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Nai-Ni Chen Dance Company Announces The Bridge Classes March 29-April 2

NAI-NI CHEN DANCE COMPANY has announced The Bridge free one-hour company class on Zoom, open to All dancers at an Intermediate to Advanced level March 29-April 2, 2021. Interested dancers can join the class by registering on Nai-Ni Chen Dance Company's website.

AQUIHAYAQUIHAY Debuts New Music Video for 'Grave'

“Grave” is a song about dangerous situations, explaining how even dangerous situations can be positive if you approach them differently and that it’s no big deal to have fun taking risks.

Nai-Ni Chen Dance Company Announces The Bridge Classes March 1-5

NAI-NI CHEN DANCE COMPANY has announce The Bridge Virtual Dance Institute of boundary-breaking dance experiences Free One-Hour Company Class on Zoom Open to All Dancers at an Intermediate to Advanced Level March 1-5, 2021.

Nai-Ni Chen Dance Company Announces The Bridge Classes February 15-19

NAI-NI CHEN DANCE COMPANY  has announced The Bridge Virtual Dance Institute of boundary-breaking dance experiences from February 15-19, 2021. Nai-Ni Chen's signature technique is based on the principle of ever-changing universal forces of Yin and Yang. Dance phrases from Nai-Ni Chen's repertory will be taught.

Nai-Ni Chen Dance Company Announces The Bridge Classes February 1-5

NAI-NI CHEN DANCE COMPANY has announced The Bridge classes February 1-5, 2021. Interested dancers can join the class by registering on Nai-Ni Chen Dance Company's website. The Bridge Class schedule are as follows: Monday Seyong Kim (Ballet) at 11am, Tuesday Yuka Notsuka (Kinetic Spiral) at 11am and more.

Nai-Ni Chen Dance Company Announces 1/18-1/22 Schedule for The Bridge

As a virtual dance institute, The Bridge will invite world renowned as well as up and coming dancers and choreographer to come to guest teach the class. Advanced/Intermediate level professional or pre-professional dancers who are looking to explore beyond their own boundaries and looking for new dance experiences are encouraged to participate.

Nai-Ni Chen Dance Company Announces The Bridge Classes January 11-15

NAI-NI CHEN DANCE COMPANY has announced The Bridge Virtual Dance Institute of boundary-breaking dance experiences Free One-Hour Company Class on Zoom Open to All Dancers at an Intermediate to Advanced Level January 11-15, 2021. Interested dancers can join the class by registering on Nai-Ni Chen Dance Company's website.

Nai-Ni Chen Dance Company 'The Bridge' Classes Begin January 4

NAI-NI CHEN DANCE COMPANY announces The Bridge Virtual Dance Institute of boundary-breaking dance experiences Free One-Hour Company Class on Zoom Open to All Dancers at an Intermediate to Advanced Level January 4-8, 2021. Interested dancers can join the class by registering on Nai-Ni Chen Dance Company's website: https://www.nainichen.org/thebridge.

Nai-Ni Chen Dance Company Announces 1/4-1/8 Schedule for The Bridge

The Institute's aim is to bring together dancers, choreographers and directors around the world to experience the master teachers of color whose practices are embedded in the community and are focused on advancing the art of dance that transform the personal, environmental and metaphysical spaces. 

LOST HORIZONS Share New Single 'Every Beat That Passed'

Lost Horizons – the project of Cocteau Twins’ Simon Raymonde & Richie Thomas of Dif Juz – will release a new double-album this winter, and Part 1 will be released digitally this Friday, December 4th.

BWW Review: DON'T EAT THE MANGOS at Magic Theatre Uncovers a Puerto Rican Family's Dark Legacy in a Gorgeous Production

There are some plays, even enjoyable ones, that you forget almost instantly after seeing them. There are others you find yourself thinking of for days afterwards, still mulling them over, savoring their certain moments from them, revisiting their ambiguities and unlocking their mysteries. a?oeDon't Eat the Mangosa?? by Ricardo Pérez González is just that kind of play. In its gorgeous world premiere production at the Magic Theatre, a?oeMangosa?? slowly and subtly grabs hold of you, and has you constantly rethinking your assumptions about the characters and even the nature of the play itself. It is definitely a comedy, but it is also a kitchen sink drama, complete with an actual kitchen sink upstage center. It is grounded in the mundane details of family life, yet there are also occasional flights of poetry and imagery that are more akin to magic realism. It is sometimes tender and lyrical, yet there are startling flashes of darkness and violence as well. Family secrets are unearthed that make you re-evaluate relationships you thought you already knew, but it's never about the surprise factor of those secrets so much as it is about how the characters choose to act on their newfound knowledge. In the end, it's about transcending the effects of an ugly legacy that's been passed from one generation to the next.

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