Given Lichty’s blank and wooden performance, though, we simply can’t believe in Lyssa or in her relationships. With the exception of the production’s two most veteran actors — Peil and Matthews, who sail through with their characters’ humor...
An American Daughter Off-Broadway Reviews
Critics' Reviews
‘An American Daughter’ Review: Wendy Wasserstein’s Cautionary Tale
It’s last-minute when Lichty, in stuffy Hillary Clinton-esque couture (costume consultation is by Risa Ando), confidently delivers Lyssa's final epiphany and sheds her performative headband, literal and proverbial. And yet, in An American Daughter'...
An American Daughter: Wendy Wasserstein’s Play Shows Its Age
It doesn’t help that the play has received a sluggish staging by director Sarna Lapine (Call Me Izzy) that makes the evening feel longer than its already stretched-out two-and-a-half hours. Or that the performances are wildly uneven. The younger ac...
An American Daughter: Wendy Wasserstein Revival Falters
What goes on among this group of Georgetown habitués, directed with knowing hand by Sarna Lapine, as they cross paths and animatedly crisscross Mikiko Suzuki MacAdams’s Georgetown living room set? Certainly throughout the first act, Wasserstein un...
Wendy Wasserstein’s ‘An American Daughter’ gets stuck in a bygone era (Off Broadway review)
Lichty, whose La Femme Theatrical Productions produced this revival, also seems miscast as Lyssa, flat of voice and off-puttingly strident in defense of her own competence. The drama only works if the character builds to her final outburst but Lichty...
But the more salient point about Trump’s appointees, both male and female, is that they are utterly unfit for office, while nobody questioned the professional competence of the women Clinton nominated. This makes the core plot of “An American Da...
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