The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.
The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.
Nariman Point NCPA Marg & Dorabji Tata Road MUMBAI 400 021.
Full casting has been announced for the upcoming production of BACKBEAT at the Citizens Theatre in Glasgow. The production will be the onstage premiere of the musical adapation, based on the hit film about the Beatles. The cast will include Isabella Calthorpe and Andy Knott. Also Jamie Blackley, Oliver Bennett, Daniel Healy, Kate Hodgson, Patrick Lannigan, Alex Robertson and Charles Swift. The production will run from February 9th through March 6th.
Ladies and gentlemen. In the course of this evening's performance, the following physical objects will appear onstage: a boxing bag, four golf clubs, a newspaper, two small targets, an oversized golf ball plus snake, a bloody towel, a duck mask, a white spider with spots, a watering can, three boulders wrapped in twine, a yellow suit, two imitation row boats, one tray of fruit, one rolling table, six highball glasses, two white pillows, one large roll of plastic tape, a jeweled wristwatch, one package, gift-wrapped, one jeweled container, plus one blank container, three mirrors with numbers painted on the reverse side, two bows and arrows, one duck in a small cage, one stuffed small mouth plug.
The August Wilson Center for African American Culture -- named for one of the 20th century's most celebrated playwrights and a Pittsburgh native who garnered international recognition for his contributions to the American theater -- honors his legacy with the Grand Opening and World Premiere Tribute Ceremony & Celebration on Thursday, September 17, beginning at 5 pm. This newest contribution to Pittsburgh's cultural landscape is a long-sought-after multidisciplinary facility reflective of all aspects of African and African American culture.
The August Wilson Center for African American Culture -- named for one of the 20th century's most celebrated playwrights and a Pittsburgh native who garnered international recognition for his contributions to the American theater -- honors his legacy with the Grand Opening and World Premiere Tribute Ceremony & Celebration on Thursday, September 17, beginning at 5 pm. This newest contribution to Pittsburgh's cultural landscape is a long-sought-after multidisciplinary facility reflective of all aspects of African and African American culture.
The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.
Frist Center Announces Calendar of Events for April 1-June 15, 2009
OF SPECIAL NOTE
Thursday, April 16 State of the Art: Contemporary Lecture Series
6:30 p.m. featuring Andrea Zittel
Frist Center Announces Calendar of Events for April 1-June 15, 2009
OF SPECIAL NOTE
Thursday, April 16 State of the Art: Contemporary Lecture Series
6:30 p.m. featuring Andrea Zittel
American Conservatory Theater (A.C.T.) Artistic Director Carey Perloff announced the lineup of the company's 43rd subscription season today. Running from September 2009 to June 2010, the season welcomes some of the best American and international artists to San Francisco and celebrates the 100th anniversary of A.C.T.'s historic theater.
Frist Center announces their Calendar of Events March 1-May 17, 2009
Free Jazz on the Move Series Continues, March 15 and April 19
The Nashville Jazz Workshop and the Frist Center for the Visual Arts present the popular series, Jazz on the Move, that feature a combination lecture and performance, presented by some of Nashville's top jazz artists and educators. The programs take place on a series of Sunday at 3 p.m. in the auditorium. All performances are free and open to the public. This series is made possible by an Arts Builds Communities (ABC) grant from the Metropolitan Nashville Arts Commission in cooperation with the Tennessee Arts Commission.
Frist Center announces their Calendar of Events March 1-May 17, 2009
Free Jazz on the Move Series Continues, March 15 and April 19
The Nashville Jazz Workshop and the Frist Center for the Visual Arts present the popular series, Jazz on the Move, that feature a combination lecture and performance, presented by some of Nashville's top jazz artists and educators. The programs take place on a series of Sunday at 3 p.m. in the auditorium. All performances are free and open to the public. This series is made possible by an Arts Builds Communities (ABC) grant from the Metropolitan Nashville Arts Commission in cooperation with the Tennessee Arts Commission.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Frank Capra's classic film has been brought to vibrant theatrical life through the remarkable collaboration of Pulitzer Prize and Tony Award winning librettist & lyricist, Sheldon Harnick and Grammy and Emmy Award winning Composer, Joe Raposo.
For the first time, the Metropolitan Opera will present a work by Pulitzer Prize-winning composer John Adams: Doctor Atomic, his opera about J. Robert Oppenheimer and the creation of the atomic bomb. The piece is set in New Mexico in the summer of 1945, as scientists, led by Oppenheimer, and the military prepare to test the first nuclear bomb, events that will radically change the course and fabric of history. The new production, starring Gerald Finley in the title role, will open at the Met on Monday, October 13, at 8:00 p.m. When the opera premiered in San Francisco in October of 2005, The Guardian said, 'Adams's ecstatically lyrical writing and the music's visionary eloquence make this a modern masterpiece.' The New York Times later wrote that Doctor Atomic was 'the most complex and inventive of Mr. Adams's works, an engrossing operatic drama.'
At the dawn of the atomic age, before Boeing Boeing and Doris Day rom-coms, there was THE TENDER TRAP, a light sex comedy about a New York bachelor and the various women seeking to marry him. This will be the first New York production of THE TENDER TRAP since its 1954 Broadway
premiere.
It was announced today that the upcoming previously announced revival of West Side Story will begin previews on February 23, 2009 with an official opening slated for March 19, 2009.
WEST SIDE STORY, the landmark American musical, will return to Broadway in a new production directed by two-time Tony Award winning librettist Arthur Laurents.
Complete scheduling information has been announced for the New York Musical Theatre Festival
As part of Dixon Place HOT! Festival, KeiTriK Productions will present And/or, four dark comedies (and one live music video) written by Stan Richardson and directed by Ben Rimalower, from August 2nd through 19th
- MANHATTAN THEATRE CLUB (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) has announced the lineup for the 35th anniversary season of its famed 'WRITERS IN PERFORMANCE' (WIP) literary series. Under the direction of Steve Lawson, WIP's eclectic five-event program will celebrate the best in drama, literature and song with tributes to Tennessee Williams, Kurt Weill, Cervantes' Don Quixote, George S. Kaufman and an appearance by opera great (and first-time author) Renee Fleming.
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