Los Angeles dream pop duo Loch & Key (https://www.lochandkey.net) announced today they will release their sophomore album Slow Fade on Friday, October 27 in four formats: vinyl, compact disc, digital and thumb drive. Tour dates in support of the new album will be announced shortly.
Like it or hate it, Yelp is an undeniable force in American culture. Like Google, it's become a verb, as in, 'I Yelped the restaurant that gave my reservation away!,' or 'I'm going to Yelp the mechanic who installed brakes instead of a timing belt!'Yelp reviews can go viral, as with the recent post by a Kyle O. from Texas about Berghain, an exclusive Berlin nightclub that is actually a gay sex mecca. They can even cost a Yale professor a deanship, as with June Y. Chu, whose elitist, mean-spirited reviews of multiple New Haven businesses added yet more fuel to the flame of anti-Yale sentiment nationwide. SELF-YELP, then, a two-woman short play by Helene Ellford and Emily Thomas featured both at the Midtown International Theater Festival and the Strawberry One-Act Festival, could not be more timely. The five vignettes are drawn from Yelp reviews in New York City, and while the thread tying these reviews together is tenuous, the writing is consistently funny. The small audience (under ten people) laughed through most of the 30 minute piece.
Innovation Arts and Entertainment, an industry leader in the field of producing intelligent live entertainment programming, is proud to be producing 8 cities for Hillary Rodham Clinton's fall tour of North America.
TWENTYEIGHT, a 2014 play by Tyler English-Beckwith, is a look at eight laborers who are trying to finish the shuttle that will carry them to the Liberian Space Station. This Space Station (also known as the L.S.S.) is a refuge for people of color. It seems that in this very Dystopian future, things, for people of color, are even more violent and oppressive than things are now. This, as an audience member, isn't very comforting. Indeed, this is a short oppressive theatrical experience you aren't likely to forget easily. The world we know is long gone. A rubble of ruins. People of Color have been crammed into settlements, where they work on projects just like this shuttle. What keeps them at work are the faceless Enforcers and a distant dream of liberation. There is the pull and allure of that promised place where what is wrong magically becomes a place of blessings, joys and riches. Isn't that, after all, the promise of all regions? Your heaven in amongst the various heavens.
Play Me Again Pianos announced today its newest public piano will open in Atlantic Station on August 25th. The public is invited to attend the ribbon cutting and join in the festivities at 6:00 p.m. Play Me Again Pianos, a Georgia non-profit charity, is working to install and permanently maintain 88 free public pianos throughout the Atlanta Metropolitan area for the community to play and enjoy. BroadwayWorld has a sneak peek at the new piano below!
Play Me Again Pianos announced today its newest public piano will open in Atlantic Station on August 25th. The public is invited to attend the ribbon cutting and join in the festivities at 6:00 p.m. Play Me Again Pianos, a Georgia non-profit charity, is working to install and permanently maintain 88 free public pianos throughout the Atlanta Metropolitan area for the community to play and enjoy. BroadwayWorld has a sneak peek at the new piano below!
GRAMMY-nominated singer/songwriter Seth Glier has released his own take on Buffalo Springfield's anti-war anthem “For What It's Worth.”
Fresh from a five star award-nominated (Offie nominations for Most Promising New Playwright and Best Female Performance) run at Soho Theatre, All The Things I Lied About is a fearlessly honest show for the post-truth era.
Why do some people dive, some survive and others thrive? The answer, Randall Bell, Ph.D., reveals, is surprisingly simple: choices.
After 'Close' and 'Lay Low' made major waves over the summer, Conro puts a zenith on his summer with the release of his EP, 'Connecting The Dots'. Featuring five tracks, Conro navigates his musical dexterity, with a diverse melting pot of summer grooves for the Monstercat imprint.
As DEAD ROCK WEST--the California alt-country rock group fronted by Cindy Wasserman and Frank Lee Drennen--approach the Friday (8/11) release of their new album MORE LOVE (Omnivore Recordings), the band partnered with The Bluegrass Situation to premiere the album's title track.
In Madrid, on August 3, 2017, the music label Three Dots has launched the worldwide single 'Karma' by Flori Mumajesi. His first Spanish song also features other greats of the country's music scene: Bruno, Klajdi & Dj Vicky, and in just a few hours, the video has harvested more than 11,000 views
In Madrid, on August 3, 2017, the music label Three Dots has launched the worldwide single 'Karma' by Flori Mumajesi. His first Spanish song also features other greats of the country's music scene: Bruno, Klajdi & Dj Vicky, and in just a few hours, the video has harvested more than 11,000 views
Edinburgh - are you ready to speak dance? Fans of Spinal Tap and Flight of the Conchords, say 'Hallo!' to your new favourite band.
Americana singer-songwriter Shelly Waters is set to release her new, self-titled album on July 28, 2017. Evidence of Waters' jambalaya-like recipe of sonic spices – and then some - are found within each of the dozen tasty tracks on Shelly Waters, which was recorded in Nashville with renowned producer and multi-instrumentalist Josh Kaler.
MisterWives are thrilled to add several new headlining dates to The Connect The Dots Tour this fall including stops in Boulder, Milwaukee, Chicago, Philadelphia, and DC. Tickets for the newly announced dates go on sale this Friday, July 28
Husband and wife duo Emily Van Fleet and Nathan Jones candidly chat about their process of creating, writing and directing a show for teens called 'I, Mac(kers)' at Creede Repertory Theatre.
Disney's Newsies is a Tony Award-winning musical derived from the motion picture of the same title. Produced for the first time in Manila, it has commanded the day's headlines and kept a viewing public abuzz with excitement. We can assume Disney's ubiquitous brand had preceded its product, given the film's relative failure to draw critical and commercial acclaim in the early '90s. Considering its cult following after the release of the home video, it makes sense to bring musical theater back to its logical milieu where live performance of a Broadway musical is unparalleled. This production has been every bit as advertised: it's electric, witty, and poignant.
