Broadway-bound new musical, Come From Away, presented by Seattle Repertory Theatre, wins four Gypsys, tying with another new musical, Lizard Boy, also produced by Seattle Repertory Theatreand also with four Gypsys, a company that has been known for years as a powerhouse dramatic straight-play playhouse!
Seattle Theater Writers critics' circle is pleased to present the nomination slate of the fifth annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters in the prior calendar year.
When you go to see a Tom Stoppard play such as "Indian Ink", currently playing at Center Theatre from Sound Theatre Company and Pratidhwani, you can expect to be immersed in whatever subject Stoppard has chosen, whether that be literature, history, math, music or landscape architecture, along with a fascinating interpersonal story with the characters. And while I usually appreciate the interpersonal stories of his plays, his chosen subject of interest is usually lost on me (mostly due to the feeling that you need to take a Masters class in whatever the subject is before you see the play to totally get it). Stoppard's "Indian Ink" is no exception although the love story at its heart certainly outweighed any gaps of historical knowledge I felt.
Sound Theatre Company contributes to the hot Northwest summer with the steamy, smart Seattle premiere of Indian Ink by Tom Stoppard. This passionate tale that explores art and colonialism, set on two continents and in two eras, is a co-production with South Asian cultural organization Pratidhwani, and is directed by Andrew McGinn.
I've said it before and I'll say it again, I typically have two main sticking points when it comes to Shakespeare productions. First that if you must transplant the time or locale of the piece, make it meaningful and second don't just say the pretty words but convey the intent behind them. And while Seattle Shakespeare Company's current production of "Measure for Measure" succeeds in the first regard, the latter only partially so, making some elements of the show feel stiff and forced.
Seattle Shakespeare Company's free Wooden O productions of The Two Gentlemen of Verona and Julius Caesar start performances tonight, July 10.
Casting is announced for Seattle Shakespeare Company's free Wooden O productions of The Two Gentlemen of Verona and Julius Caesar which start performances on Thursday, July 10. Both productions will perform in park venues throughout King County (please see attached schedule) and then transfer to Walla Walla, WA as part of Shakespeare Walla Walla.
Washington Ensemble Theatre presents Tall Skinny Cruel Cruel Boys by Caroline V. McGraw, directed in its World Premiere by Jane Nichols, running tonight, May 31 - June 24, 2013.
Washington Ensemble Theatre presents Tall Skinny Cruel Cruel Boys by Caroline V. McGraw, directed in its World Premiere by Jane Nichols, running May 31 - June 24, 2013.
Seattle Shakespeare's LOVE'S LABOUR'S LOST by William Shakespeare runs at Seattle Center's Center Theatre, opening March 15 and playing through April 7, 2013, directed by Jon Kretzu. BroadwayWorld has a first look at the cast in action below!
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