I just fell in love with this play and the beautiful and quirky love story at its center. I think our audiences are about to fall in love with it too," says Wareham. CHAPATTI will begin previews on Wednesday, January 11; will open on Sunday, January 15 at 5:30pm and will run through Sunday, January 29, 2016 at the Laguna Playhouse, 606 Laguna Canyon Road in Laguna Beach.
Laguna Playhouse Artistic Director Ann E. Wareham is thrilled to announce the third show in the Laguna Playhouse 2016-2017 season, CHAPATTI, written by Christian O'Reilly and directed by David Ellenstein, based on the direction of Judith Ivey. 'I just fell in love with this play and the beautiful and quirky love story at its center. I think our audiences are about to fall in love with it too,' says Wareham. CHAPATTI will begin previews on Wednesday, January 11; will open on Sunday, January 15 at 5:30pm and will run through Sunday, January 29, 2016 at the Laguna Playhouse, 606 Laguna Canyon Road in Laguna Beach.
Porchlight Music Theatre and Artistic Director Michael Weber have announced the final extension of Porchlight's 22nd season opener, the multi-Tony Award-winning In The Heights, now playing through Saturday, Dec. 31, music and lyrics by Lin-Manuel Miranda, book by Quiara Alegria Hudes.
Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the final extension of Porchlight's 22nd season opener, the multi-Tony Award-winning In The Heights, now playing through Saturday, Dec.31, music and lyrics by Lin-Manuel Miranda, book by Quiara Alegria Hudes. Directed and co-choreographed by Brenda Didier, co-choreographed by Chris Carter, music directed by Diana Lawrence and assistant directed by Adrian Abel Azevedo, at Stage 773, 1225 W. Belmont Ave. The regular scheduled performance times are Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 and 8 p.m. and Sundays at 2 p.m. Tickets are $55 - 75. Single tickets may be purchased at 773.327.5252 or at PorchlightMusicTheatre.org.
Calgary-based Honens today announced details of its 2018 Piano Competition. Pianists of all nationalities, aged 20 to 30 on August 30, 2018, with the exception of past Honens Laureates and professionally managed artists, may apply starting February 1, 2017. The application deadline is October 31, 2017. The Competition's Quarterfinals take place in Berlin and New York in March 2018. Semifinals and Finals take place in Calgary from August 30 to September 8, 2018.
Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the final extension of Porchlight's 22nd season opener, the multi-Tony Award-winning In The Heights, now playing through Saturday, Dec.3, music and lyrics by Lin-Manuel Miranda, book by Quiara Alegria Hudes. Directed and co-choreographed by Brenda Didier, co-choreographed by Chris Carter, music directed by Diana Lawrence and assistant directed by Adrian Abel Azevedo, at Stage 773, 1225 W. Belmont Ave.
Porchlight Music Theatre and Artistic Director Michael Weber have announced a second extension of Porchlight's 22nd season opener, the multi-Tony Award-winning In The Heights, now playing through Saturday, Nov. 19, music and lyrics by Lin-Manuel Miranda, book by Quiara Alegria Hudes.
Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce a second extension of Porchlight's 22nd season opener, the multi-Tony Award-winning In The Heights, now playing through Saturday, Nov. 19, music and lyrics by Lin-Manuel Miranda, book by Quiara Alegria Hudes. Directed and co-choreographed by Brenda Didier, co-choreographed by Chris Carter, music directed by Diana Lawrence and assistant directed by Adrian Abel Azevedo, at Stage 773, 1225 W. Belmont Ave. The performance times are Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 and 8 p.m. and Sundays at 2 p.m. with an added Thursday matinee, October 6 at 1:30 p.m. There is no 7:30 p.m. Thursday, Oct. 6. Tickets are $43 - $51. Single tickets may be purchased at 773.327.5252 or at PorchlightMusicTheatre.org.
Lincoln Center's Mostly Mozart Festival, one of the world's major music festivals and a beloved summer New York tradition, opens its milestone 50th anniversary season with a series of events, including concerts featuring some of the world's greatest artists.
Lincoln Center and Ehrenkranz Artistic Director Jane Moss announced today the 50th Mostly Mozart Festival, one of the world's major music festivals and a beloved summer New York tradition, with events taking place across Lincoln Center July 22-August 27, 2016.
Center Theatre Group celebrates 50 years in the iconic Mark Taper Forum with the 2017-2018 season announced today by Artistic Director Michael Ritchie. The new season features five plays that represent the past, present and future of the theatre, plus a special immersive event on the streets of Los Angeles.
?Quiara Alegria Hudes' hauntingly beautiful Pulitzer Prize-winning play Water by the Spoonful is set to have its New Jersey Premiere at Premiere Stages, the professional Equity Theatre at Kean University.
Lincoln Center's Mostly Mozart Festival, one of the world's major music festivals and a beloved summer New York tradition, opens its milestone 50th anniversary season with a series of events, including concerts featuring some of the world's greatest artists.
New York Artist Management presents pianist Alexei Tartakovsky today, March 31st at 7:30pm at Merkin Concert Hall.
Lincoln Center and Ehrenkranz Artistic Director Jane Moss announced today the 50th Mostly Mozart Festival, one of the world's major music festivals and a beloved summer New York tradition, with events taking place across Lincoln Center July 22-August 27, 2016.
New York Artist Management presents pianist Alexei Tartakovsky on Thursday, March 31st at 7:30pm at Merkin Concert Hall.
have been and where we are going? Or how certain kinds of music fit into this diverse universe of sound? These are some of the important questions that music raises, and each year, Pacific Symphony, led by Music Director Carl St.Clair, attempts to shed light on the answers by exploring a different facet of American music through the American Composers Festival (ACF). This year's ACF spotlights organ music through four highly acclaimed organists and the splendor of the king of instruments-in this case, the one-of-a-kind William J. Gillespie Concert Organ, located in the Renee and Henry Segerstrom Concert Hall. Built from steel, tin, oak, poplar, maple, lead and carbon fiber, the astounding instrument found in the Symphony's concert hall required three years and 42,000 hours of labor by a team of organ builders at C.B Fisk in Gloucester, Mass., before making its debut with Pacific Symphony in 2008.
Having just accepted the 2016 Musical America Ensemble of the Year award, the Boston Modern Orchestra Project (BMOP) continues its 20th anniversary season with a one-night-only concert celebrating Bach's Brandenburg Concertos. BMOP will perform the 'New Brandenburgs,' six works commissioned as companion pieces to Bach's six original Brandenburg Concertos as a result of a four-year project by the Orpheus Chamber Orchestra. The program includes the Boston premieres of Brandenburg Gate (inspired by Brandenburg No. 2) by Paul Moravec, Muse (inspired by Brandenburg No. 3) by Christopher Theofanidis, Little Moonhead (inspired by Brandenburg No. 4) by Melinda Wagner, Sea Orpheus (inspired by Brandenburg No. 5) by Peter Maxwell Davies, and Concerto with Echoes (inspired by Brandenburg No. 6) by Aaron Jay Kernis, as well as a performance of A Brandenburg Autumn (inspired by Brandenburg No. 1) by Stephen Hartke.
Boston, MA — Having just accepted the 2016 Musical America Ensemble of the Year award, the Boston Modern Orchestra Project (BMOP) continues its 20th anniversary season with a one-night-only concert celebrating Bach's Brandenburg Concertos. BMOP will perform the “New Brandenburgs,” six works commissioned as companion pieces to Bach's six original Brandenburg Concertos as a result of a four-year project by the Orpheus Chamber Orchestra. The program includes the Boston premieres of Brandenburg Gate (inspired by Brandenburg No. 2) by Paul Moravec, Muse (inspired by Brandenburg No. 3) by Christopher Theofanidis, Little Moonhead (inspired by Brandenburg No. 4) by Melinda Wagner, Sea Orpheus (inspired by Brandenburg No. 5) by Peter Maxwell Davies, and Concerto with Echoes (inspired by Brandenburg No. 6) by Aaron Jay Kernis, as well as a performance of A Brandenburg Autumn (inspired by Brandenburg No. 1) by Stephen Hartke.
have been and where we are going? Or how certain kinds of music fit into this diverse universe of sound? These are some of the important questions that music raises, and each year, Pacific Symphony, led by Music Director Carl St.Clair, attempts to shed light on the answers by exploring a different facet of American music through the American Composers Festival (ACF). This year's ACF spotlights organ music through four highly acclaimed organists and the splendor of the king of instruments—in this case, the one-of-a-kind William J. Gillespie Concert Organ, located in the Renée and Henry Segerstrom Concert Hall. Built from steel, tin, oak, poplar, maple, lead and carbon fiber, the astounding instrument found in the Symphony's concert hall required three years and 42,000 hours of labor by a team of organ builders at C.B Fisk in Gloucester, Mass., before making its debut with Pacific Symphony in 2008.
Squeals of delight and blood-curdling screams of fright will fill the Allen Theatre as Cleveland Play House's (CPH) Centennial Season continues with a humorous and heartfelt production of Little Shop of Horrors. Hearkening back to its very first productions in 1915 that featured sophisticated marionettes, CPH is bringing the cheeky and blood-thirsty plant Audrey II to life in a production that will be every vocal coach's dream - and every hemophobic's worst nightmare!
Having just accepted the 2016 Musical America Ensemble of the Year award, the Boston Modern Orchestra Project (BMOP) continues its 20th anniversary season with a one-night-only concert celebrating Bach's Brandenburg Concertos. BMOP will perform the "New Brandenburgs," six works commissioned as companion pieces to Bach's six original Brandenburg Concertos as a result of a four-year project by the Orpheus Chamber Orchestra. The program includes the Boston premieres of Brandenburg Gate (inspired by Brandenburg No. 2) by Paul Moravec, Muse (inspired by Brandenburg No. 3) by Christopher Theofanidis, Little Moonhead (inspired by Brandenburg No. 4) by Melinda Wagner, Sea Orpheus (inspired by Brandenburg No. 5) by Peter Maxwell Davies, and Concerto with Echoes (inspired by Brandenburg No. 6) by Aaron Jay Kernis, as well as a performance of A Brandenburg Autumn (inspired by Brandenburg No. 1) by Stephen Hartke.
Videos
