Charlie Brown, Lucy, Linus, Sally, Schroder and the irresistible Snoopy-the whole Peanuts gang-present their familiar scenarios and foibles for Middle Tennessee families, when Nashville Children's Theatre performs You're A Good Man, Charlie Brown, beginning November 1 and running through December 23.
Steven Dietz's Sherlock Holmes: The Final Adventure has been performed all over the country, but when Nashville Children's Theatre presents it as the opening production of its 81st season, it will be the first time the play has been presented by a theatre for young audiences. And in another noteworthy first, the production marks the first time that Nashville Children's Theatre has mounted a show of some two hours in length.
Inspired by the original work choreographed by Vaslav Nijinsky and performed to the glorious music composed by Igor Stravinsky for the original Ballets Russes production, Nashville Ballet's rendition of Rite of Spring further underscores the company's artistic range and the depth of artistic director Paul Vasterling's bench, which is exemplified by Kayla Rowser and Jon Upleger in his thrilling, stirring Firebird that opens the evening's twin-bill of ballets.
Completely charming and thoroughly engaging, Click Clack Moo-Cows That Type is given a colorful and upbeat production at Nashville Children's Theatre, under the direction of Scot Copeland who leads his terrific five-person ensemble through the musical that draws on 1960s-style pop and 1940s-flavored swing music to tell its fanciful story.
Click Clack Moo: Cows That Type opens April 3 at Nashville Children's Theatre, running through May 13, featuring an all-star cast of Rona Carter, Vanessa Callahan, Amanda Card-McCoy and Samuel Whited, under the direction of Scot Copeland.
Click Clack Moo: Cows That Type opens April 3 at Nashville Children's Theatre, running through May 13, featuring an all-star cast of Rona Carter, Vanessa Callahan, Amanda Card-McCoy and Samuel Whited, under the direction of Scot Copeland.
Debuting Nashville Children's Theatre-where it will continue through March 18-is producing artistic director Scot Copeland's original adaptation of The Beauty and the Beast (La Belle et la Bete), described as "an exquisitely theatrical adaptation of the French fairy tale by Jeanne-Marie Le Prince de Beaumont.
Debuting February 28 at Nashville Children's Theatre-where it will continue through March 18-is producing artistic director Scot Copeland's original adaptation of The Beauty and the Beast (La Belle et la Bete), described as "an exquisitely theatrical adaptation of the French fairy tale by Jeanne-Marie Le Prince de Beaumont.
Debuting February 28 at Nashville Children's Theatre-where it will continue through March 18-is producing artistic director Scot Copeland's original adaptation of The Beauty and the Beast (La Belle et la Bete), described as "an exquisitely theatrical adaptation of the French fairy tale by Jeanne-Marie Le Prince de Beaumont.
Although the events of the story are nearly 50 years old, they resonate deeply-particularly for us Southerners in whose memories they continue to reverberate-and they offer younger audiences a sepia-toned look back at the not-so-distant past that we still must strive to overcome. In short, The Watsons Go to Birmingham 1963 is a theatrical event that is not to be missed and which, again, spotlights NCT's extraordinary accomplishments and its gift for compelling storytelling.
The year is 1963, and the Watsons, an African-American family, are taking a road trip from their home in Flint, Michigan, to Birmingham, Alabama. Fourth grader Kenny's older brother Byron has been hanging with a tough crowd and getting into trouble, so his parents decide to take him to live for a time with his grandmother down south. Soon, the whole family is crowded into the Brown Bomber, heading back to Alabama-and straight into one of the most shocking moments in American history
If there is an onstage moment more breathtaking, more purely theatrical, than the one during Nashville's Nutcracker when the green upstage curtain falls at the end of the exquisitely danced "Waltz of the Flowers," I simply cannot recall it nor would I want to-for it is during that brief respite from an evening filled with stunning artistry and the revelatory staging of this time-honored holiday classic that you find yourself thoroughly done in, overwhelmed by the riches of the production that once again proves Nashville Ballet the city's leading arts entity.
Nashville Children's Theatre (NCT) will be revamped-for one night only-for the 21 and up crowd on the evening of Friday, December 9, when the theater holds Big Kid Night, "because kids shouldn't have all the fun," featuring a performance of Junie B. In Jingle Bells, Batman Smells!, starring Brooke Bryant as the irrepressible first grader Junie B. Jones.
Nashville Children's Theatre (NCT) will be revamped-for one night only-for the 21 and up crowd on the evening of Friday, December 9, when the theater holds Big Kid Night, "because kids shouldn't have all the fun," featuring a performance of Junie B. In Jingle Bells, Batman Smells!, starring Brooke Bryant as the irrepressible first grader Junie B. Jones.
Truth be told, seeing Henry Haggard and Jeff Boyet playing first graders may be enough to ensure that you get yourself to Nashville Children's Theatre for the company's wonderfully entertaining production of Junie B. in Jingle Bells, Batman Smells. But the production holds so many delightful riches - not the least of which is Brooke Bryant's completely engaging portrayal of the title character - that it is certain to delight audiences of all ages who make it to NCT to revel in this holiday season respite that imparts a lesson while eliciting laughs, gasps and so much more over the course of an hour or so in the theater.
With new and expressive choreography by Paul Vasterling - set to Prokofiev's timelessly beautiful 1944 score - Nashville Ballet opens its 26th season with a sumptuous remounting of Cinderella which captures, once more, the sheer artistry of the company's dancers while giving audiences exactly what they want when they go to the ballet: flights of fancy wrapped up in a gorgeously adorned, artistically crafted package.
Now onstage at the nationally renowned and venerated company's Ann Stahlman Hill Theatre through October 16, Holes features an extraordinary cast of some of the region's finest actors bringing the beloved tale to life with such vigorous energy that audiences of any age (not just the ones 'age 8 and up' noted in the program) will become engaged in the story, its twists and turns and revelatory moments sparking their very imaginations (and, I suspect, to the library to once again experience the book).
Nashville Children's Theatre (NCT) presents the stage adaptation of Louis Sachar's Holes, opening on Tuesday, September 20 and running through October 16. Based on the popular novel by Louis Sachar, who also wrote the script, Holes tells the tale of young Stanley Yelnats who is sentenced (despite his innocence) to the wasteland of Camp Green Lake. He and his fellow juvenile detainees are forced to dig holes in the hot desert sun day after day after day by the Warden. What is she looking for? And how is the mystery connected to Stanley's 'no-good-dirty-rotten-pig-stealing-great-great-grandfather' and a long-dead outlaw named Kissing Kate Barlow?
David Compton returns to a role he first played almost a quarter-century ago and Rona Carter plays a man who is transformed into an ass in Nashville Children's Theatre's upcoming production of Robin Goodfellow, playwright Aurand Harris' unique take on Shakespeare's A Midsummer's Night Dream. Opening on Tuesday, April 19, Robin Goodfellow runs at NCT through May 15.
David Compton returns to a role he first played almost a quarter-century ago and Rona Carter plays a man who is transformed into an ass in Nashville Children's Theatre's upcoming production of Robin Goodfellow, playwright Aurand Harris' unique take on Shakespeare's A Midsummer's Night Dream. Opening on Tuesday, April 19, Robin Goodfellow runs at NCT through May 15.
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