Birth Place: Nashville
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
All of this is to explain why Leo Joseph-Connell, the protagonist of Amy Herzog's Pulitzer Prize-nominated play 4,000 Miles, shows up at 3 a.m. at his Grandmother Vera's apartment in the West Village of New York City, longing to renew a connection to someone who has known him since birth and who will help him find balance in his life once again, whether he admits that or not. After all, the older woman at 92 must be far wiser and more adept at dealing with the realities of life than a 21-year-old wanderer in search of solace.
Shows are opening, shows are closing and Fiddler on the Roof is back onstage for Actors Pointe Theatre Company while Tom Sawyer takes a bow at Springhouse Theatre in Smyrna! Obviously, the 2016 theater season continues to reveal itself at a breakneck pace, giving audiences a veritable buffet of offerings from which to choose.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Bradley Moore's Music City Theatre Company debuts its 12th production tonight - Amy Herzog's 4,000 Miles - starring Taylor Novak, Terry Occhiogrosso, Britt Byrd and Cate Eunyoung Jo. Playing Nashville's iconic Darkhorse Theater through April 9, the show is an eagerly anticipated part of the 2016 theatrical season.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Music City Theatre Company presents Amy Herzog's 4000 Miles, directed by Bradley Moore, at Nashville's Darkhorse Theater April 1-9. Taylor Novak, Terry Occhiogrosso, Britt Byrd and Megan Blevins star in Herzog's 4000 Miles, which is described as "a dramatic comedy," that ran Off-Broadway in 2011, and again in 2012, and was a finalist for the 2013 Pulitzer Prize for Drama.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the notebooks, datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
If this is Friday, then there's got to be a new production opening tonight, right? And sure enough, down in Woodbury - home of the Arts Center of Cannon County - 2015 First Night Honoree Darryl Deason unveils his latest directorial assignment with Memphis, The Musical, starring Melinda Paul (most recently seen onstage in Circle Players' Sister Act) and Michael Adcock (who has performed on stages throughout Middle Tennessee) and an ensemble filled with many local stage veterans (including Quantavius Rankins, who closed Dreamgirls at Murfreesboro's Center for the Arts less than a fortnight ago) and newcomers.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Today, three of the folks most closely associated with the production - director Moore is joined by cast members Sarah Shepherd and Maggie Pitt - fall under our Friday 5 spotlight, allowing us to get to know more about what makes them tick and why each of them believe audiences should flock to Darkhorse Theatre to see their racy rendition of Aristophanes' Lysistrata.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
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