The production has several aces up its sleeve, the first being John Logan's script. Logan-the scribe behind the plays Red and I'll Eat You Last, films Gladiator, The Aviator, Sweeney Todd, Hugo, and Skyfall, and the T.V. show Penny Dreadful-is easily one of the greatest contemporary writers in any medium. His gift for creating edge-of-your-seat pacing, engrossing and flawed characters, and witty dialogue shows through in Never the Sinner, Logan's 1985 work and first play.
Following the recent acquisition of more than 600 works from the Shunk-Kender Photography Collection, The Museum of Modern Art presents Art on Camera: Photographs by Shunk-Kender, 1960-1971, on view from May 17 through October 4, 2015.
It's been almost ten years since the Wildcats first crowded the halls of East High School, singing of a new start, the status quo, and of course, the big game. The first of three HIGH SCHOOL MUSICAL movies debuted on January 20, 2006, quickly becoming the most successful Disney Channel Original Movie ever produced. Launching the careers of a then-unknown set of teenagers, lots has happened to the cast since the last film wrapped in 2008.
Much of the cast has continued in the musical tradition of the trilogy, taking on various roles in other musicals on stage and screen. Later this Spring, Vanessa Hudgens will become the second of the group to make her Broadway debut, as the title character in Gigi. In honor of her big debut, BroadwayWorld is recapping you on what's been up with the rest of the gang since Senior Year!
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Next spring, Tony Award winners Audra McDonald, George C. Wolfe, and Savion Glover will team up to collaborate on SHUFFLE ALONG, Or, The Making of the Musical Sensation of 1921 and All That Followed, a musical about the events that led to the creation of the groundbreaking Eubie Blake-Noble Sissle musical Shuffle Along. Starring Audra McDonald as the 1920's star Lottie Gee, directed by George C. Wolfe -- with a book written by Wolfe -- and choreographed by Savion Glover, the musical marks the first time that the writer/director and choreographer will have worked together since their 1996 hit Bring in 'da Noise, Bring in 'da Funk. Previews will begin Monday, March 14, 2016. Opening night is Thursday, April 21, 2016 at the Music Box Theatre (239 West 45th Street).
When Cole Porter wrote, 'Anything Goes,' he could have easily been referring to New York cabaret circa the 2000-sies. One of the joys of attending and reviewing cabaret shows in the Big Apple these days is that every performing style, show theme, cultural perspective, political point of view, race, gender, and sexual preference is represented on a stage. Some cabaret purists may not agree, but the genre seems to have no boundaries in terms of what is acceptable and what is not. And as long as a show is entertaining, who cares about boundaries and strict definitions of what works in the art form? Here are reviews of three recent shows from Barbara Malley, Robin Kradles, and Donna Hayes that reflect the delicious diversity that is cabaret.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Tommy Tune returns to the New York stage in a splendid concert production.
Tommy Tune, Colin Donnell, Danny Gardner, Jeff Hiller, Erin Mackey, Patti Murin, Douglas Sills,Jennifer Laura Thompson and Kirsten Wyatt star in George and Ira Gershwin's Lady, Be Good, the opening production of New York City Center's 2015 Encores! season, running for seven performances, last night, February 4, through February 8, 2015. Let's see what the critics had to say...
Today we salute one of Broadway's most influential artists in honor of his birthday this week, the one and only Ira Gershwin!
Tommy Tune, Colin Donnell, Danny Gardner, Jeff Hiller, Erin Mackey, Patti Murin, Richard Poe, Jennifer Laura Thompson and Kirsten Wyatt will star in George and Ira Gershwin's Lady, Be Good, the opening production of New York City Center's 2015 Encores! season, running for seven performances, February 4 - 8, 2015. Lady, BeGood will be directed by Mark Brokaw and choreographed by Randy Skinner. Founding Encores! Music Director Rob Fisher will return as Guest Music Director, and has supervised the restoration of the Gershwins' original score.
On Saturday, September 27, at 8 p.m., the Boston Symphony Orchestra will shine a welcoming spotlight on Andris Nelsons as he makes his highly anticipated debut as BSO Music Director leading a gala program filled with works and guest artists that have inspired his musical life. When Mr. Nelsons takes on the title of BSO Music Director on September 27, at age 35, he will be the youngest conductor to hold that title with the orchestra in over 100 years. The fifteenth music director since the Boston Symphony Orchestra's founding in 1881, Mr. Nelsons is also the first Latvian-born conductor to assume the post.
It's almost time for the newest and final season of “Boardwalk Empire” to premiere on September 7th on HBO. While no one wants to see it go, we all wait in baited breaths for what is sure to be a killer finale (both literally and figuratively knowing this show!). So while we all say “too soon, too soon” at the shows upcoming eight episode series finale, we'll raise our glasses “to the lost” in Jimmy Darmody style and watch it go out with a bang.
From September 4-14, 2014, Houston Ballet launches its 45th season with the company premiere of John Neumeier's three-act ballet A Midsummer Night's Dream. The ballet is based on Shakespeare's lighthearted play of the same name and follows the hijinks and hilarity that ensues when a well-intentioned plan with a love potion goes awry. Created in 1977, A Midsummer Night's Dream has served as Mr. Neumeier's calling card, being seen as one of his most joyous and popular creations. Houston Ballet is the first American ballet company to perform the famous work and it is the first piece by Mr. Neumeier to enter the Houston Ballet repertoire.
Eugene O'Neill's DESIRE UNDER THE ELMS is the subject of a new adaptation, with the action transferred from 1840s New England to the Eastern Cape of the 1890s in an attempt to amplify the resonance that O'Neill's classic play has for the South African theatre audiences of today.
The end of World War I in 1918 brought radical change to a defeated, disillusioned Germany. The entire population had experienced hunger, death, and violence. In October of that year, as the Americans brought renewed vigor to the fighting on the Western front, a largely communist revolt against the Kaiser and the war spread across Germany. Top military leaders showed no confidence in the monarchy. In early November, the Kaiser abdicated, and a leading socialist party declared a republic, thus bringing the Weimar Republic to power. The November 11 armistice was signed soon after. The war with the world had ended, but Germany's internal war was just beginning.
Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with 'From Screen to Score: New Concert Music by Famous Film Composers'-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ('Star Wars,' 'Raiders of the Lost Ark,' 'E.T., the Extra Terrestrial'), Howard Shore ('Lord of the Rings,' 'The Hobbit,' 'Hugo'), James Horner ('Titanic,' 'Star Trek,' 'Apollo 13') and Elliot Goldenthal ('Alien 3,' 'Batman Forever' and 'Batman and Robin'). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for 'Titanic' sold 30 million copies), yet their music is the least performed.
As the oldest performing arts organization in Palm Beach County, The Lake Worth Playhouse is pleased and proud to announce its 62nd season.
Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with "From Screen to Score: New Concert Music by Famous Film Composers"-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ("Star Wars," "Raiders of the Lost Ark," "E.T., the Extra Terrestrial"), Howard Shore ("Lord of the Rings," "The Hobbit," "Hugo"), James Horner ("Titanic," "Star Trek," "Apollo 13") and Elliot Goldenthal ("Alien 3," "Batman Forever" and "Batman and Robin"). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for "Titanic" sold 30 million copies), yet their music is the least performed.
As the oldest performing arts organization in Palm Beach County, The Lake Worth Playhouse has announced its 62nd season.
This spring Japan Society continues to honor the late Donald Richie, whose criticism, commentary and advocacy contributed incomparably toward making Japanese art and culture, especially its cinema, revered throughout the world. As the second and final leg of the ongoing series, again curated by noted film scholar Kyoko Hirano, A Tribute to Donald Richie (1924-2013), Part 2: Richie's Electric Eight: The Bold & the Daring encompasses eight films that reflect the complexity, nuance, and brilliance of Japanese society, as seen through Richie's unflinching and insatiable eye.
A first look at the trailer for the upcoming big screen movie musical remake of beloved orphan-themed musical ANNIE starring Quvenzhane Wallis and Jamie Foxx is now available to view.
This spring Japan Society continues to honor the late Donald Richie, whose criticism, commentary and advocacy contributed incomparably toward making Japanese art and culture, especially its cinema, revered throughout the world. As the second and final leg of the ongoing series, again curated by noted film scholar Kyoko Hirano, A Tribute to Donald Richie (1924-2013), Part 2: Richie's Electric Eight: The Bold & the Daring encompasses eight films that reflect the complexity, nuance, and brilliance of Japanese society, as seen through Richie's unflinching and insatiable eye.
Videos
