So Much for So Much 1914 - Articles Page 5

Opened: December 2, 1914

So Much for So Much - 1914 - Broadway History , Info & More

So Much for So Much - 1914 - Broadway Cast

Get So Much for So Much Email Alerts

Be the first to get ticket offers, news, photos & more.

So Much for So Much - 1914 - Broadway Articles Page 5

R. B. Schlather to Bring Gertrude Stein and Susan B. Anthony to Historic Hudson Hall in THE MOTHER OF US ALL
by BWW News Desk - Aug 2, 2017


Hudson Hall at the historic Hudson Opera House, in partnership with The Millay Colony for the Arts, marks the centenary of Women's Suffrage and the reopening of New York State's oldest surviving theater with a new production of Virgil Thomson and Gertrude Stein's 1947 opera, THE MOTHER OF US ALL - a comic and profound musical pageant of 19th Century American social and political life.

Shows Announced for August at East Lynne Theater Company
by A.A. Cristi - Jul 27, 2017


     In keeping with East Lynne Theater Company's 2017 theme of 'The American Dream,' the company is proud to present special events in August focusing on the Suffrage Movement in 1912, a film classic from 1914, a tempestuous relationship during the Jazz Age, and literature from the Roaring Twenties.

BWW Review: MUCH ADO ABOUT NOTHING, Shakespeare's Globe
by Debbie Gilpin - Jul 20, 2017


Matthew Dunster brings some desert sun to a so far patchy summer, with his Mexican inspired production of Much Ado About Nothing. It truly is the beating heart of the Summer of Love, running until the end of the season alongside first Twelfth Night, then King Lear and Boudica.

WEST SIDE STORY, THE BARBER OF SEVILLE, Margaret Atwood and More to Shine at 2018 Glimmerglass Festival
by BWW News Desk - Jul 6, 2017


The Glimmerglass Festival has released the details of its 2018 schedule. For a second year, the Festival's programming will explore themes of home and country.

Tony Danza-Led Showcase Benefits Police Athletic League Acting Program Tonight
by BWW News Desk - Jun 20, 2017


Tonight, June 20, 2017, Tony Danza leads a one-night-only showcase performance, 'Tony Danza & the Stars of Tomorrow,' to benefit the Police Athletic League (PAL) Acting program.

BWW Review: ABT's THE GOLDEN COCKEREL
by Barnett Serchuk - Jun 12, 2017


I was very excited to see ABT's 'The Golden Cockerel 'on June 2, 2017. Having heard so much about it, and having read extensively about the Fokine ballet production from 1937, not to mention watching the enticing video on YouTube, I was looking forward to a very magical evening. I can't say that this promise was fulfilled, even if it did offer intermittent pleasures. But after leaving the theater following this two act extravaganza, I began to wonder what exactly it was that ABT had to offer and why they are presenting this piece, as it does not seem destined for a long life in the repertoire-or if it's just waiting to be taped for 'Great Performances' on Channel 13. Or perhaps there is nothing that could be mined from the ballet at all!

BWW Review: American Ballet Theatre's THE GOLDEN COCKEREL
by Wesley Doucette - Jun 8, 2017


1914 is not a year that should conjure much nostalgia for those who survived it. Among smaller aggravations, the year marked the assassination of the Archduke Franz Ferdinand and resulted in a half decade war, the likes of which the world had not seen. The year also marked the premiere of Fokine's 'The Golden Cockerel' by The Ballets Russes. Fokine, their first choreographer, was no stranger to '(Description) (Bird)' pieces whether it be 'The Dying Swan,' 'The Firebird,' or 'The Gold Cockerel.' 'The Golden Cockerel' was in his established career and it, unlike the previous year's infamous 'Rite of Spring,' was a jewel box escape from the hostile international climate. The warmth of this piece served a Parisian audience in search of the early 1910's glow, which was probably a distant memory by then. Today, scrupulously mounted by ABT under the direction of Ratmansky and with designs by Richard Hudson (off of the Natalia Goncharova originals,) 'The Golden Cockerel' is a charming aesthetic study even as it has waned as a satisfying evening of dance.

Zachary Nelson, Leah Crocetto, Marjorie Owens and More Set for George London Foundation for Singers' 2017-18 Season
by BWW News Desk - Jun 7, 2017


The George London Foundation for Singers has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada since 1971.

TONY DANZA & THE STARS OF TOMORROW to Benefit Police Athletic League Acting Program
by BWW News Desk - Jun 6, 2017


On Tuesday, June 20, 2017, Tony Danza will lead a one-night-only showcase performance, "Tony Danza & the Stars of Tomorrow," to benefit the Police Athletic League (PAL) Acting program.

Feature Film LANDING UP Hosts World Premiere in Competition at Dances With Films
by Caryn Robbins - Jun 5, 2017


The feature film World Premiere of “Landing Up” (Bold Compass Films) is a story about a girl with nothing to lose and everything to hide, directed by Dani Tenenbaum and produced/written by Stacey Maltin.

GOOD MORNING, THEATERATI for June 1, 2017
by Jeffrey Ellis - Jun 1, 2017


GOOD MORNING, THEATERATI! It's Thursday, June 1, 2017 - or, as we like to call it #TheaterThursday, 'June is busting out all over…' as a song from Carousel reminds us, and there's no better way to kick off a new month than by planning our theater outings for the weekend! Tomorrow night at Cumberland County Playhouse, the company, cast and crew unveil the 2017 model of Smoke on the Mountain, which marks the 24th year of the musical playing in Crossville. Weslie Webster directs and her cast includes Daniel W. Black and Lauren Marshall as Sanders family father and mother Burl and Vera.

BWW Review: HEARTBREAK HOUSE at Hartford Stage
by Joseph Harrison - May 21, 2017


From the very moment audiences enter the theater at Hartford Stage for its final production of the 2016-17 season, George Bernard Shaw's HEARTBREAK HOUSE, it is immediately apparent the evening is going to be quite unique. In what has been called Shaw's "most ambitious and prophetic achievement", HEARTBREAK HOUSE manages to bring to life the signature wit and social dialogue of Shaw's other works but with a sense of danger, intrigue and fascination - and under the direction of Artistic Director Darko Tresnjak, the Hartford Stage production accomplishes this and more.

U.S. Pavilion Opens With Mark Bradford's Tomorrow Is Another Day
by BWW News Desk - May 10, 2017


Tomorrow  Is Another Day, featuring new work by Mark Bradford, is presented by the Rose Art Museum at Brandeis University and The Baltimore Museum of Art (BMA), in cooperation with the U.S. Department of State's Bureau of Education and Cultural Affairs, at La Biennale di Venezia 57th International Art Exhibition.

BWW Review: Rajiv Joseph's ARCHDUKE Plays Out with Comedic Brilliance at MTF
by Don Grigware - May 9, 2017


Playwright Rajiv Joseph, best known for his critically acclaimed Bengal Tiger at the Baghdad Zoo has done it again with his world premiere play Archduke now onstage at the MTF through June 4. Based on fact and meticulously researched in Sarajevo where Archduke Ferdinand was assassinated in 1914 by Joseph and his director Giovanna Sardelli, the play has the ring of truth, but what catapults it into the sphere of brilliance is its dark humor that masks the gravity beneath.

Alan Alda, Elizabeth Brown, 'Bach & Django' & More Among Bridgehampton Chamber Music Festival's 2017 Lineup
by BWW News Desk - May 8, 2017


At first it was unconscious, then by design: the 34th season of the Bridgehampton Chamber Music Festival, Long Island's longest-running classical music festival, has something of a water theme.

BWW Review: Forum Theatre celebrates #NASTYWOMENREP
by Keith Tittermary - Mar 21, 2017


“Men are like weapons. Women are like wounds.” That is a poignant line and an apt summation of the first part of Forum Theatre's #NastyWomen ethos. The first piece in this horrifying, yet deeply moving, work is Monica Byrne's What Every Girl Should Know, which takes place in 1914 and follows four teen girls in a New York reformatory.

Guest Blog: Lilac Yosiphon On The Universal Language of Love and War in ONE LAST THING (FOR NOW)
by Guest Blog: Lilac Yosiphon - Jan 31, 2017


One Last Thing (For Now) is inspired by love letters from times of conflict in different cultures and languages. The production, written and developed over the last two years by Lilac Yosiphon with the ensemble, is a universal look at the language of love, the wounds of war and everything in between.

BWW Review: LOVE'S LABOUR'S LOST and MUCH ADO ABOUT NOTHING, Theatre Royal, Haymarket
by Liz Cearns - Dec 18, 2016


The Royal Shakespeare Company have burst back to the West End with their double bill of Love's Labour's - both Lost and Won. This pairing really is a remarkable achievement. Set in the summer of 1914 and the winter of 1918, director Christopher Luscombe has combined the charm and elegance of an Edwardian country estate with a wit, silliness and sense of play that would surely have made Will proud.

Ten Talented Directors Imagining the Utah Shakespeare Festival's 56th Season
by A.A. Cristi - Dec 9, 2016


Utah Shakespeare Festival Artistic Directors David Ivers and Brian Vaughn recently announced a slate of ten highly-creative, talented and experienced directors for the Festival's 2017 season.

Ten Talented Directors Imagining the 56th Season of Utah Shakespeare Festival
by BWW News Desk - Dec 7, 2016


Utah Shakespeare Festival Artistic Directors David Ivers and Brian Vaughn recently announced a slate of ten highly-creative, talented and experienced directors for the Festival's 2017 season.

Guest Blog: Playwright Neil McPherson On IT IS EASY TO BE DEAD
by Guest Blogger: Neil McPherson - Nov 7, 2016


This play took me 28 years. 1988 marked the 70th anniversary of the end of the First World War. To commemorate it, an 'Armistice Festival' was held in London, which, like the Edinburgh Festival, included a fringe open to anyone. I am ashamed to admit that I was a rather precocious 18 year old, and called the director of the festival, Tim McHenry, to suggest to him my idea of a one-man play about war poet Wilfred Owen.

Pyramid Arts Centre and Parr Hall Announce December Lineup
by Ashlee Latimer - Nov 2, 2016


Roll up, roll up!  Sell-out comedy returns to Pyramid with the best in live stand-up from our friends at The Comedy Store.  But hurry - it sells out fast!  The Comedy Store continues its residency at Pyramid presenting "the best in stand-up" from around the globe and showcasing the brightest names in comedy talent in Warrington.  The shows run on the first Saturday of each month, don't miss out!

BWW Interview: Composer Kevin Puts, the Pulitzer Prize and Atlanta Opera's SILENT NIGHT
by Richard Sasanow - Oct 31, 2016


"Art isn't easy," Stephen Sondheim wrote famously in SUNDAY IN THE PARK WITH GEORGE. Some artists, however, make it look simpler than others--like composer Kevin Puts, who won the Pulitzer Prize for Music for SILENT NIGHT, with Mark Campbell's libretto, for his first try at the notoriously difficult art form. (The Southeast premiere is opening at Atlanta Opera on November 5.) Easy? Well, looks can be deceiving.

Wonderbound Presents Inspired Circus Theme Production A GOTHIC FOLKTALE
by Molly Tracy - Sep 29, 2016


This October, A Gothic Folktale opens the 2016-2017 Wonderbound season with a fantastical circus straight from the mind of Artistic Director Garrett Ammon. Set to the hauntingly beautiful music of Jesse Manley and His Band and featuring the interactive illusions of Professor Phelyx, this original production will pull audiences into the curious world under the big-top.

American Composers Orchestra Announces 40th Season - Tickets Now Available
by Christina Mancuso - Sep 7, 2016


Tickets are now on sale for American Composers Orchestra's (ACO) 40th Anniversary Season, under the leadership of Artistic Director Derek Bermel and Music Director George Manahan. This season includes eight world premieres by a diverse set of composers performed by ACO at Carnegie Hall and Symphony Space, and continues the orchestra's commitment to serve as a catalyst for the creation of new orchestral music, providing unprecedented opportunities for American composers to create new work and for audiences to discover it. Founded in 1977, ACO remains the only orchestra in the world dedicated exclusively to the creation, performance, preservation, and promulgation of music by American composers. To date, ACO has performed music by 800 American composers, including 350 world premieres and newly commissioned works. ACO takes its commitment to fostering new work beyond the stage in its annual Underwood New Music Readings for emerging composers, now in its 26th year in New York, and through its program EarShot, the National Orchestra Composition Discovery Network, which brings the Readings experience to orchestras across the country in partnership with American Composers Forum, the League of American Orchestras, and New Music USA.

Other Productions of So Much for So Much

1914   Broadway
Broadway

Videos