Skip Pipo News

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

The Chandler Studio Theater Center's production of HOW I LEARNED TO DRIVE- A Pulitzer Prize-winning play by Paula Vogel will close on February 20.

Opening Night for Paula Vogel's Pulitzer Prize-winning HOW I LEARNED TO DRIVE, directed by The Production Company's Artistic Director August Viverito.

The Chandler Studio Theater Center (12443 Chandler Boulevard North Hollywood, CA 91607) will present HOW I LEARNED TO DRIVE- A Pulitzer Prize-winning play by Paula Vogel.

Directly on the heels of Ovation Award nominations for ‘Best Play - Intimate Theatre' and ‘Best Director' for his recent smash-hit production of EQUUS, The Production Company's Artistic Director August Viverito grapples another theatrical gem set to open January 15, 2010: Paula Vogel's Pulitzer Prize-winning HOW I LEARNED TO DRIVE.

The Chandler Studio Theater Center (12443 Chandler Boulevard North Hollywood, CA 91607) will present HOW I LEARNED TO DRIVE- A Pulitzer Prize-winning play by Paula Vogel.

Directly on the heels of Ovation Award nominations for ‘Best Play - Intimate Theatre' and ‘Best Director' for his recent smash-hit production of EQUUS, The Production Company's Artistic Director August Viverito grapples another theatrical gem set to open January 15, 2010: Paula Vogel's Pulitzer Prize-winning HOW I LEARNED TO DRIVE.

Critics and audiences alike have made The Production Company?s Equus an absolute smash hit, and now the company proudly announces the show?s first extension through September 5th due to continued sell-outs!

Restored to its original roots in England in the early 1970's, EQUUS rises anew with theatrical life this summer at The Chandler Studio Theatre under the lead of The Production Company's Artistic Director August Viverito.

Critics and audiences alike have made The Production Company?s Equus an absolute smash hit, and now the company proudly announces the show?s first extension through September 5th due to continued sell-outs!

Restored to its original roots in England in the early 1970's, EQUUS rises anew with theatrical life this summer at The Chandler Studio Theatre under the lead of The Production Company's Artistic Director August Viverito.

Restored to its original roots in England in the early 1970's, EQUUS rises anew with theatrical life this summer at The Chandler Studio Theatre under the lead of The Production Company's Artistic Director August Viverito.

Restored to its original roots in England in the early 1970's, EQUUS blazes anew with theatrical life this summer at The Chandler Studio Theatre under the lead of The Production Company's Artistic Director August Viverito.