Steve Owsley News

As the cliche goes, if it ain't broke, don't fix it. That is perhaps partly the philosophy behind the rather faithful stage adaptation of the gloriously wonderful movie musical SINGIN' IN THE RAIN, now once again charmingly replicated in a smile-inducing local production at Musical Theatre West that continues through July 26 at the Carpenter Performing Arts Center in Long Beach. An almost scene-by-scene, note-for-note recreation of the superb cinematic masterpiece, the musical theater iteration of SINGIN' IN THE RAIN smartly and painstakingly reenacts every key moment and memorable musical happenstance from the 1952 movie that many have since heralded as one of the best movie musicals of all time. With MTW's latest revival specifically, director/choreographer Jon Engstrom has helmed a joyful production worth experiencing, whether it's your first or hundredth time. And, yes, it rains on stage... and it's a sight to behold!

To those newer generation theatre and movie fans who do not remember 1952's blockbuster hit film Singin' in the Rain, directors Stanley Donen and Gene Kelly, screenwriters Betty Comden and Adolph Green and costars Kelly, Donald O'Connor and Debbie Reynolds all contributed to making it the smash that it was... and still is. The zany lightweight hit transferred to the stage in the early 80s and showed the craziness that may have happened when the big movie studios were transitioning from silents to talkies in the late 20s. Now in a classy revival at Musical Theatre West (MTW) in Long Beach, it's all brought back to exuberantly colorful life by skilled director Jon Engstrom and a delicious company of triple threats through July 26 only.

On November 1 the annual Palm Springs Follies opened their 22nd spectacular season with an all new show entitled Dance to the Music featuring special guest star Lorna Luft. Slick, scintillating, sophisticated, sassy - the ladies are dressed...or should I say undressed more provocatively than ever - the show runneth over with ageless appeal. And what is more vitally expressive than dance? Move, move, move to musical styles that cover the 30s, 40s, 50s, 60s and 70s! After that, they are quick to point out, real music stopped.

Stepping Out by British TV writer Richard Harris is not a musical, although it was turned into one in 2010. It's a play with music and is set in Northern England in 1984, the same time period and place as Billy Elliot. It's the tale of eight women and one man who take a weekly local tap class in their church hall. Workers and mates by day, these folks are generally disillusioned and unhappy, each for a different reason, and without the class, they might just cash it in. What you see on stage, now at the Welk Resort Theatre in Escondido, are the amateur characters as they arrive at class and spill their guts for a brief time about their various issues and how they adapt themselves to each other and to learning how to tap. First efforts are rusty at best, but as the play proceeds, the group get to know and tolerate each other and to tap better, and eventually are given a chance to participate in a local one-night annual entertainment gala. My first misgiving with the play is that you never get to know each person thoroughly or totally understand their motivations, but after careful consideration, what you see is what you get: an entertainment that brings the people together, that brings a much needed joy into their lives ... and to the audience at large. It's real, funny and musically fun - about a mini Chorus Line but with amateur dancers whose stories do not involve the profession - and that by itself is enough to give it universal appeal.