The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present the New York premiere of THE LAST CARGO CULT, created and performed by Mike Daisey and directed by Jean-Michele Gregory in the Public's Newman Theater.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present the New York premiere of THE LAST CARGO CULT, created and performed by Mike Daisey and directed by Jean-Michele Gregory in the Public's Newman Theater.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present the New York premiere of THE LAST CARGO CULT, created and performed by Mike Daisey and directed by Jean-Michele Gregory in the Public's Newman Theater.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present the New York premiere of THE LAST CARGO CULT, created and performed by Mike Daisey and directed by Jean-Michele Gregory in the Public's Newman Theater.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present the New York premiere of THE LAST CARGO CULT, created and performed by Mike Daisey and directed by Jean-Michele Gregory in the Public's Newman Theater.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present the New York premiere of THE LAST CARGO CULT, created and performed by Mike Daisey and directed by Jean-Michele Gregory in the Public's Newman Theater.
Even as the world premiere of Green Day's American Idiot takes the Roda Theatre by storm, Berkeley Repertory Theatre celebrates bringing two shows to Broadway that were developed on the same stage.
California Shakespeare Theater (Cal Shakes) today announced casting and creative teams for the opening production of the company's 35th anniversary season, Shakespeare's legendary tragic romance Romeo and Juliet, directed by Cal Shakes Artistic Director Jonathan Moscone. The production, which opens Cal Shakes' 35th anniversary season, will run May 27-June 21 at the Bruns Memorial Amphitheater.
California Shakespeare Theater (Cal Shakes) today announced casting and creative teams for the opening production of the company's 35th anniversary season, Shakespeare's legendary tragic romance Romeo and Juliet, directed by Cal Shakes Artistic Director Jonathan Moscone. The production, which opens Cal Shakes' 35th anniversary season, will run May 27-June 21 at the Bruns Memorial Amphitheater.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews on Friday, February 20 for TALES OF AN URBAN INDIAN, the second play of the 2008-2009 Public LAB season. Written and performed by Darrell Dennis (from the Shuswap nation) and directed by Herbie Barnes (from the Ojibway nation), TALES OF AN URBAN INDIAN will run through Sunday, March 15 with an official press opening on Sunday, March 1. TALES OF AN URBAN INDIAN is a part of The Public Theater?s Native Theater Initiative made possible through the generous support from The Ford Foundation. Tickets are $10 for all performances and are on-sale now.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews on Friday, February 20 for TALES OF AN URBAN INDIAN, the second play of the 2008-2009 Public LAB season. Written and performed by Darrell Dennis (from the Shuswap nation) and directed by Herbie Barnes (from the Ojibway nation), TALES OF AN URBAN INDIAN will run through Sunday, March 15 with an official press opening on Sunday, March 1. TALES OF AN URBAN INDIAN is a part of The Public Theater?s Native Theater Initiative made possible through the generous support from The Ford Foundation. Tickets are $10 for all performances and are on-sale now.
Berkeley Repertory Theatre greets the new year by proudly presenting its 50th world premiere, a new comedy about marriage, intimacy, and electricity from the creators of Eurydice. Celebrated playwright Sarah Ruhl and Obie Award-winning director Les Waters come together again for the debut of In the Next Room (or the vibrator play). Commissioned by Berkeley Rep and staged in the state-of-the-art Roda Theatre, this hotly anticipated play begins previews on January 30, opens February 4, and closes March 15. BART and Wells Fargo serve as season sponsors for Berkeley Rep's 41st year of fearless theatre, and the executive producer for this show is the Strauch Kulhanjian Family.
Berkeley Repertory Theatre greets the new year by proudly presenting its 50th world premiere, a new comedy about marriage, intimacy, and electricity from the creators of Eurydice. Celebrated playwright Sarah Ruhl and Obie Award-winning director Les Waters come together again for the debut of In the Next Room (or the vibrator play). Commissioned by Berkeley Rep and staged in the state-of-the-art Roda Theatre, this hotly anticipated play begins previews on January 30, opens February 4, and closes March 15. BART and Wells Fargo serve as season sponsors for Berkeley Rep's 41st year of fearless theatre, and the executive producer for this show is the Strauch Kulhanjian Family.
Berkeley Repertory Theatre greets the new year by proudly presenting its 50th world premiere, a new comedy about marriage, intimacy, and electricity from the creators of Eurydice. Celebrated playwright Sarah Ruhl and Obie Award-winning director Les Waters come together again for the debut of In the Next Room (or the vibrator play). Commissioned by Berkeley Rep and staged in the state-of-the-art Roda Theatre, this hotly anticipated play begins previews on January 30, opens February 4, and closes March 15. BART and Wells Fargo serve as season sponsors for Berkeley Rep's 41st year of fearless theatre, and the executive producer for this show is the Strauch Kulhanjian Family.
The mystery of Christopher Marlowe's stabbing some 400 years ago is explored in Peter Whelan's political thriller opening November 9, 2008, at 6:30 p.m. at the Center Theatre Group/Mark Taper Forum. Directed by Bill Alexander, the American premiere continues through December 17. (Previews began October 30.)
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