The Western Wind, the internationally acclaimed vocal sextet devoted to a capella music, celebrates its 47th anniversary with a gala concert on March 12, 2016, honoring their co-founder, co-director, and baritone, Elliot Z. Levine. Levine plans to leave the ensemble in August 2016 after nearly 47 years. The program entitled We Thank You ... A Concert Honoring Elliot Z. Levine, will take place 8pm, at the Merkin Concert Hall, Kaufman Music Center, 129 West 67th Street, New York City. It will feature compositions and arrangements by Levine as well as his favorite selections from each of his four decades with the ensemble.
Baritone Dmitri Hvorostovsky returns to Carnegie Hall in a recital with pianist Ivari Ilja on Wednesday, February 17 at 8:00 p.m. in Stern Auditorium / Perelman Stage, performing works by Glinka, Rimsky-Korsakov, Mahler, and Richard Strauss. The concert marks more than 25 years since Mr. Hvorostovsky's Carnegie Hall debut 1990; he last performed at the Hall with Mr. Ilja in 2013.
The second program of the Royal Ballet of England's return to New York City after an 11-year hiatus – and the first appearance of the company at the Koch Theatre in Lincoln Center – was an ambitious but not entirely successful presentation of works by British choreographers. The greatest failing was not onstage but in the Playbill. No notes at all were included to help the audience appreciate the ballets and the music in a historical context. While I applaud the company as well as the presenting Joyce Theater Foundation for eschewing the standard story ballets in favor of repertory fare, I am at a loss to figure out why the dancegoers were not given any information other than titles, credits, and casting. On the afternoon of June 27th when I was there, I overheard many people during pauses and intermissions commenting that a little assistance in comprehending the inspiration and intent of the choreographers would have been appreciated.
From July 9-19 Japan Society's renowned summer film festival presents 28 features never before seen in New York
National Recording Registry To “Ac-Cent-Tchu-Ate the Positive”. Joan Baez, Sly Stone, Steve Martin Recordings Named American Treasures
The first Broadway revival of the Pulitzer Prize and Tony Award-winning Wendy Wasserstein play The Heidi Chronicles officially opens tonight, March 19, 2015, at the Music Box Theatre (239 West 45th Street).
Proving that a great show is always in fashion, Love, Loss and What I Wore is a play written by Nora and Delia Ephron based on the 1995 book of the same name by Ilene Beckerman. With its intimate collection of monologues, the show uses clothing and accessories and the memories they trigger to tell funny and poignant stories that all women can relate to. Directed by Karen Carpenter, the actresses sit side-by-side with script in-hand, deftly guiding the audience through an evening if humor, nostalgia and, of course, fashion.
Proving that a great show is always in fashion, Love, Loss and What I Wore is a play written by Nora and Delia Ephron based on the 1995 book of the same name by Ilene Beckerman. With its intimate collection of monologues, the show uses clothing and accessories and the memories they trigger to tell funny and poignant stories that all women can relate to. Directed by Karen Carpenter, the actresses sit side-by-side with script in-hand, deftly guiding the audience through an evening if humor, nostalgia and, of course, fashion.
Armonk, NY
To celebrate HUNCHBACK's run, we've gone in-depth on Disney's animated films that have brought their music, magic, comedy and romance to the stage. Scroll down to learn more, and be sure to tell us which Disney film you'd like to see adapted next!
Cornish College of the Arts, in association with the Seattle Beckett Festival and Seattle University, presents master actor and clown Bill Irwin for an evening of performance and conversation about the works of dramatist Samuel Beckett. Irwin will perform selections from Beckett's canon and discuss his work on the major plays and adaptations with Marcie Sillman, KUOW senior host.
The 2014 Margaret Mead Film Festival—the preeminent showcase for contemporary cultural media and conversation in the unique setting of the American Museum of Natural History—will screen 44 outstanding films from more than 50 countries and host special events and performances from Thursday, October 23, through Sunday, October 26.
Mia Farrow and Brian Dennehy star in A.R. Gurney's Love Letters, opening tonight, September 18, at the Brooks Atkinson Theatre. Let's see what the critics had to say...
Signature Theatre has announced the continuation of the "World of the Play" series with a panel of experts discussing Women Prisoners and America's Incarceration Crisis. This event is presented in conjunction with the U.S. Premiere of AND I AND SILENCE by Naomi Wallace, directed by Caitlin McLeod, and will take place on Saturday, September 13 at 4:15 p.m. in The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues). The event is free and open to the general public (no reservations required).
From September 4-14, 2014, Houston Ballet launches its 45th season with the company premiere of John Neumeier's three-act ballet A Midsummer Night's Dream. The ballet is based on Shakespeare's lighthearted play of the same name and follows the hijinks and hilarity that ensues when a well-intentioned plan with a love potion goes awry. Created in 1977, A Midsummer Night's Dream has served as Mr. Neumeier's calling card, being seen as one of his most joyous and popular creations. Houston Ballet is the first American ballet company to perform the famous work and it is the first piece by Mr. Neumeier to enter the Houston Ballet repertoire.
Spellbound Productions present IN LAMBETH, written by Jack Shepherd, directed by Michael Kingsbury and designed by Ruth Sutcliffe. Opening night is slated for today, 11 July 2014 at 7.30pm, with the regular run continuing through Saturday 2 August 2014 (one preview 10 July).
Spellbound Productions present IN LAMBETH, written by Jack Shepherd, directed by Michael Kingsbury and designed by Ruth Sutcliffe. Opening night is slated for Friday, 11 July 2014 at 7.30pm, with the regular run continuing through Saturday 2 August 2014 (one preview 10 July).
By the early 1950s, Robert De Niro, Sr. (1922-1993) had arrived at his boldly expressive mode of painting. Through strong color and reductive shapes, he merged aspects of abstraction and representation in figure paintings, still lifes, and landscapes. DC Moore Gallery is pleased to present an exhibition of his vibrant art, featuring paintings and drawings from 1948-1989. A catalogue with an essay by Robert Kushner will be available. It will also include an article on the artist by Eleanor Munro and photographs by Rudy Burckhardt that first appeared in ARTnews in May 1958. The opening reception will be today, June 6th from 5-7pm.
By the early 1950s, Robert De Niro, Sr. (1922-1993) had arrived at his boldly expressive mode of painting. Through strong color and reductive shapes, he merged aspects of abstraction and representation in figure paintings, still lifes, and landscapes. DC Moore Gallery is pleased to present an exhibition of his vibrant art, featuring paintings and drawings from 1948-1989. The opening reception will be June 6th from 5-7pm.
Following the record-breaking attendance of Festival 2013, Jacob's Pillow Dance Festival announces the full 2014 Festival free and ticketed event schedule. Jacob's Pillow is a National Historic Landmark, home to America's longest-running dance festival, and a recipient of the National Medal of Arts. Noted dance writer Jennifer Dunning has called the Pillow "the dance center of the nation, possibly the world."
Jerome Kern and Oscar Hammerstein II's Show Boat opens San Francisco Opera's Summer Season on June 1 with nine subsequent performances through July 2, 2014. A watershed of American musical theater, Show Boat receives its Company premiere in director Francesca Zambello's new grand-scale "beautifully sung, smartly staged and handsomely designed (Chicago Tribune)" production. A beloved story of life on the Mississippi in the 1880s, Show Boat is both a poignant love story and a powerful reminder of America's bitter legacy of racism. The score is filled with unforgettable songs such as "Ol' Man River" and "Can't Help Lovin' Dat Man," and the dazzling production features large, colorful sets, sumptuous costumes and exhilarating dance numbers. Of recent performances at Houston Grand Opera, the Houston Chronicle wrote "[This is] a towering work. . . there's a magnificence in its music, its narrative sweep, its deep awareness of something bigger than ourselves."
In celebration of the anniversaries of the 1939-40 and 1964-65 New York World's Fairs-both of which took place in Queens-Museum of the Moving Image will present an exhibit of films that were made for the fairs and which reflect post-World War II-era optimism and focus on American industry as central themes. The exhibit, The World Comes to Queens: Films from the 1939 and 1964 World's Fairs, featuring excerpts from six films, opens today and will be on view through August 31 in the Museum's Video Screening Amphitheater.
Body Counts is not the story of a victim or even a hero. It's the story of a man at a unique time and place, a man with personal demons and challenges he used to fuel a quite remarkable life.
'Daylight Precision' by Douglas Lackey takes us back to World War II and into the great moral controversies involving strategic bombing. Should we bomb cities, or military targets? The United States began by avoiding cities but ended up destroying them. Lackey shows how the change came about by tracing the careers of Generals Haywood Hansell and 'Bomb them back to the Stone Age' Curtis LeMay. Lackey writes, '700,000 civilians lost their lives because Hansell lost his command to LeMay. Hansell is the unsung tragic hero of World War II.' Theater for the New City will present this new work tonight, February 21 to March 16, directed by Alexander Harrington.
'Daylight Precision' by Douglas Lackey takes us back to World War II and into the great moral controversies involving strategic bombing. Should we bomb cities, or military targets? The United States began by avoiding cities but ended up destroying them. Lackey shows how the change came about by tracing the careers of Generals Haywood Hansell and 'Bomb them back to the Stone Age' Curtis LeMay. Lackey writes, '700,000 civilians lost their lives because Hansell lost his command to LeMay. Hansell is the unsung tragic hero of World War II.' Theater for the New City will present this new work February 21 to March 16, directed by Alexander Harrington.
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