Center Theatre Group celebrates 50 years in the iconic Mark Taper Forum with the 2017-2018 season announced today by Artistic Director Michael Ritchie. The new season features five plays that represent the past, present and future of the theatre, plus a special immersive event on the streets of Los Angeles.
The UK premiere of the hit Off Broadway musical Adding Machine: A Musical, composed by Joshua Schmidt, with libretto by Jason Loewith and Joshua Schmidt, and based on the classic play by Elmer Rice, opens at the Finborough Theatre on Wednesday, 28 September 2016 (Press Nights: Friday 30 September and Saturday 1 October 2016 at 7.30pm).
'The flutist Marya Martin's festival brings an elite roster of chamber musicians to the ever-desirable vacation spot,' said The New Yorker of last year's Bridgehampton Chamber Music Festival. This summer, the 33rd season of Long Island's longest-running classical music festival comprises 14 concerts from July 31 to August 28, featuring the signature mix of renowned and up-and-coming artists and classic and new music that has made it one of the most noteworthy summer music festivals in the country.
ABT's Resident Choreographer Alexei Ratmansky, who created the version of 'The Golden Cockerel' that had its company premiere on June 6th 2016, is quoted in a Playbill article by Caroline Hamilton as saying, 'This production is overwhelmingly theatrical'. Ah, so that explains why there is virtually no dancing in the entire first act and very little in the second act! A little research reveals that Ratmansky reportedly added more dancing after getting less than laudatory reviews in 2012 when his 'Cockerel' opened in Copenhagen. Yet mime still predominates, which is the legacy of the unwieldy and heavy original costume designs by avant-garde artist Natalia Goncharova for the 1914 and 1937 Ballet Russes opera ballet productions of 'Le Coq d'Or' with choreography by Fokine. (In 1914, 'baby ballerina' Tamara Karsavina danced the role of the Queen of Shemakhan with Enrico Cecchetti as the Astrologer. The Cockerel was a stage prop.)
This summer, the 33rd season of Long Island's longest-running classical music festival comprises 13 concerts from July 31 to August 28, featuring the signature mix of renowned and up-and-coming artists and classic and new music that has made it one of the most noteworthy summer music festivals in the country.
Syracuse University's Department of Drama concludes its 2015-2016 season with David Ives' new version of French playwright Georges Feydeau's bedroom farce A Flea in Her Ear. Directed by Stephen Cross, this production runs May 6-14 at the Storch Theatre in the Syracuse Stage/SU Drama Complex. The opening night performance is scheduled for Saturday, May 7 at 8 p.m.
American's national Mother's Day arrives, Sunday, May 8, and Next Act Theatre presents a heartwarming, poignant and powerful production to close their season at exactly the right time of year titled Motherhood Out Loud. Conceived by Susan R. Rose and Joan Stein, more than a dozen playwrights revisit motherhood through a series of themed vignettes beginning with 'Chapter One: Fast Births' and finishing with 'Chapter Five: Coming Home.' Directed by Milwaukee's acclaimed Laura Gordon, each chapter features four actors--Doug Jarecki, Michelle Lopez-Rios, Deborah Staples and Tami Workentin--who play the numerous mothers/fathers of various ages and stages throughout the evening.
Parson's Nose Theater (PNT), the acclaimed classical comedic theater company, continues its 16th Season with The Wind in the Willows by Kenneth Grahame. This 90-minute reading is a part of Parson's Nose's 'Pay What You Will' Reader's Theater Series.
?Parson's Nose Theater (PNT), the acclaimed classical comedic theater company, continues its 16th Season with The Wind in the Willows by Kenneth Grahame. This 90-minute reading is a part of Parson's Nose's "Pay What You Will" Reader's Theater Series.
?This is my fourth time seeing and writing about Theater Latte Da's annual holiday show ALL IS CALM, presented with Hennepin Theatre Trust at the Pantages Theatre. This true story about peace in the midst of war is so beautifully told by creator/director Peter Rothstein, using period music and authentic writing from the time, that I could easily see it every year. It is the 11th holiday show I've seen this year and my favorite because it best represents the true spirit of the season - connection, community, forgiveness, peace. This is a piece of music-theater that's just about as perfect as one could be - a story told simply, effectively, and beautifully in a way that perhaps comes close to the beauty of the real experience of the Christmas Truce of 1914.
The New York Philharmonic will present Rachmaninoff: A Philharmonic Festival, tonight, November 10-28, 2015, featuring 24-year-old Russian pianist Daniil Trifonov performing three of the composer's piano concertos and the Rhapsody on a Theme of Paganini over the course of three consecutive all-Rachmaninoff programs, each led by a different conductor: Cristian Macelaru (in his Philharmonic debut), Neeme Jarvi, and Ludovic Morlot.
Gary Naylor sees two plays by Terence Rattigan, the first delving into the darker elements of the soul and the second provoking plenty of laughs.
The New York Philharmonic will present Rachmaninoff: A Philharmonic Festival, November 10-28, 2015, featuring 24-year-old Russian pianist Daniil Trifonov performing three of the composer's piano concertos and the Rhapsody on a Theme of Paganini over the course of three consecutive all-Rachmaninoff programs, each led by a different conductor: Cristian Macelaru (in his Philharmonic debut), Neeme Jarvi, and Ludovic Morlot.
OC's award-winning regional theater company 3-D Theatricals' latest effort is a remarkably admirable, visually-stunning iteration of Disney's TARZAN® THE MUSICAL that defiantly dazzles and entertains despite the inherent, unavoidable shortcomings of its licensed source material (a problematic book and mostly forgettable score). Thanks to the incredible combined efforts of the show's creative team of brilliant theatrical artisans, its richly striking orchestra, and its top-notch, super-talented ensemble cast (led by Devin Archer and Daebreon Poiema), this ultimately winning local production has certainly earned all its well-deserved cheers. Under the showmanship-style guidance of director Rufus Bonds Jr., 3DT's vividly colorful TARZAN manages to rise (at times literally) high above the original show's weak plotting, Hwang's sometimes stale dialogue, and Collins' run-of-the-mill lyrics... and triumphantly emerge as a wonder-filled, visually-stunning treat for all ages.
On Site Opera has garnered considerable acclaim for its immersive, site-specific productions since stage director Eric Einhorn founded it just three years ago.
GEORGE GERSHWIN ALONE, a solo one-act play with music, focuses on the life of George Gershwin. Along with providing a taste of Gershwin's arresting personality, the piece features several of the composer's most popular songs.
This summer, On Site Opera(OSO) will present a new production that exemplifies the company's mission to stage operas in non-traditional locations ideally suited to the stories they tell. OSO will offer an immersive site-specific staging of Giovanni Paisiello's The Barber of Seville at the opulent Fabbri Mansion (House of the Redeemer) on New York City's Upper East Side. Conducted by the company's newly appointed Music Director,Geoffrey McDonald and directed by OSO's Co-Founder and Artistic Director, Eric Einhorn, the production will be updated to the early decades of the twentieth century (when the Fabbri Mansion was built) and staged in themansion's outdoor courtyard and library.
This summer, On Site Opera (OSO) will present a new production that exemplifies the company's mission to stage operas in non-traditional locations ideally suited to the stories they tell. OSO will offer an immersive site-specific staging of Giovanni Paisiello's The Barber of Seville at the opulent Fabbri Mansion (House of the Redeemer) on New York City's Upper East Side. Conducted by the company's newly appointed Music Director, Geoffrey McDonald and directed by OSO's Co-Founder and Artistic Director, Eric Einhorn, the production will be updated to the early decades of the twentieth century (when the Fabbri Mansion was built) and staged in themansion's outdoor courtyard and library.
Today we are celebrating the many stage and screen iterations of CINDERELLA.
National Recording Registry To “Ac-Cent-Tchu-Ate the Positive”. Joan Baez, Sly Stone, Steve Martin Recordings Named American Treasures
Bob Kingdom has toured this production in the UK and the US, playing to over 80,000 people.
On Site Opera has garnered considerable acclaim for its immersive, site-specific productions since stage director Eric Einhorn founded it just three years ago.
On Site Opera has garnered considerable acclaim for its immersive, site-specific productions since stage director Eric Einhorn founded it just three years ago. This summer, the company kicks off its most ambitious undertaking to date:The Figaro Project. On Site Opera will offer lesser-known operatic adaptations of French playwright Pierre-Augustin Caron de Beaumarchais' (1732-1799) famed trilogy of Figaro plays: The Barber of Seville (1775), The Marriage of Figaro (1784) and The Guilty Mother(1792). The Figaro Project will reacquaint audiences with their favorite Beaumarchais' characters in new and unexpected ways in non-traditional venues across New York City.
Today we turn our attention to a Golden Age master who was celebrated earlier this week via PETER PAN LIVE! and rightly so given this is now his centennial year, Adolph Green.
Cornish Dance Theater, the performing ensemble of the Dance Department at Cornish College of the Arts, will feature choreography by Iyun Ashani Harrison, Jose Limon, Vivian Little, Michele Miller, and Amy O'Neal at its Fall 2014 Concert, which takes place at the Cornish Playhouse this weekend, Nov. 21 and 22. Many of the pieces, including one world premiere from Harrison, focus on issues relevant to the dancers and today's college students.
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