Nai-Ni Chen Dance Company Announces The Bridge Classes February 23-26
by Chloe Rabinowitz
- Feb 18, 2021
NAI-NI CHEN DANCE COMPANY has announced classes for The Bridge Virtual Dance Institute of boundary-breaking dance experiences Free One-Hour Company Class on Zoom Open to All Dancers at an Intermediate to Advanced Level February 23-26, 2021.
Nai-Ni Chen Dance Company Announces The Bridge Classes February 15-19
by Chloe Rabinowitz
- Feb 12, 2021
NAI-NI CHEN DANCE COMPANY has announced The Bridge Virtual Dance Institute of boundary-breaking dance experiences from February 15-19, 2021. Nai-Ni Chen's signature technique is based on the principle of ever-changing universal forces of Yin and Yang. Dance phrases from Nai-Ni Chen's repertory will be taught.
Wiener Staatsoper Announces Virtual Programming for November 6-16
by Chloe Rabinowitz
- Nov 6, 2020
Wiener Staatsoper has announced further dates of their streaming schedule. They have brought together their very current productions including Eugen Onegin or Cavalleria rusticana / Pagliacci with highlights from their archive.
The National Ballet of Canada Cancels 2020/21 Fall Season and THE NUTCRACKER
by Chloe Rabinowitz
- Aug 12, 2020
Karen Kain, Artistic Director of The National Ballet of Canada, and Executive Director Barry Hughson today announced the cancellation of the 2020/21 Fall Season in November and The Nutcracker in December. Additional updates to the 2020/21 season are announced with performances scheduled to resume onstage in March 2021.
VIDEO: Stratford Festival's CORIOLANUS is Now Streaming Through May 21
by Stephi Wild
- May 1, 2020
The Stratford Festival is launching a film festival during this period of social isolation, offering free streaming of 12 Shakespeare productions captured as part of its Stratford Festival On Film series. The series continues April 30-May 21 with Coriolanus.
An Introduction: The Openings of the Closed, Theatre of the Pandemic, and LONG DAY'S JOURNEY INTO NIGHT
by Andrew Child
- Mar 24, 2020
It appears the standard season-subscription model has failed across the board to provide the financial safety net individuals and institutions need to survive a global pandemic, (which is upsetting because the moderate tastes of the elite have dictated what theatres will produce for long enough that it seems we should be getting some return on that investment at this point). Theatrical staffs cannot afford to take a breath as they email ticket-holders assurances which they will later rescind and try to keep their sinking ships afloat. Aging figureheads form their mouths around new words like a?oelivestreama?? and a?oeZooma?? and pass them on to millennial assistant this-and-thats to fill in all the blanks as generation Z associate this-and-thats dig through archival images to keep social media accounts appeasing the gods of the algorithms. There is a need to be immediate. A need to be incessantly productive. A need for quantity over quality. A need to keep up. To be first. While many of us are feeling the burnout from this mad dash for constant output keenly right now, has this not been an underlying system in the theatre for a long time?
BWW Review: THE SEVEN STREAMS OF THE RIVER OTA, National Theatre
by Mert Dilek
- Mar 14, 2020
A seven-hour piece of marathon theatre may not be everyone's cup of tea. But the demanding length of The Seven Streams of the River Ota brings with it such a dazzling array of perks that it's nearly impossible to resist the challenge of sitting through it. First performed in 1996, Robert Lepage's epic mosaic about the variegated aftermath of the atomic bombing of Hiroshima has long attained the position of a masterwork in the acclaimed Canadian auteur's oeuvre. The revival at the National Theatre reminds us with force and verve why this remains the case.
Photo Flash: First Look at the National Theatre's THE SEVEN STREAMS OF THE RIVER OTA
by Chloe Rabinowitz
- Mar 2, 2020
First staged at the National Theatre in 1996, Robert Lepage's masterpiece returns to London for just nine performances. Presented as part of a world tour, this new staging marks 75 years since the nuclear bombing of Hiroshima. Tracing survivors and their descendants across five decades, this giant theatrical journey through time and space explores the way in which a few kilograms of uranium falling on Japan changed the course of human history.
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