Richard Adler News

Carson Kressley (Mr. Applegate) is devilishly delicious, providing a subtle playing field for the entire cast to play on. The audience delights in the Kressley-isms sprinkled throughout. Kressley's vocals and comedic timing prove that he can do more than just make people look fashionably good.

As a super-special prelude to BroadwayWorld's forthcoming InDepth InterView with Cheyenne Jackson, today we are shining a light on his two infectiously catchy and frothily pleasing pop singles from a forthcoming EP tentatively scheduled for release later this year - "Drive" and "Before You". Particularly given this week's world premiere of the eye-grabbing new music video for the instant earworm "Before You", now was the perfect time to catch up with one of Broadway and Hollywood's biggest rising stars as he prepares for his roles on the new NBC reboot of THE MUNSTERS, created by PUSHING DAISES and upcoming HANNIBAL writer/producer Bryan Fuller, titled MOCKINGBIRD LANE, as well as his part in the new star-studded Steven Soderbergh-directed HBO Liberace biopic BEYOND THE CANDELABRA, co-starring Oscar-winners Michael Douglas and Matt Damon, all about his many exciting endeavors. While the InDepth InterView covers those fresh topics as well as his new songwriting career and upcoming EP - as well as much, much more - today we are focusing primarily on the two new summer singles, some live performances of them, and, of course, both of their subsequent uniquely effective music videos. The music video for "Drive" is an instantly visually arresting animated road-trip travelogue depicting a cartoon Cheyenne navigating life's highways and byways while casting the occasional glance in the literal and proverbial rearview mirror, whereas "Before You" is a slightly ROCKY HORROR-esque, almost entirely black-and-white throwback to the frivolous sci-fi and horror-themed cheesy B-movies of the era - complete with a house of horrors featuring zombies, mummies, monsters and Rachel Dratch in a bizarre bird-themed hat. Both videos go the unexpected route in delivering the song's message, yet each hits their target in managing to showcase Cheyenne's considerable skills to their best advantage.

The New York Musical Theatre Festival (NYMF) and Aron Lewis Productions present He's Not Himself a new musical comedy by Marc Silverberg. Michael Pantone directs a cast of five including Keith Panzarella, Marc Silverberg, Taylor Sorice, Dexter Thomas-Payne, and Carly Voight. Performances for He's Not Himself will be held at the PTC Performance Space, 555 West 42nd Street (bet. 10th & 11th Avenues) in NYC for six performances from tonight, July 9 through Monday, July 16, 2012.

A memorial to honor the life and career of Tony Award-winning composer-lyricist Richard Adler will be held today, June 27th.

A memorial to honor the life and career of Tony Award-winning composer-lyricist Richard Adler will be held on Wednesday, June 27th.

As BroadwayWorld reported last week, composer-lyricist and Broadway legend, Richard Adler, died Thursday, June 21st at his Southampton, New York home. He was 90. We celebrate the composer with a photo tribute below!

Looking for a quick roundup of this week's events in the theatre world? Look no further - here are some of the best articles the week had to offer!

On Thursday, three-time Tony Award-winning Broadway composer Richard Adler passed away at the ripe old age of 90. Responsible for two of the biggest Broadway smash hits of the 1950s, THE PAJAMA GAME and GAMN YANKEES, Adler never quite managed to equal his career-high double-hitter of that era, yet his earlier work with Tony Bennett ('Rags To Riches'), Doris Day ('Everybody Loves A Lover') and Marilyn Monroe (the iconic 'Happy Birthday, Mr. President') surely shall solidify his place in the firmament of entertainment history along with his two classic musicals from the Golden Age. Winning both Best Score and Best Musical for both THE PAJAMA GAME and DAMN YANKEES, Adler's partnership with lyricist Jerry Ross - which began on Broadway in 1953 with JOHN MURRAY ANDERSON'S ALMANAC - was tragically cut short just months after the DAMN YANKEES premiere when Ross was diagnosed with lung disease and passed away soon thereafter. Yet, thanks to the beloved film versions of THE PAJAMA GAME and DAMN YANKEES and continued interest in the entities as expressed in the revivals and reappraisals of both onstage from Broadway to Biloxi to Bombay year after year, the snappy, snazzy tunes of Adler and Ross live on eight times a week all around the world - even now, more than fifty years after they premiered. Unfortunately, Adler's subsequent shows with other collaborators post-1955 failed to capture the early magic of his previous projects with Ross and his earlier musical and theatrical endeavors in the pop arena, with the racially charged KWAMINA flopping on Broadway in 1961 (though he took home a Best Composer Tony Award for his efforts anyway) and the awkwardly titled MUSIC IS failing to recreate the magic of its source material, Shakespeare's TWELFTH NIGHT, in 1976. A MOTER'S KISSES, starring Bea Arthur and a young Bernadette Peters, died on the road, as well. In the intervening years, Adler attempted musical adaptations taken from a number of intriguing sources - OF HUMAN BONDAGE and others among them - though only his ballet scores seemed to reach an audience; particularly his last, commissioned for a new production of Lorca's THE HOUSE OF BERNARDA ALBA in 1998. Of course, THE PAJAMA GAME has had two Broadway revivals - most recently the rapturously received Kathleen Marshall-directed production starring Harry Connick, Jr. and Kelli O'Hara; and DAMN YANKEES famously returned to the Great White Way with much ado in 1994 starring Victor Garber. Now seems particularly ripe for remounting YANKEES, as we approach twenty years in its absence - especially given the musical's seriously smashing showing at Encores! in 2007. Who knows, perhaps some risky producer will even take a chance on a new production of KWAMINA, MUSIC IS, A MOTHER'S KISSES or one of the bottom drawer shows someday soon to see if they possess any of the limitless potential shown by Adler's earlier work. Or maybe a stage treatment of his TV musical GIFT OF THE MAGI (originally composed for then-wife Sally Ann Howes)? Or, better yet, how about a revue? What a stupendous songstack Adler created over the course of his career - 'Whatever Lola Wants' to 'Hey There' to 'Hernando's Hideaway' to 'You Gotta Have Heart' to 'Steam Heat' to the aforementioned Bennett, Day and Monroe standards and so many more chestnuts.

As BroadwayWorld previously reported, composer-lyricist and Broadway legend, Richard Adler, died Thursday, June 21st at his Southampton, New York home. He was 90. We celebrate the composer with some of his best-known works below!

Composer-lyricist and Broadway legend, Richard Adler, died Thursday, June 21st at his Southampton, New York home. He was 90.

Probably the golden age of musical theatre in the US was from 1950 to 1960. Great scripts like King and I, My Fair Lady, and West Side Story were staged. Also produced were such flops as Salad Days, Zuleika, Ankles Away, The Vamp, ShaNgri-La, Shinbone Alley, and Free As Air. Most shows were of the neither great nor flop variety. These included the likes of Call Me Madam, Guys and Dolls, Paint Your Wagon, Can-Can, Wonderful Town, Fanny, and The Pajama Game. Also included in the list was DAMN YANKEES, now on stage at Porthouse Theatre.

50s musicals were known for their levity and hit tunes, not for substance, so when a musical such as The Pajama Game had something to say to working class America about standing up and fighting for what they're due, it highly appealed to a middle-class audience... without really meaning to, it served as a precursor of meatier shows to follow in the decades ahead. Of course, Pajama Game is still light... and romantic - it's what audiences craved - with Babe (Karen Volpe) and Sid (Michael Dotson) finding romance and true love while they duke out their differences as labor and management. Now in a pleasantly gleeful production at DCLO (Downey Civic Light Opera) a joyously tuneful piece of nostalgia lives on, as just that - nostalgia, as it does belong to another time and place!

The New York Musical Theatre Festival (NYMF) and Aron Lewis Productions present He's Not Himself a new musical comedy by Marc Silverberg. Michael Pantone directs a cast of five including Keith Panzarella, Marc Silverberg, Taylor Sorice, Dexter Thomas-Payne, and Carly Voight. Performances for He's Not Himself will be held at the PTC Performance Space, 555 West 42nd Street (bet. 10th & 11th Avenues) in NYC for six performances from Monday, July 9 through Monday, July 16, 2012.

Hottest Articles on BroadwayWorld.com from this weekend Sunday, May 13, 2012 - Sunday, May 13, 2012.

Today in 1954, The Pajama Game opened at the St. James Theatre, where it ran for 1063 performances. The Pajama Game is a musical based on the novel 7½ Cents by Richard Bissell. It features a score by Richard Adler and Jerry Ross. The story deals with labor troubles in a pajama factory, where worker demands for a seven-and-a-half cents raise are going unheeded. In the midst of this ordeal, love blossoms between Babe, the grievance committee head, and Sid, the new factory superintendent. The original production won a Tony for Best Musical, and the 2006 Broadway revival won a Tony Award for Best Revival of a Musical.

Today in 1954, Damn Yankees opened at the 46th Street Theatre (now the Richard Rodgers Theatre), where it ran for 1019 performances. Damn Yankees is a musical comedy with a book by George Abbott and Douglass Wallop and music and lyrics by Richard Adler and Jerry Ross. The story is a modern retelling of the Faust legend set during the 1950s in Washington, D.C., during a time when the New York Yankees dominated Major League Baseball.

"You gotta have heart!" That's the central conceit of any production of "Damn Yankees". Without that heart they might as well be singing about golf. Well luckily the current production at the 5th Avenue Theatre in conjunction with the Paper Mill Playhouse has heart to spare combined with a killer cast and visually spectacular set.

The BroadHollow Theatre Company certainly put forth a noble effort in their production of the Tony Award winning Damn Yankees. However, this Jessey Waller directed incarnation, now playing at BayWay in East Islip through May 6th, didn't quite hit the ball out of the park.

Damn Yankees is headed to The 5th Avenue Theatre! This musical comedy is the story of an aging baseball fan who makes a deal with the Devil so his beloved hometown team can beat the Yankees in the race for the pennant. From the songwriting team of The Pajama Game, Damn Yankees is filled with hit songs including "Two Lost Souls" and the sultry favorite, "Whatever Lola Wants, Lola Gets." The Paper Mill Playhouse production will slide into Seattle this April. The creative team includes direction by Mark S. Hoebee (Paper Mill's Producing Artistic Director), music direction by Ben Whiteley, and choreography by Denis Michael Jones.

The IU Department of Theatre and Drama announces its second annual Indiana Festival Theatre season. Hosted in the Lee Norvelle Theatre and Drama Center on the IU Bloomington campus, the new season offers a slate of classic comedies and musicals for theater lovers of all ages