On June 7 and 8 at 6 PM, the legendary Fresh Tracks Performance and Residency Program at New York Live Arts will showcase the work of the current five selected emerging choreographers: Emma Rose Brown, J. Bouey, Liana Conyers, Collin Ranf, and Dolores (Lola) Sanchez.
On December 7 and 8 at 7:30 PM, the legendary Fresh Tracks Performance and Residency Program at New York Live Arts will showcase the work of their five selected emerging choreographers: Emma Rose Brown, J. Bouey, Liana Conyers, Collin Ranf, and Dolores (Lola) Sanchez. As part of its annual programming, Fresh Tracks has been a 54-year commitment to bringing new voices to the forefront. The program offers a unique vantage point for the artists who are provided an unparalleled opportunity for professional development, experience, and recognition. Fresh Tracks performances take place at New York Live Arts Theatre, located at 219 West 19th Street, NYC. Tickets start at $15 and may be purchased at 212 924 0077 or online at newyorklivearts.org
On December 7 and 8 at 7:30 PM, the legendary Fresh Tracks Performance and Residency Program at New York Live Arts will showcase the work of their five selected emerging choreographers: Emma Rose Brown, J. Bouey, Liana Conyers, Collin Ranf, and Dolores (Lola) Sanchez.
A new episode of Gaby Dunn's podcast BAD WITH MONEY has been released! The episode is titled 'Think Before You Open Your Mouth (aka the Food System)' and takes a look at the farming industry in the U.S., exploring urban farming, the need for access to better food in low income area, how food is a social justice issue and how land ownership translates over decades of wealth. bad
Join TV writer, actor, and New York Times best-selling author Gaby Dunn (aka America's Deadbeat Sweetheart) for season three of Bad With Money, which premieres today with new episodes every Wednesday. After two seasons of reckoning with her own financial identity, Gaby's ready to give the American financial system an identity crisis. Every week, Gaby brings a queer, feminist, unabashedly radical point of view to conversations with celebrities, journalists, politicians, authors, activists, and fellow deadbeats. If you're sick of podcast 'experts' giving you practical financial advice, you're going to love Bad With Money - the show that knows there's nothing practical about money, and isn't afraid to freak out about it.
Join TV writer, actor, and New York Times best-selling author Gaby Dunn (aka America's DEADBEAT Sweetheart) for season three of Bad With Money, which premieres today with new episodes every Wednesday. After two seasons of reckoning with her own financial identity, Gaby's ready to give the American financial system an identity crisis. Every week, Gaby brings a queer, feminist, unabashedly radical point of view to conversations with celebrities, journalists, politicians, authors, activists, and fellow deadbeats. If you're sick of podcast 'experts' giving you practical financial advice, you're going to love Bad With Money - the show that knows there's nothing practical about money, and isn't afraid to freak out about it.
Join us for TexARTS' Teen Musical Theatre Academy's production of Once On This Island, Jr. Performances are scheduled for April 13 - 15 at the Kam & James Morris Theatre at TexARTS (2300 Lohman's Spur, Suite 160 Austin, Texas 78734).
Prince George's Little Theatre will produce the musical 'Dirty Rotten Scoundrels' at the Bowie Playhouse from April 20 to May 12. All Friday performances and the first three Saturday performances are at 8 p.m. The Sunday performances on April 22, 29 and May 5 and closing performance on Saturday May 12 are 2 p.m. matinees. The play is directed by Rebecca Koltraba-Bhargava and produced by Keith Brown. The choreographer is Richelle Howie-Lacewell, and the music director is Chris Pinder.
The LEXington Theatre Company presents its third summer production, combining "Today's Broadway Stars and Tomorrow's Broadway Hopefuls." Lexington's own Laura Bell Bundy (Tony-Nominee for Legally Blonde), will be on hand to co-direct the show (schedule permitting), alongside The LEX Artistic Director, Lyndy Franklin Smith (A Chorus Line, The Little Mermaid). The production will feature the Tony-nominated original Broadway choreography, by Jerry Mitchell, recreated and adapted by Brooke Engen, (Gypsy, Hairspray) and Tiffany Engen (Legally Blonde).
In the midst of a great bullying epidemic comes a fresh new voice: Alinka Angelova's MUTE (The Musical). After three years of school tours, Infinity Arts Productions is bringing this inspirational tale of one girl's fight to find her voice in a world that wants to silence her to the Toronto Fringe Festival. MUTE (The Musical) plays July 2-13 at Randolph Theatre. Tickets are available beginning June 12 via www.fringetoronto.com, by telephone at 416-966-1062 (ext.1), or at the door.
Flowers of Hawai'i by Lee Cataluna will open at Kumu Kahua Theatre tonight, Cataluna returns to the Kumu Kahua Theatre stage with yet another world premiere of her work. This heart-tugging drama weaves together familial tales as intricate, delicate and sharp as the lokelani.
Flowers of Hawai'i by Lee Cataluna will open at Kumu Kahua Theatre next week. Cataluna returns to the Kumu Kahua Theatre stage with yet another world premiere of her work. This heart-tugging drama weaves together familial tales as intricate, delicate and sharp as the lokelani.
The Theatre School at DePaul University will present THE CORAL KING, by James Ambrose Brown and directed by Ann Wakefield, as the closing production of the 2012-2013 Chicago Playworks for Families and Young Audiences Series. This production opens Tuesday, April 2, and runs through Saturday, May 25, 2013, at DePaul's historic Merle Reskin Theatre. Performances are Tuesdays and Thursdays at 10 AM and Saturdays at 2 PM. There will be no performances on April 6, 9, 11, 13 or May 4, 7, 9, 11.
The Theatre School at DePaul University (John Culbert, Dean) has announced the 2012-2013 season. Founded as the Goodman School of Drama in 1925, The Theatre School presents public programming as a professional extension of the classroom. Under the leadership of an award-winning faculty and staff, theatre artists from all disciplines collaborate during their final years of training to offer new work, plays for families, as well as contemporary plays and classics.
You'll quickly forget the moppet-haired urchins of musical fame when Joel Sass designs and directs the Midwest premiere of an inventive new adaptation of OLIVER TWIST at Park Square. This theatrical adventure is told by a chameleon cast of 13, who combine Dickens' original text with Victorian music hall tunes. 'So much of the story hinges on our hopes and fears for little Oliver as he voyages through the exciting but highly dangerous world of Victorian London,' Sass explains. 'It's a grown-up world, even for streetwise ruffians-so placing one lone boy among a cast of grown-ups who are playing all the other parts instantly helps us feel the immensity of the challenge Oliver is facing.'
You'll quickly forget the moppet-haired urchins of musical fame when Joel Sass designs and directs the Midwest premiere of an inventive new adaptation of OLIVER TWIST at Park Square. This theatrical adventure is told by a chameleon cast of 13, who combine Dickens' original text with Victorian music hall tunes. 'So much of the story hinges on our hopes and fears for little Oliver as he voyages through the exciting but highly dangerous world of Victorian London,' Sass explains. 'It's a grown-up world, even for streetwise ruffians-so placing one lone boy among a cast of grown-ups who are playing all the other parts instantly helps us feel the immensity of the challenge Oliver is facing.'
Videos
