Sometimes a bit of greatness, when combined with an equally great companion can form something so amazing that they surpass the heights to which they've already achieved. Such is the case with Tony Kushner's "Angels in America", the cycle of plays from August Wilson and, in my opinion, even Tarantino's "Kill Bill" saga. Well now we can add another set to the group as the Seattle Rep is now presenting the companion piece to the Robert Schenkkan's LBJ bio-play "All the Way" with the equally stunning "The Great Society". And if the first one grabbed you like it did me, then this one will only serve to extend that wild ride but in a very different way.
The Oregon Shakespeare Festival (OSF) will open Pulitzer Prize and Tony Award-winning playwright Robert Schenkkan's The Great Society at 1:00 p.m. Sunday, July 27 in the Angus Bowmer Theatre. The Great Society was commissioned by and co-produced with Seattle Repertory Theatre and developed through OSF's American Revolutions: the United States History Cycle and the Orchard Project.
Feats of magic are at an end, resolutions have been made and Ferdinand and Miranda are bound for a world far braver and newer than what they've experienced on this magical island. That's when Jeffrey King, as Antonio, turns to face his brother Prospero whose Dukedom Antonio usurped lo those many years ago. Prospero has forgiven him, and what does Antonio do?
The Tony Award-winning Oregon Shakespeare Festival's 2014 preview performances begin tonight, February 14, and the season will open Friday night, February 21 in the Angus Bowmer Theatre with Shakespeare's The Tempest (director, Tony Taccone). On Saturday, Lorraine Hansberry's The Sign in Sidney Brustein's Window (Juliette Carrillo) takes the stage, as does the classic Marx Brothers musical The Cocoanuts (David Ivers), and Sunday afternoon Shakespeare's The Comedy of Errors (Kent Gash) opens in the Thomas Theatre.
The Tony Award-winning Oregon Shakespeare Festival's 2014 preview performances begin February 14, and the season will open Friday night, February 21 in the Angus Bowmer Theatre with Shakespeare's The Tempest (director, Tony Taccone). On Saturday, Lorraine Hansberry's The Sign in Sidney Brustein's Window (Juliette Carrillo) takes the stage, as does the classic Marx Brothers musical The Cocoanuts (David Ivers), and Sunday afternoon Shakespeare's The Comedy of Errors (Kent Gash) opens in the Thomas Theatre.
The Oregon Shakespeare Festival will open the world premiere production of Naomi Wallace's The Liquid Plain tonight, July 6 at 8:00 p.m. in the Thomas Theatre. The play is directed by Kwame Kwei-Armah, artistic director at Center Stage in Baltimore, Maryland.
The Oregon Shakespeare Festival will open the world premiere production of Naomi Wallace's The Liquid Plain on Saturday, July 6 at 8:00 p.m. in the Thomas Theatre. The play is directed by Kwame Kwei-Armah, artistic director at Center Stage in Baltimore, Maryland.
The Tony Award-winning Oregon Shakespeare Festival's 2013 preview performances begin February 15, and the season will open Friday night, February 22 with Shakespeare's The Taming of the Shrew, directed by David Ivers. On Saturday, August Wilson's Two Trains Running, directed by Lou Bellamy, takes the stage, as does Lerner and Loewe's classic American musical My Fair Lady, directed by Amanda Dehnert. Sunday afternoon in the Thomas Theatre, Shakespeare's King Lear opens, directed by OSF Artistic Director Bill Rauch.
The Oregon Shakespeare Festival will produce the world premiere of All the Way, written by Pulitzer Prize-winning playwright Robert Schenkkan and directed by Bill Rauch, OSF artistic director. The production is the fourth commission fromAmerican Revolutions: the United States History Cycle to premiere at OSF and the second this season. All the Way is the third Robert Schenkkan play produced at OSF (Handler, 2002; By the Waters of Babylon, 2005).
Arena Stage at the Mead Center for American Theater is set to present Oregon Shakespeare Festival's production of Bill Cain's Equivocation in the first collaboration between Arena Stage and OSF.
Arena Stage at the Mead Center for American Theater is proud to present Oregon Shakespeare Festival's production of Bill Cain's Equivocation in the first collaboration between Arena Stage and OSF. Directed by OSF's Artistic Director Bill Rauch, Equivocation reunites the original cast and creative team from the 2009 world-premiere production for this D.C. premiere. Equivocation runs November 18, 2011-January 1, 2012 in the Kreeger Theater.
Arena Stage at the Mead Center for American Theater is proud to present Oregon Shakespeare Festival's production of Bill Cain's Equivocation in the first collaboration between Arena Stage and OSF. Directed by OSF's Artistic Director Bill Rauch, Equivocation reunites the original cast and creative team from the 2009 world-premiere production for this D.C. premiere. Equivocation runs November 18, 2011-January 1, 2012 in the Kreeger Theater.
Arena Stage at the Mead Center for American Theater is proud to present Oregon Shakespeare Festival's production of Bill Cain's Equivocation in the first collaboration between Arena Stage and OSF. Directed by OSF's Artistic Director Bill Rauch, Equivocation reunites the original cast and creative team from the 2009 world-premiere production for this D.C. premiere. Equivocation runs November 18, 2011-January 1, 2012 in the Kreeger Theater.
Local favorites, Seattle up-and-comers and a handful of well-known film and Broadway actors will take the stage for Seattle Repertory Theatre's 2009-10 season, the theatre announced today. The season opens Sept. 25 with tickets on sale August 25. Subscriptions are currently available.
The Oregon Shakespeare Festival will open the world premiere production of Bill Cain?s Equivocation on April 18 at 8:00 p.m. in the Angus Bowmer Theatre. The play will run through October 31.
The Oregon Shakespeare Festival will open the world premiere production of Bill Cain?s Equivocation on April 18 at 8:00 p.m. in the Angus Bowmer Theatre. The play will run through October 31.
The Tony Award-winning Oregon Shakespeare Festival opens its 74th year the weekend of February 20-22 and celebrates the 50th anniversary of the Elizabethan Stage. In honor of that milestone, OSF is dedicating the 2009 season to principal theatre and scenic designer, Richard L. Hay, acknowledging his creative work that spans more than 50 years at OSF and includes the design of all three theatre spaces, beginning with the current Elizabethan Stage in 1959, half a century ago.
The Tony Award-winning Oregon Shakespeare Festival opens its 74th year the weekend of February 20-22 and celebrates the 50th anniversary of the Elizabethan Stage. In honor of that milestone, OSF is dedicating the 2009 season to principal theatre and scenic designer, Richard L. Hay, acknowledging his creative work that spans more than 50 years at OSF and includes the design of all three theatre spaces, beginning with the current Elizabethan Stage in 1959, half a century ago.
'I am deeply moved as I reflect on the achievement and commitment of our extraordinary theater artist, Richard Hay,' OSF Artistic Director Bill Rauch said, 'whose dedication to our artform and to OSF is an inspiration to all of us. The remarkable spaces he designed allow for a connection between actors and audiences that make OSF's theater experience unique and richly satisfying. And he remains an unstoppable creative force, designing scenery for two world premiere adaptations this season: The Servant of Two Masters and Don Quixote.'
The 2009 season opens at 8:00 p.m. Friday, February 20, in the Angus Bowmer Theatre on the battlefields of Scotland with William Shakespeare's tragic play, Macbeth, directed by guest artist Gale Edwards.
On Saturday, February 21 at 1:30 p.m. in the Angus Bowmer Theatre, theatergoers will have the opportunity to see the rarely produced Death and the King's Horseman,, written by Nigeria's Nobel Laureate playwright Wole Soyinka and directed by Goodman Theatre resident artist Chuck Smith.
At 8:00 p.m. that evening, audiences will be treated to Meredith Willson's classic American musical The Music Man, directed by Rauch.
The Tony Award-winning Oregon Shakespeare Festival opens its 74th year the weekend of February 20-22 and celebrates the 50th anniversary of the Elizabethan Stage. In honor of that milestone, OSF is dedicating the 2009 season to principal theatre and scenic designer, Richard L. Hay, acknowledging his creative work that spans more than 50 years at OSF and includes the design of all three theatre spaces, beginning with the current Elizabethan Stage in 1959, half a century ago.
'I am deeply moved as I reflect on the achievement and commitment of our extraordinary theater artist, Richard Hay,' OSF Artistic Director Bill Rauch said, 'whose dedication to our artform and to OSF is an inspiration to all of us. The remarkable spaces he designed allow for a connection between actors and audiences that make OSF's theater experience unique and richly satisfying. And he remains an unstoppable creative force, designing scenery for two world premiere adaptations this season: The Servant of Two Masters and Don Quixote.'
The 2009 season opens at 8:00 p.m. Friday, February 20, in the Angus Bowmer Theatre on the battlefields of Scotland with William Shakespeare's tragic play, Macbeth, directed by guest artist Gale Edwards.
On Saturday, February 21 at 1:30 p.m. in the Angus Bowmer Theatre, theatergoers will have the opportunity to see the rarely produced Death and the King's Horseman,, written by Nigeria's Nobel Laureate playwright Wole Soyinka and directed by Goodman Theatre resident artist Chuck Smith.
At 8:00 p.m. that evening, audiences will be treated to Meredith Willson's classic American musical The Music Man, directed by Rauch.
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