TRAIN TO ZAKOPANE: A true story of hate and love, by Henry Jaglom, will have its World Premiere at the Edgemar Center for the Arts in Santa Monica beginning November 14. The play is based upon true events that occurred in the life of Henry Jaglom's father as he crossed Poland on a train in 1928 when anti-Semitism was rife in much of Europe, especially Poland. It is a compelling love story that explores the human condition in its darkest and most exquisite moments, laying bare how compassion and intolerance can, even in the most unusual of circumstances, be one and the same.
Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from today, September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.
Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.
Starting today, the Fine Arts Center is delivering a love letter to musical comedy with The Drowsy Chaperone, a show the New York Times praised as 'a revved-up spoof of a 1920s song-and-dance frolic.' At a recent dress rehearsal I was able to sit down with several members of the cast and crew, beginning with Scott RC Levy, director of the Fine Arts Center who is making his Colorado acting debut as Man in Chair, the character guides the audience through the cast recording of the titular Jazz Age musical.
With news coming late this week of a revised and reworked edition of the Cole Porter/Abe Burrows Golden Age musical CAN-CAN aiming for a reading in October and the possibility of a potential major production thereafter, now seems like a tres bien moment in time to glance back at the underappreciated charms of this alluring, Paris-set show. Plus, from Gwen Verdon, Patti LuPone, Eartha Kitt, Shirley MacLaine and Chita Rivera to Frank Sinatra, Dean Martin, Kelly Clarkson, MAD MEN's Christina Hendricks and many more, this clip collection has more than just an errant bright bulb or two to add to the already magnificent and romantic sights of the city of lights.
With CHRISTMAS IN TINSELTOWN (HCI $14.95)- the follow-up to his international sensation The Dead Celebrity Cookbook - Frank DeCaro shows how to put the kitsch into your holiday kitchen as he salutes a quirky collection of celebrities who are gone, but fondly remembered every year at Christmastime.
Today we are talking to Patricia Kelly, the widow of one of the most iconic and influential performers in entertainment history, Gene Kelly, all about her husband's incomparable career on Broadway and in Hollywood, in honor of his centennial. Tracing Gene Kelly's journey from his theatre roots starring in Cole Porter's LEAVE IT TO ME!, Rodgers & Hart's PAL JOEY and William Saroyan's Pulitzer Prize-winning THE TIME OF YOUR LIFE on Broadway to his unforgettable screen appearances in many of the greatest movie musicals ever made - COVER GIRL, SINGIN' IN THE RAIN, THE PIRATE, AN AMERICAN IN PARIS and many more included - Mrs. Kelly gives us a look into the life of one of the most important artists of the twentieth century. In addition to behind-the-scenes stories involving Kelly's frequent collaborators - such as esteemed director Vincente Minnelli, songwriter and producer Arthur Freed, arranger Saul Chaplin and others - Mrs. Kelly also shares candid anecdotes involving her husband's involvement with directing Rodgers & Hammerstein's FLOWER DRUM SONG on Broadway, helming the feature film adaptation of HELLO, DOLLY! starring Barbra Streisand, as well as his appearing in two idiosyncratic movie musicals later in his life, LES DEMOISELLES DE ROCHEFORT (THE YOUNG GIRLS OF ROCHEFORT) for Jacques Demy, as well as his au revoir to movie musicals in form of the Olivia Newton-John roller disco starrer XANADU. Additionally, Mrs. Kelly fills us in on all the details about this weekend's two-night Gene Kelly retrospective celebration, which she leads and narrates, as part of GENE KELLY @ 100 and her future plans for the multimedia presentation - each evening titled AN EVENING OF GENE KELLY and CHANGING THE LOOK OF DANCE ON FILM, respective - as she begins to tour the show across the country. Plus, reflections on SINGIN' IN THE RAIN's 60th anniversary and the recent Fathom HD premiere presentation in theaters, the impact of Kelly's work behind the camera, his choreographic legacy, what a legend is like at home, memories of attending the opening night of THE PHANTOM OF THE OPERA (starring HELLO, DOLLY! lead Michael Crawford), what the master would say about GLEE, SMASH, BUNHEADS and today's movie musical renaissance, as well as much, much more!
THE DROWSY CHAPERONE is truly a gay, show-within-a-show romp for the ages. At first I was like 'What gay holy hell is this?!'
Following a successful season which brought Long Beach Opera (LBO) increased ticket sales, a 20% growth in its subscriber base, and an unprecedented number of sold out performances, LBO announces its plans for 2012. The ambitious 'Absurd-Bizarre- Surreal' season will include a double bill of one-acts and three full-length operas. Commenting on his selections, LBO's Artistic and General Director Andreas Mitisek says, 'I like to provide a diverse look into the world of rarely seen, little known masterworks. Each of the 2012 operas fits that category. Where most companies cozy up to composers of the 19th century, in the coming season, LBO will highlight composers of the 20th century (Francis Poulenc, Bohuslav Martinu, Astor Piazzolla) and the 21st (Osvaldo Golijov, Michael Nyman).
Actor/singer/musician/author Hershey Felder's multi Award winning depiction of composer George Gershwin in George Gershwin Alone is now on stage at the Pasadena Playhouse for a limited run through May 8 celebrating a ten year anniversary. Felder fills the space with his virtuoso musicianship and creates such an extraordinary stir and love affair with his public that he is becoming almost as popular as the legendary composer himself.
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) October 22-November 13.
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) through November 13.
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) October 22-November 13.
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) October 22-November 13.
Last week I conducted an illuminating InDepth InterView with legendary producer and director Harold Prince in which we discussed his singular career, having won more Tony Awards than any other person on the planet for his near one-hundred productions since his start as George Abbott's assistant producer over fifty years ago. He produced such landmark musicals as DAMN YANKEES, THE PAJAMA GAME and WEST SIDE STORY in the 1950s and then went on to become a director in his own right with Kander & Ebb's FLORA, THE RED MENANCE (Liza Minnelli's Broadway debut), CABARET into the Sondheim series of masterpieces in the 1970s - COMPANY, FOLLIES, A LITTLE NIGHT MUSIC, PACIFIC OVERTURES, SWEENEY TODD - bridging into his two biggest commercial successes, the Andrew Lloyd Webber musicals EVITA and THE PHANTOM OF THE OPERA. Celebrating its 23rd year on Broadway in January, THE PHANTOM OF THE OPERA is the most successful entertainment of all time, more than any other musical, television show or even feature film in history. It's a juggernaut like no other and the mystery, magic and majesty that had made the show such a rousing success is thanks to the masterful eye-of-all-eyes, the true master director of the American Theatre, Harold Prince. But, will he be doing the sequel?
The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.
The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.
Today's Broadway Blogs on BroadwayWorld.com from Friday, February 20, 2009.
The New York Musical Theatre Festival (NYMF) celebrates its fifth year with 24 full productions, a dance series, a developmental series, concerts and special events.
Lippa's 'The Wild Party' raises the roof at New Rep while North Shore Music Theatre embraces Gershwin with 'Crazy for You'
The show, will begin previews on April 3, 2006 and will open on May 1, 2006.
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