King Edward abdicates the throne for the love of an American divorcee, Mrs. Wallace Simpson.
Today we are talking to the man who makes all of the magic available to see in the Shakespeare's Globe Film Series actually happen onstage in the first place - such as this week's stunning showing of HENRY IV: Part 2 on August 18 -Shakespeare's Globe Artistic Director, Dominic Dromgoole. In addition to a thorough discussion of all aspects of the unprecedented series of performance captures that have taken place at Shakespeare's Globe so far - seven and counting - we also discuss many aspects of the Bard himself and what productions like HENRY IV: Parts 1 & 2 - both of which he directed - have to say to a twenty-first century audience. Besides that, Dromgoole sheds some light on some of the most memorable moments of his tenure at the Globe, as well as sharing his individual insight into everything from GLEE to Chekhov and, of course, we dissect a number of Shakespeare's most instructive, innovative and unforgettable scenes from many of his finest histories and latter plays, with a focus on HENRY IV and the future for the Shakespeare's Globe Film Series.
Two short plays, two endings, two new beginnings. This year's collection of shows from Gemini CollisionWorks, The Collisionworks 2011: At The Ends (aka 3 Terminal Plays or 3 Ultimate Plays), focuses on finality, mortality, and the conclusion of all things, with the caveat that each tragic ending can bring the possibility of a glorious new beginning. These two plays, at turns both funny and heartbreaking, face the reality of their terminal endings with a smile and the belief that there will always be someone left to carry on, remember history, and start again.
Act II Playhouse Kicks Off its 2011/12 Season with Sylvia by A. R. Gurney, directed by Act II Associate Artistic Director Harriet Power. This romantic comedy tells the story of a love triangle between a man, his wife - and his dog! Performances are Sept. 6-Oct. 2.
Two short plays, two endings, two new beginnings. This year's collection of shows from Gemini CollisionWorks, The Collisionworks 2011: At The Ends (aka 3 Terminal Plays or 3 Ultimate Plays), focuses on finality, mortality, and the conclusion of all things, with the caveat that each tragic ending can bring the possibility of a glorious new beginning. These two plays, at turns both funny and heartbreaking, face the reality of their terminal endings with a smile and the belief that there will always be someone left to carry on, remember history, and start again.
BroadwayWorld.com shared the sad news last night, July 12th that Tony Stevens, performer, director and choreographer had passed away at 63. We just received a statement from Chita Rivera on his passing which reads that'A huge part of me has left...gone to light the heavens for us as he did on earth. I carry Tony with me. I always have and always will. My god how I will miss him.'
The 11th season of Broadway by the Year came to an end with this retrospective of the 1997 season.
On June 3, 2011, for one night only, The Town Hall (123 West 43rd Street) presented Broadway star and Tony Award nominee, Kelli O'Hara in 'An Evening with Kelli O'Hara.' Ms. O'Hara also launched an album for Ghostlight Records, 'Always.'
On June 3, 2011, for one night only, The Town Hall (123 West 43rd Street) will present Broadway star and Tony Award nominee, Kelli O'Hara in 'An Evening with Kelli O'Hara.' With this concert, Ms. O'Hara is launching an album for Ghostlight records, 'Always.'
There is perhaps a certain truth in the adage that we as adults are simply the end product of a combined cocktail of biologically-inherited traits, as well as the many environmental factors that invade our lives as young children that are carried into maturity. By this logic, is it fair to ask... if we know more about our parents, do we learn more about ourselves? In South Coast Repertory's new admirable revival of Richard Greenberg's Pulitzer Prize-nominated play THREE DAYS OF RAIN--which had its originally-commissioned World Premiere production in this very same theater back in 1997--these questions are tested in our observations of three interlinked individuals and the mysterious generational gap between them and their parents. The play performs at SCR through June 12.
he Town Hall (123 W 43rd Street), New York's landmark concert venue will conclude the 11th season of the acclaimed Broadway By The Year® Series with The Broadway Musicals of 1997 on Monday, June 20th at 8PM. In addition to the previously announced reuniting of the three stars of the famous 1997 hit show, Jekyll & Hyde, Robert Cuccioli (Tony Nominee), Linda Eder (Drama Desk Nominee) and Christiane Noll (who will also be directing the concert), The Broadway Musicals of 1997 will also present two stars of 1997 ‘s The Life, Lillias White (Tony Winner) and Chuck Cooper (Tony Winner). Tickets are $55 & $50 and are on sale through TicketMaster at 800-982-2787, www.ticketmaster.com, or the Town Hall Box Office between noon and 6 PM (except Sundays) (212) 840-2824.
Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.
Fourteen-time GRAMMY® Award-winner Ricky Skaggs' career is easily among the most significant in recent country music history.
Fourteen-time GRAMMY Award-winner Ricky Skaggs' career is easily among the most significant in recent country music history. If Skaggs' burgeoning trophy case full of awards wasn't already enough evidence of that fact, consider that legendary guitarist Chet Atkins once credited Skaggs with 'single-handedly saving country music.' His life's path has taken him to various musical genres, from where it all began in bluegrass music, to striking out on new musical journeys, while still leaving his musical roots intact.
The charming, witty, and always-entertaining writer and humorist Garrison Keillor, who is best known for his widely popular radio show A Prairie Home Companion, will be appearing live on Thursday, May 5 at the Morris Performing Arts Center.
Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.
Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.
On June 3, 2011, for one night only, The Town Hall (123 West 43rd Street) will present Broadway star and Tony Award nominee, Kelli O'Hara in 'An Evening with Kelli O'Hara.' With this concert, Ms. O'Hara is launching an album for Ghostlight records, 'Always.'
Universally hailed as the reigning King of the Blues, the legendary B.B. King will perform three UK concerts in Manchester, Edinburgh and London in June 2011.
From February 8-13, 2011, saxophonist Steve Wilson's 50th Birthday will be celebrated at New York's Jazz Standard.
From February 8-13, 2011, saxophonist Steve Wilson's 50th Birthday will be celebrated at New York's Jazz Standard.
It's one of the finest assemblages of world class Scottish performing artists ever, and Benaroya Hall may never be the same.
New York Philharmonic Music Director Alan Gilbert will conduct the season's second program of CONTACT!, the Orchestra's new-music series, leading Philharmonic musicians in concerts on Friday, December 17, 2010, at 7:00 p.m. at The Metropolitan Museum of Art and Saturday, December 18, 2010, at 8:00 p.m. at Symphony Space.
New York Philharmonic Music Director Alan Gilbert will conduct the season's second program of CONTACT!, the Orchestra's new-music series, leading Philharmonic musicians in concerts on Friday, December 17, 2010, at 7:00 p.m. at The Metropolitan Museum of Art and Saturday, December 18, 2010, at 8:00 p.m. at Symphony Space.
From February 8-13, 2011, saxophonist Steve Wilson's 50th Birthday will be celebrated at New York's Jazz Standard.
Today, we are talking to the versatile and multi-talented Tony-winning actor who has recently found television superstardom following his turn as the Russell Edgington, King of the Tennessee Vampires, on HBO's hit series TRUE BLOOD, but he has also proven himself to be equally at home on the big screen - as can be clearly seen in his impressive turns in 21 GRAMS, GARDEN STATE, CHARLIE WILSON'S WAR, MILK and more. Discussing his penchant for the dark side as well as his musical comedy side - such as his unforgettable performance in Joe Mantello's ASSASSINS and opposite Christina Applegate in the recent revival of SWEET CHARITY - Denis O'Hare makes clear his adoration for the theatrical form and his undying - make that undead - devotion to his craft. This extensive chat certainly gives us a lot of grist and meat to chew on. Be sure to catch O'Hare eight times a week on Broadway in ELLING, which opens today.
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