Will Chase News

Despite the loveable antics of those hard-working ladies from Texas, Broadway musicals have always been a little awkward around prostitutes.  The book of New Girl In Town (based on Anna Christie) gets tongue-tied when trying to be honest about its title character's former profession and the creators of Sweet Charity turned Nights of Cabiria's prostitute protagonist into New York's most chaste taxi dancer.  To this day I'm certain there are little boys performing in Oliver! who believe Nancy is some kind of den mother and Bet is her helpful assistant.

Rodgers & Hammerstein's PIPE DREAM will be recorded live at New York City Center's Encores! series this week, and released this Summer on Ghostlight Records. Produced by Rodgers & Hammerstein: AnImagem Company, this preservation of Rodgers & Hammerstein's 1955 Broadway musical rarity marks the first time an Encores! musical has been recorded live.

Rodgers and Hammerstein's Pipe Dream, the second Encores! production of the 2011-12 season, began performances last night, running through April 1 at New York City Center. Pipe Dream is being directed by Marc Bruni with music direction by Rob Berman and choreography by Kelli Barclay. BroadwayWorld was there for opening night, and we bring you complete backstage coverage below!

Rodgers and Hammerstein's Pipe Dream, the second Encores! production of the 2011-12 season, began performances last night, running through April 1 at New York City Center. Pipe Dream is being directed by Marc Bruni with music direction by Rob Berman and choreography by Kelli Barclay. BroadwayWorld was there for opening night, and we bring you photos from the first curtain call below!

Rodgers and Hammerstein's Pipe Dream, the second Encores! production of the 2011-12 season, begins performances today, running through April 1 at New York City Center. Pipe Dream is being directed by Marc Bruni with music direction by Rob Berman and choreography by Kelli Barclay. Get a first look at performance shots below!

Rodgers and Hammerstein's Pipe Dream, the second Encores! production of the 2011-12 season, begins performances today, running through April 1 at New York City Center. Pipe Dream is being directed by Marc Bruni with music direction by Rob Berman and choreography by Kelli Barclay. BroadwayWorld.com got a sneak peek at the production's dress rehearsal - check it out below!

Rodgers and Hammerstein's Pipe Dream, the second Encores! production of the 2011-12 season, begins performances today, running through April 1 at New York City Center. Pipe Dream is being directed by Marc Bruni with music direction by Rob Berman and choreography by Kelli Barclay.

HIGHLIGHTS OF THE WEEK: ANYTHING GOES and PRISCILLA celebrate milestones, the [title of show] team is back, PIPE DREAM preps for performances, and so much more!

Rodgers and Hammerstein's Pipe Dream, the second Encores! production of the 2011-12 season, is now in rehearsal and will run from March 28 - April 1 at New York City Center. Pipe Dream is being directed by Marc Bruni with music direction by Rob Berman and choreography by Kelli Barclay. BroadwayWorld was on hand for the press rehearsal today and we bring you interviews with the cast and creative team and full coverage of the rehearsal below!

Rodgers and Hammerstein's Pipe Dream, the second Encores! production of the 2011-12 season, will run March 28 - April 1 at City Center, with Will Chase, Laura Osnes, Leslie Uggams, Stephen Wallem and Tom Wopat. Pipe Dream will be directed by Marc Bruni with music direction by Rob Berman and choreography by Kelli Barclay. It will play for seven performances at New York City Center, West 55th Street between 6th and 7th Avenues. BroadwayWorld brings you photos of the cast below!

Rodgers and Hammerstein's Pipe Dream, the second Encores! production of the 2011-12 season, is now in rehearsal and will run from March 28 - April 1 at New York City Center. Pipe Dream is being directed by Marc Bruni with music direction by Rob Berman and choreography by Kelli Barclay. BroadwayWorld was on hand for the press rehearsal today and below BroadwayWorld brings you a first look!

Last night on SMASH, everything came to a head as Eileen (Anjelica Huston), Derek (Jack Davenport) and the team presented 'Marilyn The Musical' to would-be investors. Ivy (Megan Hilty) was under pressure to perform, while her mother, Broadway star Leigh Conroy (special guest Bernadette Peters), undermined her at every turn. Karen (Katharine McPhee) had to decide between the workshop and a meeting with a big-time music producer. Julia (Debra Messing) and Michael (guest star Will Chase) had to face up to the consequences of their actions. Miss the episode? Catch up below.

When a big Broadway star like Bernadette Peters makes her way onto a national TV program, Broadway babies await it with abated breath. Yet, when a big Broadway star like Bernadette Peters appears on an actual musical TV series like SMASH, Broadway babies have reason to throw an all-out bacchanal - and, last night, they most certainly had a reason cause celebre. While GLEE has spoiled us with a plethora of guest stars from Broadway and Hollywood over the course of its three seasons - Kristin Chenoweth, Idina Menzel, Carol Burnett and Patti LuPone among them - the presence of two-time Tony Award-winner Peters - to say nothing of the forthcoming appearances by Norbert Leo Butz and Marc Kudisch - is a gift from the theatrical gods that instantly makes SMASH must-see-TV for the theatrically attuned among us (which, let's be honest, is most of us). Playing Ivy Lynn's blithely selfish and calculating former star of a mother, Leigh, Peters wrought every last ounce of bravado out of her bravura performance recreation of "Everything's Coming Up Roses" from GYPSY - a show she famously starred in under the direction of Sam Mendes earlier this century - and made her thorny scenes with Megan Hilty blossom; her overall star turn giving the entire affair a cold, brusque but all-too-believable bloom - ice in veins all too tangibly real to feel. The tension was certainly thick for the first workshop performance of the show-within-the-show on SMASH, as well, but Hilty still managed to set fire to her scenes and songs - and McPhee shows considerable promise with her burgeoning pop music career (and next week's Ryan Tedder-composed "Touch Me" sequence seems certain to deliver on the sultry, sexy siren of song front as McPhee comes closer to getting the role of Marilyn). And, speaking of songs knocked out of the park for the umpteenth time by this all-star musical team responsible for SMASH, besides the slowed down grand slam ballad version of "Let Me Be Your Star" - given a bluesy Broadway belt only the very best, like Hilty, could possibly provide - we were also treated to a striking and wholly stylistically unique new Marilyn Monroe/Joe DiMaggio song in the form of the arresting "On Lexington & 52nd Street", another homerun to tick off on the perfect scorecard for songwriters Marc Shaiman and Scott Wittman on SMASH so far; Will Chase's best (and, apparently, last) showcase. Film noir with a pulsating, almost atonal, steely and terse tinge, this is the sort of character number that seamlessly presents plot development and character exposition simultaneously in a purely, thrillingly theatrical manner and the type of dramatic and musical merging of storytelling SMASH excels at most of all, time after time after time after time. While "Everything's Coming Up Roses" was a strong cover of a classic Broadway barn-burner on account of Peters, "On Lexington & 52nd Street" expertly showcased the type of entertainment entity SMASH can ultimately be at its very best, firing on all axels - and how utterly enthralling in its layers of meta-narratives the real-life/showbiz soap saga that make it all come together it can fascinatingly be. Additionally, the workshop musical montage was the best example yet of how excitingly combustible and hot SMASH can really be when the boiler at its core is at full blast as it was sporadically last night in the appropriately titled "The Workshop" episode - almost always fueled by the simply spectacular songs for the show-within-the-show.

The new featured song from tonight's episode of NBC's musical drama series SMASH (Mondays, 10-11 p.m. ET) is now available from NBCUniversal Television Consumer Products and Columbia Records on the iTunes store at http://www.itunes.com/NBCSmash. NBC also provides episode recaps, games, photos, videos, musical performance highlights and even fan challenges each week at http://www.nbc.com/smash/.

Tonight on SMASH, everything comes to a head as Eileen (Anjelica Huston), Derek (Jack Davenport) and the team present 'Marilyn The Musical' to would-be investors. Ivy (Megan Hilty) is under pressure to perform, while her mother, Broadway star Leigh Conroy (special guest Bernadette Peters), undermines her at every turn. Karen (Katharine McPhee) must decide between the workshop and a meeting with a big-time music producer. Julia (Debra Messing) and Michael (guest star Will Chase) must face up to the consequences of their actions. In the video below, special guest star Bernadette Peters visits 'The Today Show,' where she chats about her upcoming appearance. Click below to check it out!

Since NBC's musical drama series SMASH is kicking into high gear as the Marilyn Monroe musical that forms the core of the show's story approaches its first workshop presentation on Monday night's episode - with the highly awaited appearance of Broadway legend Bernadette Peters coming next week, as well; playing the mother of the Marilyn musical star, Ivy Lynn (Megan Hilty) - now is the ideal opportunity to, well, "Fade in on a girl / With a hunger for fame / And a face and a name to remember," to quote Marc Shaiman and Scott Wittman's crown jewel in a diadem of a songstack for the show-within-the-show, BOMBSHELL. The show-within-the-show is better that most scores on Broadway these days and that is a credit to the Tony-winning tunesmiths and their ability to make musical theatre that is polished and professional, yet totally fun, bawdy and accessible, as well. Look no further than this week's "History Is Made At Night" or last week's "Let's Be Bad" - to say nothing of the pilot's twofer of titanic theatrical prowess in the form of "The National Pastime" and the afore-quoted "Let Me Be Your Star". Plus, we have to remember, SMASH has not one Marilyn, but two, so the future possibilities of who will be singing these songs and how they will be presented is totally unknown. As we shall see in the clips below, "Let Me Be Your Star" will now have its third iteration on the show, acting as the opening number in the workshop presentation as Ivy Lynn belts it to the rafters, ballad-style - not unlike the Karen/Ivy stage sequence presented in Episode 2 as a dream. Using just the example of "Star", we can see how rich and rewarding it is to further explore the depths of drama and heights of wit amply apparent in the sometimes caustic, sometimes campy and always enjoyably, embraceable unique work of Shaiman & Wittman on their songs for SMASH. The story setting them up, drama surrounding and contained within them - with the meta-narrative of the behind-the-scenes going on we are privy to acting as another layer - makes the production numbers the most brightly glittering stars of the SMASH universe. Katharine McPhee's "Somewhere Over The Rainbow", "Call Me" and "Rumor Has It", as well as Hilty's "Crazy Dreams", were all viable and entertaining covers in their own right, yet the original songs are what make SMASH really sing - and zing, sting and ring-a-ding-ding.

HIGHLIGHTS OF THE WEEK: Bernadette visits SMASH, The Acting Copany honors Patti, MEMPHIS hits 1000 shows, and so much more!

Next week on SMASH, Everything comes to a head as Eileen (Anjelica Huston), Derek (Jack Davenport) and the team present 'Marilyn The Musical' to would-be investors. Ivy (Megan Hilty) is under pressure to perform, while her mother, Broadway star Leigh Conroy (special guest Bernadette Peters), undermines her at every turn. Karen (Katharine McPhee) must decide between the workshop and a meeting with a big-time music producer. Julia (Debra Messing) and Michael (guest star Will Chase) must face up to the consequences of their actions. Check out a sneak peek of Peters singing 'Everything's Coming Up Roses' from the episode below!

Next week on SMASH, Everything comes to a head as Eileen (Anjelica Huston), Derek (Jack Davenport) and the team present 'Marilyn The Musical' to would-be investors. Ivy (Megan Hilty) is under pressure to perform, while her mother, Broadway star Leigh Conroy (special guest Bernadette Peters), undermines her at every turn. Karen (Katharine McPhee) must decide between the workshop and a meeting with a big-time music producer. Julia (Debra Messing) and Michael (guest star Will Chase) must face up to the consequences of their actions. In the video below, Peters chats about her upcoming guest spot. Click below to hear what she has to say!

Casting is complete for Rodgers and Hammerstein's Pipe Dream, the second Encores! production of the 2011-12 season, running March 28 - April 1. Pipe Dream will be directed by Marc Bruni with music direction by Rob Berman and choreography by Kelli Barclay. It will play for seven performances at New York City Center, West 55th Street between 6th and 7th Avenues.