The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
Nakkiah Lui's new work, BLACK IS THE NEW WHITE gives Sydney Theatre Company audiences a glimpse into a different view of contemporary Indigenous family life in a fabulously funny tale of families, politics, love and loyalty.
Black is the New White is a provocative new romantic comedy commissioned by Sydney Theatre Company fromwriter and star of ABC's Black Comedy, Nakkiah Lui. Directed by STC's former Richard Wherrett Fellow Paige Rattray (now Queensland Theatre's Associate Artistic Director), the cast includes Kylie Bracknell, Tony Briggs, Luke Carroll, Geoff Morrell and Shari Sebbens, with set and costumes by former Resident Designer Renee Mulder.
With more space to work with, the expansion to the Wharf 1 stage has not diminished any of Lee Lewis' vision or Paula Arundell, Airlie Dodds and Shari Sebbens intense performance in THE BLEEDING TREE
eter Evans (Director) re-imagines Shakespeare's RICHARD 3 with Kate Mulvany presenting a deliciously evil expression of the vile, murderous, manipulative King.
Award-winning actor Kate Mulvany (The Literati and Tartuffe) will play one of the most ambitious and gleefully amoral villains ever written.
Sydney Theatre Company shares Griffin Theatre Company's acclaimed 2015 production of The Bleeding Tree by Angus Cerini, with new audiences at The Wharf from 9 March to 8 April 2017. The original cast of Paula Arundell, Airlie Dodds and Shari Sebbens are reunited with director Lee Lewis, designer Renee Mulder, lighting designer Verity Hampson and composer Steve Toulmin to remount this "great and complex production" (The Australian).
Award-winning actor Kate Mulvany (The Literati and Tartuffe) will play one of the most ambitious and gleefully amoral villains ever written.
Artistic Director, Peter Evans, has announced the first production for 2017 for Bell Shakespeare.
Georges Feydeau's early 20th Century French farce is given further complexity in Andrew Upton's adaptation of A FLEA IN HER EAR. Under the Simon Phillips direction, Sydney Theatre Company presents a hilariously delicious layered confection of cotton candy stickiness and fluff.
Bell Shakespeare brings its tour of OTHELLO to Sydney, sharing Director Peter Evans interpretation of William Shakespeare's story of deception, jealousy, love, and betrayal.
Andrew Upton's new adaptation for Sydney Theatre Company of the 1907 French farce, A Flea in Her Ear by Georges Feydeau, is realised in all its clockwork-precision by the creative team behind STC's Rosencrantz and Guildenstern are Dead: director Simon Phillips, designer Gabriela Tylesova and lighting designer Nick Schlieper. Performances are at the Drama Theatre, Sydney Opera House from 31 October to 17 December (opening 4 November 2016).
Andrew Upton's new adaptation for Sydney Theatre Company of the 1907 French farce, A Flea in Her Ear by Georges Feydeau, is realised in all its clockwork-precision by the creative team behind STC's Rosencrantz and Guildenstern are Dead: director Simon Phillips, designer Gabriela Tylesova and lighting designer Nick Schlieper. Performances are at the Drama Theatre, Sydney Opera House from 31 October to 17 December (opening 4 November 2016).
The strength of good theatre is its ability to traverse through a range of emotions, bringing along an audience who can explore different facets of their spectrum of feeling and understanding. The best theatre, can take you so deep into one emotion you fear as an audience member you might not come out, and this is the incredible talent of the team behind Griffin Theatre Company's latest premiere, Gloria. Australian work that makes no attempt to relocate itself, justify its idiosyncrasies, or hold back on keeping the audience in the thrill of it, Gloria is theatre with no fear and no fulcrum.
JASPER JONES, a cracker play for any Australian, of any age*, and any creed, based on the novel by Craig Silvey and adapted by Kate Mulvany, will play Belvoir St Theatre, 2 January - 7 February 2016.
Sydney Theatre Company's (STC) Artistic Director, Andrew Upton, has announced the 2016 season, the last of which he will program before the position is handed over to Jonathan Church at the end of 2015.
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