'Do you know why I come here, Wendy? I come here to hear stories,' declares Peter Pan, the fearless boy who refuses to grow up and the protagonist of Peter~Wendy, an adaptation of the fanciful childhood tale, to be performed November 5 through November 8 at walkerspace in TriBeCa.
'Do you know why I come here, Wendy? I come here to hear stories,' declares Peter Pan, the fearless boy who refuses to grow up and the protagonist of Peter~Wendy, an adaptation of the fanciful childhood tale, to be performed November 5 through November 8 at walkerspace in TriBeCa.
'Do you know why I come here, Wendy? I come here to hear stories,' declares Peter Pan, the fearless boy who refuses to grow up and the protagonist of Peter~Wendy, an adaptation of the fanciful childhood tale, to be performed November 5 through November 8 at walkerspace in TriBeCa.
Page 73 Productions has announced that it will produce a work-in-progress presentation of Sextet, written by 2008 P73 Playwriting Fellow Tommy Smith and directed by Davis McCallum, on Friday, October 24, at 3pm and Saturday, October 25, at 2pm.
Page 73 Productions has announced that it will produce a work-in-progress presentation of Sextet, written by 2008 P73 Playwriting Fellow Tommy Smith and directed by Davis McCallum, on Friday, October 24, at 3pm and Saturday, October 25, at 2pm.
'Monsterface' at the Irish Arts Center has a new cast and revised schedule.
Downtown theater stalwart Jean Cocteau Repertory has shed its longtime home at the Bouwerie Lane Theatre, expanded its mission, and has been rechristened The Exchange.
Christine Andreas, Elena Shaddow, David Burnham, Steve Kazee, Judith Ivey and Bill Pullman are among the nominees of the 27th Annual Helen Hayes Awards, celebrating achievement in Washington, D.C.-area theatre.
Last Monday, January 22nd, despite the rush hour, snow flurries and freezing temperatures, supporters of playwright Tricia Walsh-Smith headed to the Westport Country Playhouse in Westport, CT for The Last Journey
You can love a Chekhov play or hate it, but like a fine wine or a particularly poor 'American Idol' contestant, you just can't tear yourself away. The addictive properties of a Chekhov are such that once you begin, there's no turning back, and for better or for worse, this is clearly the case with the American Repertory Theatre's production of 'Three Sisters'...
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