The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. The January-May lineup of national tours, Lea Salonga, 'Chicago Theatre Rock Stars,' Davenport's, a Mary Martin surprise, more....
Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.
Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.
Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.
In his second consecutive week with the New York Philharmonic this season, Sir Colin Davis will lead the Orchestra in two works by Elgar - the Introduction and Allegro, and the Violin Concerto, with Nikolaj Znaider as soloist - and Mozart's Symphony No. 36, Linz, Thursday, December 9, 2010, at 7:30 p.m., Friday, December 10, at 8:00 p.m., and Saturday, December 11, at 8:00 p.m.
Rafael Fru?hbeck de Burgos will conduct the New York Philharmonic in the Overture to Glinka's Ruslan and Ludmila; Tchaikovsky's Violin Concerto, with Leonidas Kavakos as soloist; Debussy's Nocturnes, featuring the Women of the New York Choral Artists; and the Suite from Stravinsky's The Firebird (1919), Friday, November 26, 2010, at 8:00 p.m., Saturday, November 27, at 8:00 p.m. On Tuesday, November 30 at 7:30 p.m., Mr. Fru?hbeck will conduct the Orchestra in Glinka's Ruslan and Ludmila Overture; Haydn's Symphony No. 100, Military; Debussy's Noctures; and Stravinsky's Firebird Suite.
Rafael Fru?hbeck de Burgos will conduct the New York Philharmonic in the Overture to Glinka's Ruslan and Ludmila; Tchaikovsky's Violin Concerto, with Leonidas Kavakos as soloist; Debussy's Nocturnes, featuring the Women of the New York Choral Artists; and the Suite from Stravinsky's The Firebird (1919), Friday, November 26, 2010, at 8:00 p.m., Saturday, November 27, at 8:00 p.m. On Tuesday, November 30 at 7:30 p.m., Mr. Fru?hbeck will conduct the Orchestra in Glinka's Ruslan and Ludmila Overture; Haydn's Symphony No. 100, Military; Debussy's Noctures; and Stravinsky's Firebird Suite.
Rafael Fru?hbeck de Burgos will conduct the New York Philharmonic in the Overture to Glinka's Ruslan and Ludmila; Tchaikovsky's Violin Concerto, with Leonidas Kavakos as soloist; Debussy's Nocturnes, featuring the Women of the New York Choral Artists; and the Suite from Stravinsky's The Firebird (1919), Friday, November 26, 2010, at 8:00 p.m., Saturday, November 27, at 8:00 p.m. On Tuesday, November 30 at 7:30 p.m., Mr. Fru?hbeck will conduct the Orchestra in Glinka's Ruslan and Ludmila Overture; Haydn's Symphony No. 100, Military; Debussy's Noctures; and Stravinsky's Firebird Suite.
Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.
Violinist Anne-Sophie Mutter joins the New York Philharmonic in the 2010-11 season as The Mary and James G. Wallach Artist-in-Residence. In this role she will perform three concerts with the Orchestra, conducted by Alan Gilbert, Michael Tilson Thomas, and Michael Francis (in his Philharmonic debut); two chamber concerts - with violist Yuri Bashmet and cellist Lynn Harrell in the first - and double bass player Roman Patkoló and Philharmonic musicians in the second; and a recital with her long-time collaborator, pianist Lambert Orkis. Ms. Mutter's programs will reflect a mix of eras, offering established violin repertoire alongside new works.
Violinist Anne-Sophie Mutter joins the New York Philharmonic in the 2010-11 season as The Mary and James G. Wallach Artist-in-Residence. In this role she will perform three concerts with the Orchestra, conducted by Alan Gilbert, Michael Tilson Thomas, and Michael Francis (in his Philharmonic debut); two chamber concerts - with violist Yuri Bashmet and cellist Lynn Harrell in the first - and double bass player Roman Patkoló and Philharmonic musicians in the second; and a recital with her long-time collaborator, pianist Lambert Orkis. Ms. Mutter's programs will reflect a mix of eras, offering established violin repertoire alongside new works.
Violinist Anne-Sophie Mutter joins the New York Philharmonic in the 2010-11 season as The Mary and James G. Wallach Artist-in-Residence. In this role she will perform three concerts with the Orchestra, conducted by Alan Gilbert, Michael Tilson Thomas, and Michael Francis (in his Philharmonic debut); two chamber concerts - with violist Yuri Bashmet and cellist Lynn Harrell in the first - and double bass player Roman Patkoló and Philharmonic musicians in the second; and a recital with her long-time collaborator, pianist Lambert Orkis. Ms. Mutter's programs will reflect a mix of eras, offering established violin repertoire alongside new works.
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) October 22-November 13.
In his second consecutive week with the New York Philharmonic this season, Sir Colin Davis will lead the Orchestra in two works by Elgar - the Introduction and Allegro, and the Violin Concerto, with Nikolaj Znaider as soloist - and Mozart's Symphony No. 36, Linz, Thursday, December 9, 2010, at 7:30 p.m., Friday, December 10, at 8:00 p.m., and Saturday, December 11, at 8:00 p.m.
The Threepenny Opera ran at the Arden Theatre Company from September 30-November 7. Threepenny features a book by Bertol Brecht and music by Krut Weill - you've probably heard 'Mack the Knife' as it became a popular standard for crooners. Though the show is certainly a predecessor of the musical theater genre we know today, it is more a play with a variety of musical numbers.
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) through November 13.
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) October 22-November 13.
Rafael Fru?hbeck de Burgos will conduct the New York Philharmonic in the Overture to Glinka's Ruslan and Ludmila; Tchaikovsky's Violin Concerto, with Leonidas Kavakos as soloist; Debussy's Nocturnes, featuring the Women of the New York Choral Artists; and the Suite from Stravinsky's The Firebird (1919), Friday, November 26, 2010, at 8:00 p.m., Saturday, November 27, at 8:00 p.m. On Tuesday, November 30 at 7:30 p.m., Mr. Fru?hbeck will conduct the Orchestra in Glinka's Ruslan and Ludmila Overture; Haydn's Symphony No. 100, Military; Debussy's Noctures; and Stravinsky's Firebird Suite.
Violinist Anne-Sophie Mutter joins the New York Philharmonic in the 2010-11 season as The Mary and James G. Wallach Artist-in-Residence. In this role she will perform three concerts with the Orchestra, conducted by Alan Gilbert, Michael Tilson Thomas, and Michael Francis (in his Philharmonic debut); two chamber concerts - with violist Yuri Bashmet and cellist Lynn Harrell in the first - and double bass player Roman Patkoló and Philharmonic musicians in the second; and a recital with her long-time collaborator, pianist Lambert Orkis. Ms. Mutter's programs will reflect a mix of eras, offering established violin repertoire alongside new works.
TimeLine Theatre Company, dedicated to presenting plays inspired by history that connect to today's social and political issues, has finalized its four-play 2010-11 season. The Chicago premiere of In Darfur by Winter Miller, directed by Nick Bowling, joins three previously released titles: The Chicago premiere of Frost/Nixon by Peter Morgan, the world premiere of Mastering the Art by William Brown and Doug Frew, and The Front Page by Ben Hecht and Charles MacArthur.
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) October 22-November 13.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews Sunday, September 26 for GATZ, the critically acclaimed theatrical adaptation of F. Scott Fitzgerald's The Great Gatsby. Created by Elevator Repair Service and directed by John Collins, GATZ will continue through Sunday, November 28, with an official press opening on Wednesday, October 6. Tickets are on-sale now.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews Sunday, September 26 for GATZ, the critically acclaimed theatrical adaptation of F. Scott Fitzgerald's The Great Gatsby. Created by Elevator Repair Service and directed by John Collins, GATZ will continue through Sunday, November 28, with an official press opening on Wednesday, October 6. Tickets are on-sale now.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced a second extension today for the highly anticipated GATZ, the critically acclaimed theatrical adaptation of F. Scott Fitzgerald's The Great Gatsby.
Last week I conducted an illuminating InDepth InterView with legendary producer and director Harold Prince in which we discussed his singular career, having won more Tony Awards than any other person on the planet for his near one-hundred productions since his start as George Abbott's assistant producer over fifty years ago. He produced such landmark musicals as DAMN YANKEES, THE PAJAMA GAME and WEST SIDE STORY in the 1950s and then went on to become a director in his own right with Kander & Ebb's FLORA, THE RED MENANCE (Liza Minnelli's Broadway debut), CABARET into the Sondheim series of masterpieces in the 1970s - COMPANY, FOLLIES, A LITTLE NIGHT MUSIC, PACIFIC OVERTURES, SWEENEY TODD - bridging into his two biggest commercial successes, the Andrew Lloyd Webber musicals EVITA and THE PHANTOM OF THE OPERA. Celebrating its 23rd year on Broadway in January, THE PHANTOM OF THE OPERA is the most successful entertainment of all time, more than any other musical, television show or even feature film in history. It's a juggernaut like no other and the mystery, magic and majesty that had made the show such a rousing success is thanks to the masterful eye-of-all-eyes, the true master director of the American Theatre, Harold Prince. But, will he be doing the sequel?
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