Nominees for Seattle's 5th Annual 2015 Gypsy Rose Lee Awards Are Announced!
by Christina Mancuso
- Jan 13, 2016
Seattle Theater Writers critics' circle is pleased to present the nomination slate of the fifth annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters in the prior calendar year.
BWW Review: INDIAN INK from STC and Pratidhwani Blends History and Heart
by Jay Irwin
- Aug 24, 2015
When you go to see a Tom Stoppard play such as "Indian Ink", currently playing at Center Theatre from Sound Theatre Company and Pratidhwani, you can expect to be immersed in whatever subject Stoppard has chosen, whether that be literature, history, math, music or landscape architecture, along with a fascinating interpersonal story with the characters. And while I usually appreciate the interpersonal stories of his plays, his chosen subject of interest is usually lost on me (mostly due to the feeling that you need to take a Masters class in whatever the subject is before you see the play to totally get it). Stoppard's "Indian Ink" is no exception although the love story at its heart certainly outweighed any gaps of historical knowledge I felt.
Sound Theatre & Pratidhwani to Present Tom Stoppard's INDIAN INK
by Tyler Peterson
- Aug 4, 2015
Sound Theatre Company contributes to the hot Northwest summer with the steamy, smart Seattle premiere of Indian Ink by Tom Stoppard. This passionate tale that explores art and colonialism, set on two continents and in two eras, is a co-production with South Asian cultural organization Pratidhwani, and is directed by Andrew McGinn.
BWW Reviews: Seattle Shake's MEASURE FOR MEASURE Modernizes Tale of Virtue and Vice
by Jay Irwin
- Jan 12, 2015
I've said it before and I'll say it again, I typically have two main sticking points when it comes to Shakespeare productions. First that if you must transplant the time or locale of the piece, make it meaningful and second don't just say the pretty words but convey the intent behind them. And while Seattle Shakespeare Company's current production of "Measure for Measure" succeeds in the first regard, the latter only partially so, making some elements of the show feel stiff and forced.
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