Vote For the 2017 BroadwayWorld Sydney Awards; Just Two Weeks Left!
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017.
Nakkiah Lui's new work, BLACK IS THE NEW WHITE gives Sydney Theatre Company audiences a glimpse into a different view of contemporary Indigenous family life in a fabulously funny tale of families, politics, love and loyalty.
Black is the New White is a provocative new romantic comedy commissioned by Sydney Theatre Company fromwriter and star of ABC's Black Comedy, Nakkiah Lui.
With more space to work with, the expansion to the Wharf 1 stage has not diminished any of Lee Lewis' vision or Paula Arundell, Airlie Dodds and Shari Sebbens intense performance in THE BLEEDING TREE
eter Evans (Director) re-imagines Shakespeare's RICHARD 3 with Kate Mulvany presenting a deliciously evil expression of the vile, murderous, manipulative King.
Award-winning actor Kate Mulvany (The Literati and Tartuffe) will play one of the most ambitious and gleefully amoral villains ever written.
Sydney Theatre Company shares Griffin Theatre Company's acclaimed 2015 production of The Bleeding Tree by Angus Cerini, with new audiences at The Wharf from 9 March to 8 April 2017.
Award-winning actor Kate Mulvany (The Literati and Tartuffe) will play one of the most ambitious and gleefully amoral villains ever written.
Artistic Director, Peter Evans, has announced the first production for 2017 for Bell Shakespeare.
Georges Feydeau's early 20th Century French farce is given further complexity in Andrew Upton's adaptation of A FLEA IN HER EAR.
Bell Shakespeare brings its tour of OTHELLO to Sydney, sharing Director Peter Evans interpretation of William Shakespeare's story of deception, jealousy, love, and betrayal.
Andrew Upton's new adaptation for Sydney Theatre Company of the 1907 French farce, A Flea in Her Ear by Georges Feydeau, is realised in all its clockwork-precision by the creative team behind STC's Rosencrantz and Guildenstern are Dead: director Simon Phillips, designer Gabriela Tylesova and ligh
Andrew Upton's new adaptation for Sydney Theatre Company of the 1907 French farce, A Flea in Her Ear by Georges Feydeau, is realised in all its clockwork-precision by the creative team behind STC's Rosencrantz and Guildenstern are Dead: director Simon Phillips, designer Gabriela Tylesova and ligh
The strength of good theatre is its ability to traverse through a range of emotions, bringing along an audience who can explore different facets of their spectrum of feeling and understanding.
JASPER JONES, a cracker play for any Australian, of any age*, and any creed, based on the novel by Craig Silvey and adapted by Kate Mulvany, will play Belvoir St Theatre, 2 January - 7 February 2016.