???????//BUZZCUT// Festival returns to Govan (Glasgow) for its sixth, five-day, community focused festival of live art and experimental performance from 5th - 9th April 2017. Over five days //BUZZCUT// will base itself in the Pearce Institute, a 100 year old community centre in the centre of Govan, transforming it into the heart of the festival with delicious food by local superstars Cafe 13, our own BUZZCUT Bar and a wild, friendly, vibing environment where all are welcome.
Steppenwolf Theatre Company announces complete casting for two upcoming Chicago premiere productions: Lucas Hnath's The Christians directed by ensemble member K. Todd Freeman (December 1, 2016 - January 29, 2017) in the Downstairs Theatre; and Straight White Men written and directed by Young Jean Lee (February 2, 2016 - March 19, 2017) in the Upstairs Theatre.
Steppenwolf continues its 41st season with the Chicago premiere of Lucas Hnath's The Christians directed by ensemble member K. Todd Freeman. Previews began on December 1, 2016 (press performances are Saturday, December 10 at 3pm and Tuesday, December 13 at 7:30pm; opening night is Sunday, December 11) and the production runs through January 29, 2017 in the Downstairs Theatre, 1650 N. Halsted. BroadwayWorld has a first look at the cast in action below!
Steppenwolf Theatre Company announces complete casting for two upcoming Chicago premiere productions: Lucas Hnath's The Christians directed by ensemble member K. Todd Freeman (December 1, 2016 - January 29, 2017) in the Downstairs Theatre; and Straight White Men written and directed by Young Jean Lee (February 2, 2016 - March 19, 2017) in the Upstairs Theatre.
Steppenwolf continues its 41st season with the Chicago premiere of Lucas Hnath's The Christians directed by ensemble member K. Todd Freeman. The cast features ensemble member Tom Irwin as Pastor Paul and ensemble member Robert Breuler as Elder Jay with Shannon Cochran as the Pastor's wife, Elizabeth, Glenn Davis as Joshua and Jacqueline Williams as Congregant. Set designer Walt Spangler transforms The Downstairs Theatre into a church where a live choir performs onstage. Under the musical direction of Jaret Landon, the choir features Faith Howard, Yando Lopez, Jazelle Morriss, Mary-Margaret Roberts, Charlie Strater and Michael Weatherspoon.
Steppenwolf Theatre Company announces complete casting for two upcoming Chicago premiere productions: Lucas Hnath's The Christians directed by ensemble member K. Todd Freeman (December 1, 2016 - January 29, 2017) in the Downstairs Theatre; and Straight White Men written and directed by Young Jean Lee (February 2, 2016 - March 19, 2017) in the Upstairs Theatre.
CABARET's Tony Award-winning 1998 Broadway revival co-directed by Sam Mendes and Rob Marshall, still stands, arguably, as the show's definitive stage iteration. That same vibrant Roundabout Theatre Company production rightly serves as the basis for the newer 2014 revival that is now in the midst of a brand new North American national tour---currently performing at Orange County's Segerstrom Center for the Arts in Costa Mesa through August 21. Whether you're a fan of that amazing '98 revival or, better still, the iconic 1972 film adaptation, this brazenly confident new CABARET---a rousing combo-platter of the best elements of the show through its entire history---will surely entertain and, yes, even move you.
Perhaps Kander and Ebb's best musical, apart from Chicago, Cabaret has it all: a fine book, deliciously diverse characters, dynamite music and a subtext that will not quit. The subtext being: either compromise or get out if you value your life, the latter, to be sure, the wiser. This is Berlin, circa 1929/30, before Hitler, just as Nazi pressure hits the fan. Now a national tour based on Roundabout Theatre's 2014 revival docks at Segestrom for a mere 2 weeks with a glorious cast headed by Randy Harrison in a big, broad and devilishly fun performance as the Emcee.
Perhaps Kander and Ebb's best musical, apart from Chicago, Cabaret has it all: a fine book, deliciously diverse characters, dynamite music and a subtext that will not quit. The subtext being: either compromise or get out if you value your life, the latter, to be sure, the wiser. This is Berlin, circa 1929/30, before Hitler, just as Nazi pressure hits the fan. Now a national tour based on Roundabout Theatre's 2013 revival docks at the Pantages for a mere 3 weeks with a glorious cast headed by Randy Harrison in a big, broad and devilishly fun performance as the Emcee.
San Francisco's Orpheum Theatre plays host to the provocative and still darkly daring, Cabaret now through July 17. Set in 1931 Berlin, on the cusp of all that was to come with the rise of the Nazis, the Kander and Ebb musical revolves around the Kit Kat Club and its cast of characters who are determined to ignore the outside world. 'We have no troubles here! Here, life is beautiful,' shouts the garishly made-up emcee. He and the club's performers do their best to convince us that indeed, 'life is a cabaret' and, for a moment in time, it seems to be true. Yet they set aside the warning signs at their own peril. Coming directly from Broadway and originally directed by Sam Mendes and Rob Marshall, SHNSF's Cabaret is a spectacular sleight of hand, giving us sinfully sexy performances even as the real depravity lies in wait like spider outside the doors of the Kit Kat Club.
San Francisco's Orpheum Theatre plays host to the provocative and still darkly daring, Cabaret now through July 17. Set in 1931 Berlin, on the cusp of all that was to come with the rise of the Nazis, the Kander and Ebb musical revolves around the Kit Kat Club and its cast of characters who are determined to ignore the outside world. 'We have no troubles here! Here, life is beautiful,' shouts the garishly made-up emcee. He and the club's performers do their best to convince us that indeed, 'life is a cabaret' and, for a moment in time, it seems to be true. Yet they set aside the warning signs at their own peril. Coming directly from Broadway and originally directed by Sam Mendes and Rob Marshall, SHNSF's Cabaret is a spectacular sleight of hand, giving us sinfully sexy performances even as the real depravity lies in wait like spider outside the doors of the Kit Kat Club.
Based on John Van Druten's play I Am a Camera which was adapted from Christopher Isherwood's short story Goodbye to Berlin, Cabaret is based in the nightlife at the seedy Kit Kat Klub as the Nazis were rising to power in Berlin back in 1931. The action is overseen by a Master of Ceremonies with the club serving as a metaphor for some of the ominous political developments in late Weimar Germany. The story revolves around 19-year-old English cabaret performer Sally Bowles and her relationship with the young American writer Clifford Bradshaw. A sub-plot involves a doomed romance between German boarding house owner Fraulein Schneider and her suitor Herr Schultz.
CABARET, the musical masterpiece comes direct from Broadway to the Adrienne Arsht Center for the Performing Arts of Miami-Dade County, tonight, April 12, through April 17, 2016. BroadwayWorld has a sneak peek at the cast in action below!
Based on Christopher Isherwood's novella Goodbye to Berlin (1939) and the subsequent 1951 play by John Van Druten entitled I Am a Camera, CABARET is a musical by John Kander and Fred Ebb with a book by Joe Masteroff that opened on Broadway in 1966. The production was a hit that was subsequently made into the 1972 film by Bob Fosse. In 1993, Sam Mendes re-imagined the material for a new production in London's West End. Mendes' conception was very different from any previous revival. This production was the basis for Roundabout Theatre Company's 1998 and subsequent 2014 revivals, the latter of which is the version currently on tour and being presented at Bass Concert Hall by Lexus Broadway In Austin.
Roundabout Theatre Company presents Sam Mendes and Rob Marshall's Tony Award-winning version of Kander & Ebb's wildly popular Broadway musical CABARET.
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