Steven Epp News

There's more than meets the eye and the funny bone when it comes to creating a farce like NOISES OFF at the Guthrie Theater. Nathan Keepers tells more about what it takes.

The Moving Company (which grew out of the ashes of the Tony-winning Theatre de la Jeune Lune) is back this fall with a very Moving Company kind of show. Which is to say original, profound, silly, thoughtful, delightful, sweet, surprising, and a little odd. Conceived by co-Artistic Directors Steven Epp, Nathan Keepers, and Dominique Serrand, THE 4 SEASONS was inspired by the idea of the four seasons, including Vivaldi's famous composition FOUR SEASONS and Piazzolla's less famous composition FOUR SEASONS. They also drew inspiration from Chekhov, and this quote from the Russian playwright about his work could also describe MoCo's work, and this piece in particular: 'What happens onstage should be just as complicated and just as simple as things are in real life. People are sitting at a table having dinner, that's all, but at the same time their happiness is being created, or their lives are being torn apart.'

THE LORAX is a fantastic fable, one that seems as apt for today as when the book was written in 1971. Playing at The Old Globe through August 12th. For information on tickets and showtimes go to www.theoldglobe.org

The Old Globe, together with Children's Theatre Company (CTC), and in partnership with The Old Vic, today updated information for Dr. Seuss's The Lorax in its U.S. premiere. The production, based on the book The Lorax by Dr. Seuss, is adapted for the stage by David Greig (Artistic Director of Royal Lyceum Theatre Company; recent work: Charlie and the Chocolate Factory, Cover My Tracks) with music and lyrics written by Charlie Fink (front man/songwriter for the hit musical group Noah and the Whale, 2007-2015).

The Nashville Film Festival announces the winners of their 5th annual Screenwriting Competition. The winners were selected from over 1,400 submissions from all over the world and include feature-length screenplays, short screenplays, and teleplays.

Unless. What a powerful word. So many scary things might happen. Unless. Unless what, you ask? 'Unless someone like you cares a whole awful lot, nothing is going to get better. It's not.' The best thing to happen lately in this dark and scary world is people caring a whole awful lot about things, and taking to the streets and the polls to make them better. That's the heart of Dr. Seuss's story THE LORAX, which specifically is talking about the environment, nature, the wilderness around us. The Old Vic Theatre in London has turned this beautiful story into a charming, playful, and poignantly relevant musical that is now receiving its US premiere at Minneapolis' Children's Theatre Company (in conjunction with San Diego's Old Globe Theatre, where it will play this summer). It gave me all the feels, and had me walking down the street on this first truly spring-like day in wonder. Such is the power of theater, of stories, of people who care a whole awful lot.

Children's Theatre Company (CTC) together with The Old Globe (San Diego) in partnership with The Old Vic (London) today announced details for the Minneapolis and San Diego productions of Dr. Seuss's The Lorax, based on the book The Lorax by Dr. Seuss. The musical is adapted for the stage by David Greig (Artistic Director of the Royal Lyceum Theatre Company; recent work: Charlie and the Chocolate Factory, Cover My Tracks) with music and lyrics written by Charlie Fink (Frontman/songwriter for the hit musical group, Noah and the Whale (2007-2015)). The musical will have its U.S. premiere at CTC followed by an immediate transfer to The Old Globe in San Diego. H. Adam Harris, combined with Meghan Kreidler and Rick Miller puppeteering, will play The Lorax. Joining them is Steven Epp as The Once-ler. Playing multiple roles in the ensemble are Ansa Akyea, Christopher Becknell, Stephanie Bertumen, Brian Bose, Ryan Colbert, Lynnea Doublette, Johannah "Joh" Easley, Rajane Katurah, Ryan Lear, Ryan Dean Maltz, Emily Michaels King and CTC Company Member Autumn Ness. See below for complete bio information.

Red Bull Theater (Jesse Berger, Artistic Director | Jim Bredeson, Managing Director) today announced the cast for the next REVELATION READING, Thomas Middleton's The Second Maiden's Tragedy, directed by Craig Baldwin: Zainab Jah, Dion Johnstone, Robert Joy, Christopher Michael McFarland, Dion Mucciacito, Denis O'Hare, Bhavesh Patel, Reynaldo Piniella, John-Alexander Sakelos, Lee Sellars, Miriam Silverman, and Sam Tsoutsouvas.  This will take place on Monday April 16th at 7:30 PM at the Lucille Lortel Theatre (121 Christopher Street, between Bleecker and Hudson Streets).  

The Old Globe, together with Children's Theatre Company (CTC), and in partnership with The Old Vic, today announced details for the Minneapolis and San Diego productions of Dr. Seuss's The Lorax in its U.S. premiere. The production, based on the book The Lorax by Dr. Seuss, is adapted for the stage by David Greig (Artistic Director of the Royal Lyceum Theatre Company; recent work: Charlie and the Chocolate Factory, Cover My Tracks) with music and lyrics written by Charlie Fink (Frontman/songwriter for the hit musical group, Noah and the Whale (2007-2015). H. Adam Harris, along with Meghan Kreidler and Rick Miller puppeteering, will play The Lorax. Joining them is Steven Epp as The Once-ler. Playing multiple roles in the ensemble are Ansa Akyea, Christopher Becknell, Stephanie Bertumen, Brian Bose, Ryan Colbert, Lynnea Doublette, Johannah "Joh" Easley, Rajane Katurah, Ryan Lear, Ryan Dean Maltz, Emily Michaels King, and Autumn Ness.

Children's Theatre Company (CTC) together with The Old Globe (San Diego) in partnership with The Old Vic (London) today announced details for the Minneapolis and San Diego productions of Dr. Seuss's The Lorax, based on the book The Lorax by Dr. Seuss.

Red Bull Theater (Jesse Berger, Artistic Director | Jim Bredeson, Managing Director) today announced the cast for their next REVELATION READING, Moliere's Don Juan, adapted & directed by Stephen Wadsworth: Mary Bacon, Gilbert Cruz, Francesca Faridany, Adam Green, Adam Greer, Allen Tedder, Adam Stein, Mary Testa, and Raphael Nash Thompson, on Monday February 12th at 7:30 PM at the Lucille Lortel Theatre (121 Christopher Street, between Bleecker and Hudson Streets). Stephen Wadsworth's version of Don Juan was commissioned by the Seattle Repertory Theatre and the McCarter Theatre and has recently been published by Smith and Kraus.

Red Bull Theater (Jesse Berger, Artistic Director Jim Bredeson, Managing Director) today announced the cast for their next REVELATION READING, Victor Hugo'sHernani, translated by John Strand: Frankie J Alvarez, Ryan Garbayo, Anthony Martinez, Ismenia Mendes, Luis Moreno, Pedro Pascal, Tony Plana, and Matthew Saldivar, under the direction of Ethan McSweeny, on Monday January 15th at 7:30 PM at the Lucille Lortel Theatre (121 Christopher Street, between Bleecker and Hudson Streets).

Red Bull Theater today announced the cast for their next REVELATION READING, Christopher Marlowe's Doctor Faustus: Michael Stuhlbarg, Patrick Page, Stephen Spinella, David Pittu, Robert Stanton, Lucas Caleb Rooney, Zach Appelman, Helen Cespedes, and Nathan Winkelstein, under the direction of Daniel Sullivan, tonight, December 11th at 7:30 PM at the Lucille Lortel Theatre (121 Christopher Street, between Bleecker and Hudson Streets).

Red Bull Theater today announced the cast for their next REVELATION READING, Aphra Behn's The Rover.

Red Bull Theater today announced this season's REVELATION READINGS, following a kick-off with the one-night-only benefit performance of Marivaux's The Triumph of Love, starring Celia Keenan-Bolger, Arnie Burton, Clifton Duncan, Carson Elrod, Zach Grenier, Kathryn Meisle, and Molly Ranson.

"Refugia" is a Latin term meaning "an area where special circumstances have enabled survival after extinction in surrounding areas." The adventurous theater explorers of The Moving Company (themselves displaced from the renowned Theatre de la Jeune Lune, which closed in 2006) have devised multiple riffs on this idea and related themes, pushing the boundaries of narrative and perhaps, too, of the mainstage Guthrie audiences.

Yale Repertory Theatre continues its 50th Anniversary celebration with three productions in New York and New Haven.

A friendly reminder! Theatre for a New Audience presents the Yale Repertory Theatre production of Samuel Beckett's masterpiece Happy Days, beginning this Sunday, April 23. Two-time Academy Award-winner Dianne Wiest (Hannah and Her Sisters, Bullets over Broadway) plays Winnie, widely considered modern drama's pinnacle female role, alongside Jarlath Conroy, who plays Willie, directed by Yale Repertory Theatre Artistic Director James Bundy.

Theatre for a New Audience will present the Yale Repertory Theatre production of Samuel Beckett's masterpiece Happy Days. Two-time Academy Award-winner Dianne Wiest (Hannah and Her Sisters, Bullets over Broadway) plays Winnie, widely considered modern drama's pinnacle female role, alongside Jarlath Conroy, who plays Willie, directed by Yale Repertory Theatre Artistic Director James Bundy.

Theatre for a New Audience presents the New York premiere of The Servant of Two Masters by Carlo Goldoni at Polonsky Shakespeare Center, 262 Ashland Place, beginning tonight, November 16, at 7:30pm.