The Colored Museum has electrified, discomforted, and delighted audiences of all colors, redefining our ideas of what it means to be Black in contemporary America. Its eleven “exhibits” undermine Black stereotypes old and new and return to the facts of what being Black means.
A new exhibition invites visitors to delve into one of the hallmarks of unofficial Soviet art from the height of the Cold War. Dialogues a?" Ilya Kabakov and Viktor Pivovarov: Stories About Ourselves, which opens at the Zimmerli Art Museum at Rutgers on November 30, focuses on the two artists' work created in the format of the album: an innovative genre of visual art popularized in the 1970s by conceptual artists in Moscow. Drawn from the museum's Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union, the exhibition provides a rare opportunity to view several albums in their entirety. With loose pages of delicately colored images, often complemented by handwritten texts, an album is simultaneously a drawing and a novel, an installation and a performance.
Perez Art Museum Miami (PAMM) is pleased to present Beatriz Gonzalez: A Retrospective, a monumental survey spanning six decades of the artist's intensive research that addresses cultural and political issues specific to the artist's home country of Colombia. On view from April 18, 2019, through September 1, 2019, the exhibition is Gonzalez's first career retrospective in the United States, providing a much-needed look at a Modern Colombian Art pioneer who offers one of the most nuanced and exciting art expressions of the postwar period in Latin America.
'Today, we give to the dirt of the earth, our beloved brother and friend, Brother Righttocomplain,' Father Freeman announces to the audience at commencement of Jordan E. Cooper's aggressively satirical surrealist vaudeville of African-American experiences, AIN'T NO MO'.
Perez Art Museum Miami (PAMM) is pleased to present Beatriz Gonz lez: A Retrospective, a monumental survey spanning six decades of the artist's intensive research that addresses cultural and political issues specific to the artist's home country of Colombia. On view from April 18, 2019, through September 1, 2019, the exhibition is Gonz lez's first career retrospective in the United States, providing a much-needed look at a Modern Colombian Art pioneer who offers one of the most nuanced and exciting art expressions of the postwar period in Latin America.
Spring activities for the Centennial, which continues through all of 2019, include a wide range of performances, film screenings, discussions, education initiatives, community programming, and new works by other artists in conversation with Merce Cunningham's work.
On June 21, Susan Fales-Hill sat down for an intimate conversation with George C. Wolfe, the award-winning director and playwright who returned to Broadway this year with the new production of The Iceman Cometh.
On Day 14 of 30 Days of Tony, we celebrate another Best Direction of A Play nominee, legendary artist George C. Wolfe.
Playwright Carlyle Brown is the recipient of the William Inge Distinguished Achievement in the American Theater Award, at the 37th Annual William Inge Theatre Festival at Independence Community College, Kansas. The Inge Festival, the Official Theatre Festival of the State of Kansas, takes place May 9-12, 2018.
MCC Theater presents the second show of its 2017-18 season: the World Premiere of School Girls; or, the African Mean Girls Play, written by 2017-18 Tow Playwright-in-Residence Jocelyn Bioh, and directed by Tony winner Rebecca Taichman. A friendly reminder that School Girls; or, the African Mean Girls Play begins previews at the Lucille Lortel Theatre (121 Christopher Street) tonight, November 1, 2017.
MCC Theater today announced the complete cast and creative team for the second show of its 2017-18 season: the World Premiere of School Girls; Or, the African Mean Girls Play, written by 2017-18 Tow Playwright-in-Residence Jocelyn Bioh, and directed by Tony Winner Rebecca Taichman.
Prominent, innovative choreographers, dancers, musicians and poets including musicians Limpe Fuchs and Lea Bertucci, choreographers Rashaun Mitchell and Silas Riener, and poets Joshua Bennett and Monica de la Torre will be in residence as an integral part of Josiah McElheny's outdoor public art project, Prismatic Park, in Madison Square Park from June 13, 2017 through October 8, 2017.
Mulay Initiatives presents The Love Curriculum, an entertaining evening of song and dance exploring our universal journey in the pursuit of love, written and performed by Brian Mulay (Yank, A New Musical).
The Skirball Cultural Center today announced details about its West Coast presentation of Paul Simon: Words & Music, an exhibition originally curated by the Rock and Roll Hall of Fame and Museum.
Robert O'Hara's BOOTYCANDY has a merry old time lampooning trashy black mammas and a grandiloquent Sunday preacher, but the turbulence lurking within his gay anti-hero is indicative of the the playwright's ambivalence toward white people and his inner self-doubts.
BroadwayWorld continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Charles Morrow, Cataloger at the Theatre on Film and Tape Archive on: George C. Wolfe.
James Turrell's site-specific installation Meeting at MoMA PS1 will re-open on October 8 after a three-year restoration and renovation. One of Turrell's celebrated Skyspaces, Meeting is an installation inside the museum that invites viewers to gaze upwards toward an unobstructed view of the sky. The only public James Turrell Skyspace in the New York area, Meeting is also the first Skyspace that Turrell created in the United States and just the second ever made.
The director/bookwriter tells the story of a groundbreaking 1921 musical that has since been reduced to a footnote.
The Eugene O'Neill Theater Center has announced that award-winning stage and film director, playwright, and actor George C. Wolfe will receive the 16th Monte Cristo Award.
Dallas Theater Center Artistic Director Kevin Moriarty announced today the theater's 2016-2017 season including two world-premiere musicals titled Bella: An American Tall Tale by Kirsten Childs, the co-lyricist of FLY; and the world-premiere musical Hood, a fresh take on Robin Hood by Douglas Carter Beane and Lewis Flinn. Also included in the 2016-2017 season are two of The New York Times Best Theater picks of 2015, Constellations and The Christians; the classic historical drama, Inherit The Wind; a reimagined Greek tragedy, Electra; the holiday classic, A Christmas Carol; and an exciting new work with a title to be announced. DTC's 2016-2017 season includes productions in the Potter Rose Performance Hall and the Studio Theatre at the Dee and Charles Wyly Theatre in the AT&T Performing Arts Center and the Kalita Humphreys Theater on Turtle Creek.
?Harlem School of the Arts (HSA) Theatre Department Presents The Colored Museum written by George C. Wolfe directed by Alfred Preisser. The Colored Museum takes the audience on a journey through the Black American experience.
?Harlem School of the Arts (HSA) Theatre Department Presents The Colored Museum written by George C. Wolfe directed by Alfred Preisser. The Colored Museum takes the audience on a journey through the Black American experience.
On view from today, March 31 to August 30, 2015, Ralph Pucci: The Art of the Mannequin is the first museum exhibition to explore the work of renowned New York-based designer Ralph Pucci, widely regarded for his innovative approach to the familiar form of the mannequin.
It feels like it could have been written yesterday, but THE COLORED MUSEUM, now in a rollicking revival at the Huntington Theatre Company in Boston, Mass., was actually first produced in 1986. Written by the estimable Broadway playwright and director George C. Wolfe (Jelly's Last Jam, Angels in America: Millennium Approaches) and directed here with great panache by Tony Award winner Billy Porter (Kinky Boots), this scathing "black black comedy" marches through 300 years of African American history by way of 11 funny but also penetrating living vignettes.
The CSULB Theatre Arts Department University Players will present The Colored Museum, written by George C. Wolfe, music by Kysia Bostic, and directed by Trevor Biship. Playing today, October 17th through November 1st, The Colored Museum, in a series of vignettes, explores stereotypes through African American stories and history.
The CSULB Theatre Arts Department University Players will present The Colored Museum, written by George C. Wolfe, music by Kysia Bostic, and directed by Trevor Biship. Playing October 17th through November 1st, The Colored Museum, in a series of vignettes, explores stereotypes through African American stories and history.
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