The world-premiere production of Pedro Paramo, one of the most culturally-significant magical realism tales of Latin American literature, runs today, March 22 through March 31, in a limited engagement in Goodman Theatre's Latino Theatre Festival.
'Should a woman sleep with a man she finds repellent if by doing so she serves a greater good?' (New York Times) is among the questions of William Shakespeare's Measure for Measure, at Goodman Theatre in a new production directed by Artistic Director Robert Falls. Falls sets his production of Shakespeare's dark comedy against the backdrop of New York City circa 1970s-an era in which economic challenges, urban flight and the sexual revolution transformed one of the greatest cities in the world into one of the most troubled.
The Goodman Theatre just announced its 2013/2014 season. For tickets or more information, visit: http://www.goodmantheatre.org/upcoming-season/?id=&epslanguage=en
'Should a woman sleep with a man she finds repellent if by doing so she serves a greater good?' (New York Times) is among the questions of William Shakespeare's Measure for Measure, at Goodman Theatre in a new production directed by Artistic Director Robert Falls. Falls sets his production of Shakespeare's dark comedy against the backdrop of New York City circa 1970s-an era in which economic challenges, urban flight and the sexual revolution transformed one of the greatest cities in the world into one of the most troubled.
New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Ades (b.1971) to a libretto by Philip Hensher (b. 1965).
The world-premiere production of Pedro Paramo, one of the most culturally-significant magical realism tales of Latin American literature, heads into its final stage of development prior to its March 22-31 limited engagement in Goodman Theatre's Latino Theatre Festival.
"It's almost like being in love!" Goodman Theatre proudly announces a Summer 2014 production of the 1947 musical Brigadoon, with book and lyrics by Alan Jay Lerner and music by Frederick Loewe-marking the first major revival of the musical in nearly 20 years. Award-winning Chicago director/choreographer Rachel Rockwell, hailed as "a theatrical magician" (Chicago Sun-Times) and "2012 Chicagoan of the Year" (Chicago Tribune) for her recent reinvestigations of American musicals, directs the piece in her Goodman debut. With permission from the Lerner and Loewe estates, the Goodman and Rockwell will consider some revisions to the book for this production. Only Goodman Subscribers and Groups are guaranteed priority access to Brigadoon tickets; subscriptions for Goodman's 2013/2014 Season (additional projects and dates for Brigadoon to be announced) will be available for purchase in March. Call 312.443.3800 or visit GoodmanTheatre.org.
New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Adès (b.1971) to a libretto by Philip Hensher (b. 1965).
Berkeley Playhouse opens its fifth season with Rodgers and Hammerstein's beloved final collaboration, THE SOUND OF MUSIC. Berkeley Playhouse founding Artistic Director Elizabeth McKoy helms this endearing family classic, featuring a cast of 40, with musical direction by Greg Mason and choreography by Staci Arriaga. THE SOUND OF MUSIC plays tonight, October 27 through December 2 (Press opening: October 27) at the Julia Morgan Theatre in Berkeley.
Goodman Theatre opens its 2012/2013 Season in the Owen Theatre with playwright, actor and poet Dael Orlandersmith's Black n Blue Boys/Broken Men, a co-commission with Berkeley Repertory Theatre. Directed by Chay Yew, Black n Blue Boys/Broken Men is Orlandersmith's solo-performed examination of humanity's capacity for hope and survival, rendered through the eyes of five men ages 11 to 50.
Berkeley Playhouse opens its fifth season with Rodgers and Hammerstein's beloved final collaboration, THE SOUND OF MUSIC. Berkeley Playhouse founding Artistic Director Elizabeth McKoy helms this endearing family classic, featuring a cast of 40, with musical direction by Greg Mason and choreography by Staci Arriaga. THE SOUND OF MUSIC plays October 27 through December 2 (Press opening: October 27) at the Julia Morgan Theatre in Berkeley.
"We are all civilized people, which means that we are all savages at heart but observing a few amenities of civilized behavior,' writes Tennessee Williams in his introduction to Sweet Bird of Youth. Goodman Theatre opens its 2012/2013 Season with a major revival of Williams' 1959 play directed by Chicago native David Cromer. As previously announced, Academy Award nominee Diane Lane portrays Alexandra del Lago, an aging Hollywood screen siren on a journey with an unlikely soul mate, Chance Wayne (Broadway's Finn Wittrock)-an ineffectual drifter whose youth and promise have begun to fade.
Goodman Theatre opens its 2012/2013 Season in the Owen Theatre with playwright, actor and poet Dael Orlandersmith's Black n Blue Boys/Broken Men, a co-commission with Berkeley Repertory Theatre. Directed by Chay Yew, Black n Blue Boys/Broken Men is Orlandersmith's solo-performed examination of humanity's capacity for hope and survival, rendered through the eyes of five men ages 11 to 50.
This spring, Goodman Theatre broadens the scope of its Latino Theatre Festival, an event that has introduced more than 160,000 Chicagoans to prominent Latino theater companies around the globe-from Spain to Mexico to Brazil-for the past decade. Under the direction of Goodman Resident Artistic Associate and Festival Curator Henry Godinez, Latino Fest 2013 will span over an extended time period to run in conjunction with the height of the season.
"We are all civilized people, which means that we are all savages at heart but observing a few amenities of civilized behavior,' writes Tennessee Williams in his introduction to Sweet Bird of Youth. Goodman Theatre opens its 2012/2013 Season with a major revival of Williams' 1959 play directed by Chicago native David Cromer. As previously announced, Academy Award nominee Diane Lane portrays Alexandra del Lago, an aging Hollywood screen siren on a journey with an unlikely soul mate, Chance Wayne (Broadway's Finn Wittrock)-an ineffectual drifter whose youth and promise have begun to fade.
Artistic Director Robert Falls announced today that he will direct a major revival and new adaptation of Measure for Measure, Shakespeare's darkly comic collision of vice and virtue, in Goodman Theatre's 2012/2013 season, March 9 - April 14, 2013. Also, director David Cromer announced partial casting for his production of Sweet Bird of Youth: Oscar, Emmy, Golden Globe and Screen Actors Guild Award-nominee Diane Lane appears as Princess Kosmonopolis and Finn Wittrock, who recently appeared in Broadway's Death of a Salesman with Philip Seymour Hoffman, is cast as the young-actor-turned-gigolo Chance Wayne. Complete casting to be announced soon. The production opens the Goodman's new season, September 15 - October 21; a September 24 Season Opening Benefit will take place at The Standard Club. Tickets available only on subscription; call 312.443.3800 or visit www.GoodmanTheatre.org. Individual tickets to Sweet Bird of Youth go on sale August 10; Abbott Fund, Fifth Third Bank, Katten Muchin Rosenman LLP and PwC LLP are the Corporate Sponsors Partners. Call 312.443.3811, ext. 586 for more information about the Season Opening Benefit.
Goodman Theatre Artistic Associate and "triple threat" Playwright/Director/Actor Regina Taylor brings her musical Crowns, based on the book by Craig Marberry with photographs by Michael Cunningham, back to the Goodman stage. For her all-new 10th anniversary production, Taylor has engaged community partners and used workshops to explore and deepen the spoken word, dance and music elements in Crowns. Crowns runs now through August 5, 2012 (Opening Night is July 9) in the Goodman's Albert Theatre. Get a first look at the cast on stage in the photos below!
Chicago's non-Equity Bohemian Theatre Ensemble has undertaken Adam Guettel and Tina Landau's 1996 off-Broadway masterpiece (or close to it) and put it on at Theater Wit on West Belmont Avenue for the next month (through July 25, 2012). If you have imagination enough to meet the company halfway, somewhere between the hardscrabble Kentucky soil and the cave beneath it where the real Floyd Collins met his doom in 1925, you will come away with a musical and theatrical experience you are unlikely to repeat anytime soon, anywhere else.
Goodman Theatre Artistic Associate and "triple threat" Playwright/Director/Actor Regina Taylor brings her musical Crowns, based on the book by Craig Marberry with photographs by Michael Cunningham, back to the Goodman stage. For her all-new 10th anniversary production, Taylor has engaged community partners and used workshops to explore and deepen the spoken word, dance and music elements in Crowns. Crowns runs June 30 - August 5, 2012 (Opening Night is July 9) in the Goodman's Albert Theatre. Check out photos of the cast and creative team in rehearsal below!
Mint Theater Spring Benefit will feature a reading of The Importance Of Being A Woman, a one-act play by Rachel Crothers, with a cast led by Sara Surrey (Rutherford and Son), Samantha Soule (A Little Journey), Kate Levy (Return of the Prodigal, Soldier's Wife), and Stephen Schnetzer (Mr. Pim Passes By, The Truth About Bladys) onMonday, April 23rd. Eleanor Reissa directs. Leslie Hendrix (Susan from Mint's production of Susan and God and a fixture on "Law and Order" for 19 years as Dr Elizabeth Rogers) is going to introduce the evening.
Mint Theater Spring Benefit will feature a reading of The Importance Of Being A Woman, a one-act play by Rachel Crothers, with a cast led by Sara Surrey (Rutherford and Son), Samantha Soule (A Little Journey), Kate Levy (Return of the Prodigal, Soldier's Wife), and Stephen Schnetzer (Mr. Pim Passes By, The Truth About Bladys) tonight, April 23rd at The Cosmopolitan Club (122 East 66th Street). Eleanor Reissa directs. Leslie Hendrix (Susan from Mint's production of Susan and God and a fixture on "Law and Order" for 19 years as Dr Elizabeth Rogers) is going to introduce the evening.
Mint Theater Spring Benefit will feature a reading of The Importance Of Being A Woman, a one-act play by Rachel Crothers, with a cast led by Sara Surrey (Rutherford and Son), Samantha Soule (A Little Journey), Kate Levy (Return of the Prodigal, Soldier's Wife), and Stephen Schnetzer (Mr. Pim Passes By, The Truth About Bladys) on Monday, April 23rd at The Cosmopolitan Club (122 East 66th Street). Eleanor Reissa directs. Leslie Hendrix (Susan from Mint's production of Susan and God and a fixture on "Law and Order" for 19 years as Dr Elizabeth Rogers) is going to introduce the evening.
Moonbox Productions marks its first anniversary with a moving production of Adam Guettel's FLOYD COLLINS at the Plaza Theatre at the Boston Center for the Arts. The composer-lyricist was in the house for the Easter Sunday press opening and talk-back.
Edward Gero and Patrick Andrews star in Red at Arena Stage at the Mead Center for American Theater, produced in association with Goodman Theatre.
Let's just say, for the moment, that I owned the Venus de Milo. I don't know how it happened. Maybe some ancient Greek stone cuttings were found that led to a Middle Ages parchment that inspired someone to do some research on ancestry.com, but in any case, it has been indisputably determined that I am the sole owner of sculptor Alexandros of Antioch's Venus de Milo.
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