TheatreWorks Silicon Valley closes its 2015/2016 season with the explosive new dramatic comedy, The Velocity of Autumn. This tender-hearted play by Eric Coble centers on an elderly artist locked in a volatile showdown with her family over where she'll spend her remaining years. In a wry, spirited quest to "not go gently" into a retirement home, Alexandra barricades herself in her brownstone with enough homemade Molotov cocktails to blow the entire block sky-high as she negotiates the terms of her future with a long-estranged son who has battles of his own. The Velocity of Autumn was declared "Wickedly funny and wonderfully touching" by Broadway World and "A tale that could resonate with a broad range of audiences as it touches on a sobering dilemma faced by families every day" by Variety. This production will be directed by Giovanna Sardelli with performances June 1-June 26 (press opening: June 4) at the Mountain View Center for the Performing Arts, 500 Castro St., Mountain View. For tickets ($19-$80) and information the public may visit www.TheatreWorks.org or call (650) 463-1960.
TheatreWorks Silicon Valley closes its 2015/2016 season with the explosive new dramatic comedy, The Velocity of Autumn. This tender-hearted play by Eric Coble centers on an elderly artist locked in a volatile showdown with her family over where she'll spend her remaining years. In a wry, spirited quest to 'not go gently' into a retirement home, Alexandra barricades herself in her brownstone with enough homemade Molotov cocktails to blow the entire block sky-high as she negotiates the terms of her future with a long-estranged son who has battles of his own. The Velocity of Autumn was declared 'Wickedly funny and wonderfully touching' by Broadway World and 'A tale that could resonate with a broad range of audiences as it touches on a sobering dilemma faced by families every day' by Variety. This production will be directed by Giovanna Sardelli with performances June 1-June 26 (press opening: June 4) at the Mountain View Center for the Performing Arts, 500 Castro St., Mountain View. For tickets ($19-$80) and information the public may visit www.TheatreWorks.org or call (650) 463-1960.
When a culture critic is as prolific and well known as Greil Marcus, and has written books as revered as Mystery Train and Lipstick Traces, it's a mouthful to say any one book defines him
NBC has given a second-season renewal for its 1960's-themed drama “Aquarius,” starring David Duchovny as an LAPD cop on the hunt for Charles Manson, it was announced today by Jennifer Salke, President, NBC Entertainment.
American Repertory Ballet will present Firebird: Diaghilev Revisited at The Theatre at Raritan Valley Community College in Branchburg tonight, March 14, at 8:00pm.
FOR THE LAST TIME is a new jazz musical by celebrated writer/composer Nancy Harrow (Maya The Bee, This Side of Paradise), directed by Will Pomerantz (The Blue Flower) with music direction by Cody Owen Stine, will get an invite-only industry reading on March 13, 2015.
American Repertory Ballet will present Firebird: Diaghilev Revisited at The Theatre at Raritan Valley Community College in Branchburg on Saturday, March 14, at 8:00pm.
Ellynne Rey will perform music from her latest CD 'A Little Bit of Moonlight,' as well as other great songs in the jazz and standards canon, at Jazz At Kitano tonight, January 7th with sets at 8:00 & 10:00pm.
Ellynne Rey will perform music from her latest CD 'A Little Bit of Moonlight,' as well as other great songs in the jazz and standards canon, at Jazz At Kitano on Wednesday, January 7th with sets at 8:00 & 10:00pm.
Karen Carpenter, a producer, director and teacher, a theater-maker for more than 30 years, has been appointed the interim Artistic Director of the William Inge Center for the Arts and the 34th Annual William Inge Theatre Festival. The Inge Festival is the Official Theater Festival of the State of Kansas, hosted on the campus of Independence Community College, which houses the William Inge archives.
This summer, it's 'almost like being in love!' Goodman Theatre produces the first large-scale, professional revival of Brigadoon -- Alan Jay Lerner and Frederick's Loewe's legendary musical of Broadway's Golden Age -- in more than three decades. Under director/choreographer Rachel Rockwell, a company of 28 actors, dancers and singers breathe new life into the enchanting tale of an 18th century Scottish village that appears every century for one day only -- and the complications that arise when it's discovered by two 20th century Americans. With adapter Brian Hill, Rockwell revisits the libretto for this production, while music director Roberta Duchak and an orchestra of 13 use new orchestrations to enhance Loewe's lilting score.
This summer, it's "almost like being in love!" Goodman Theatre produces the first large-scale, professional revival of Brigadoon -- Alan Jay Lerner and Frederick's Loewe's legendary musical of Broadway's Golden Age -- in more than three decades. Under director/choreographer Rachel Rockwell, a company of 28 actors, dancers and singers breathe new life into the enchanting tale of an 18th century Scottish village that appears every century for one day only -- and the complications that arise when it's discovered by two 20th century Americans. With adapter Brian Hill, Rockwell revisits the libretto for this production, while music director Roberta Duchak and an orchestra of 13 use new orchestrations to enhance Loewe's lilting score.
Now through June 1, 2014 Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Jir?i? Kylia?n's comic and delightful Sechs Ta?nze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center.
From May 22 - June 1, 2014 Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Jir?i? Kylia?n's comic and delightful Sechs Ta?nze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center. Tickets start at $19, and may be purchased at www.houstonballet.org or by calling Houston Ballet box office at 713-227-2787, or 1-800-828-2787.
Casting is announced for the Script in Hand playreading of "Mary, Mary," a witty romantic comedy about a marriage gone hilariously awry, at Westport Country Playhouse, on Monday, February 10, 7 p.m. Tickets are $15. The play is written by Jean Kerr and directed by Anne Keefe.
International City Theatre bids au revoir to its 2013 season with a sexy, modern French farce, adapted for English-speaking audiences by Robin Hawdon from the original by Marc Camoletti(Boeing-Boeing). Directed byTodd Nielsen, Don't Dress for Dinner opens Oct. 11 atInternational City Theatre in the Long Beach Performing Arts Center. Two low-priced previews take place on Oct. 9 and Oct. 10.
The Kimmel Center for the Performing Arts campus is waking to the sweet sounds of a robust Fall harvest of programming with a dynamic line-up of arts offering something for everyone.
The Kimmel Center for the Performing Arts campus is waking to the sweet sounds of a robust Fall harvest of programming with a dynamic line-up of arts offering something for everyone.
American Repertory Ballet will kick off its 2013-14 season at Rider University's Bart Luedeke Center Theater in Lawrenceville, NJ today and tomorrow, September 20 and 21 at 7:30pm. ARB's Fall Kick-Off production features Artistic Director Douglas Martin's critically acclaimed Rite of Spring, Patrick Corbin's lyrical Caress, ARB Resident Choreographer Mary Barton's vibrant Five Men and a Concerto, and an excerpt from Martin's Romeo and Juliet. The program presents repertory appealing to a wide variety of tastes, showcasing the diverse range of American Repertory Ballet's dancers and choreographers.
International City Theatre bids au revoir to its 2013 season with a sexy, modern French farce, adapted for English-speaking audiences by Robin Hawdon from the original by Marc Camoletti (Boeing-Boeing). Directed by Todd Nielsen, Don't Dress for Dinner opens Oct. 11 at International City Theatre in the Long Beach Performing Arts Center. Two low-priced previews take place on Oct. 9 and Oct. 10.
American Repertory Ballet will kick off its 2013-14 season at Rider University's Bart Luedeke Center Theater in Lawrenceville, NJ on September 20 and 21 at 7:30pm. ARB's Fall Kick-Off production features Artistic Director Douglas Martin's critically acclaimed Rite of Spring, Patrick Corbin's lyrical Caress, ARB Resident Choreographer Mary Barton's vibrant Five Men and a Concerto, and an excerpt from Martin's Romeo and Juliet. The program presents repertory appealing to a wide variety of tastes, showcasing the diverse range of American Repertory Ballet's dancers and choreographers.
American Repertory Ballet, New Jersey's preeminent ballet company, voted NJ's Favorite Dance Company in the Jersey Arts People's Choice awards, is delighted to announce its 2013-2014 Season of performances around the state. Season highlights include three major productions: the premiere of Artistic Director Douglas Martin's Romeo and Juliet at State Theatre in New Brunswick, with live music played by the Rutgers Symphony Orchestra, under the direction of Kynan Johns; ARB's 50th Annual Nutcracker Season, which will span five weekends at theaters across NJ and include a “Celebrate the Legacy” reception; and Night of Fire, a program featuring the premiere of Martin's Firebird and the company premiere of Kirk Peterson's Afternoon of a Faun, at McCarter Theatre in Princeton. The 2013-2014 season will also include brand new works by American choreographers Mary Barton, Trinette Singleton, and Kirk Peterson and revivals of works by Ann Marie DeAngelo, Patrick Corbin, and the late Gerald Arpino, Joffrey Ballet co-founder and choreographer.
This week at Joe's Pub at the Public, April 22 through April 28, 2013, the lineup will feature: Mike Daisey, Leslie Kritzer: Beautiful Disaster, Megan Hilty, Ashley Davis, Bridget Everett and the Tender Moments, No Band: John Simon's Songs and Stories on the Road to Now, Slavic Soul Party!, Public Forum: Sonnets for the City, K's Choice with a Fragile Tomorrow, Song of a Convalescent Ayn Rand, Never Sleep Alone, Paul Oakley Stovall and Brad Simmons, and J Rome's Night of April Fools in Love.
Born of the fires of dissidence, pioneering Japanese film studio Shintoho was founded in 1947 by employees of the Tokyo-based Toho Company during a strike (Shintoho literally means 'New Toho'). The fledgling studio promptly established itself as one of the major film producers of the second golden age of Japanese cinema, specializing in low- to no-budget productions that have become absolute cult classics.
Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.
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