Houston Grand Opera (HGO) will present performances of Mozart's The Magic Flute at The Cynthia Woods Mitchell Pavilion in The Woodlands on Friday, May 15, at 8 p.m. and at Miller Outdoor Theatre on Friday, May 22, and Saturday, May 23, at 8 p.m. The Magic Flute matches a comic yet wise fairy tale with some of the most stunningly beautiful music ever written. HGO's performances on the outdoor stages offer free admission and access for new audiences to experience the acclaimed production, which the company presented to full houses earlier this season.
After a worldwide search, Houston Grand Opera has chosen seven new members for the 2015–16 HGO Studioprogram. One of the most respected and highly competitive young artist programs in the world, the HGO Studio provides comprehensivecareer development to young singers, pianist/coaches, and conductors who have demonstrated potential to make major contributions to thefield of opera. The HGO Studio received applications from 500 artists; of those, about 275 were heard in Houston, New York, Philadelphia,Cincinnati, and San Francisco. For singers, the audition process culminates in HGO's annual Eleanor McCollum Competition Concert of Arias, held this year on February 5.
I am taken back to the first Opera I saw as a kid and the pomp and circumstance with wearing a tux and walking to the lavish theatre; this was when I fell in love with classical music. Often times we hear opera and other classical art forms are inaccessible to the people, but Houston Grand Opera's English translation of Mozart's THE MAGIC FLUTE (Die Zauberflote) proved that opera isn't a stuffy, highbrow art form for the bourgeois. THE MAGIC FLUTE premiered on September 30, 1791 at Emanuel Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, and Mozart conducted the orchestra. The MAGIC FLUTE often referenced as a singspiel, is an opus with spoken dialogue which lends itself to the elements of classical musical theatre. The heart of this new work was an excerpt from the oriental genie tales collected by poet Christoph Martin Wieland but transitioned to have Masonic elements from the novel Sethos by Abbe Jean Terrasson.
Houston Grand Opera's 2014–15 season, the company's 60th anniversary season, includes the world premiere of A Christmas Carol by Iain Bell—the company's 55th new commission —from award-winning Dickens authority Simon Callow; the continuation of HGO's first Ring cycle, with the American premiere of La Fura dels Baus's groundbreaking take on Die Walküre; the American premieres of Sir Nicholas Hytner's The Magic Flute and Lee Blakeley's Sweeney Todd; a 60th Anniversary Gala Concert featuring mezzo-soprano (and HGO Studio alumna) Joyce DiDonato; and a host of career-shaping role debuts that speak to Patrick Summers's gift for casting. Together with the company's first presentation of John Cox'sOtello, and the returns of Göran Järvefelt's beloved Così fan tutte and Michael Grandage's hit staging of Madame Butterfly, these rich offerings serve once again to illustrate some of the ways that HGO—still the only opera company with two Grammys, two Emmys, and a Tony—epitomizes “one model of what a forward-looking opera company could be” (Greg Sandow, Arts Journal).
Houston Grand Opera capped a financially and artistically successful 2013–14 season by presenting Mieczyslaw Weinberg's The Passenger —the Polish-Jewish composer's long-suppressed Holocaust opera—to wide acclaim at New York's Park Avenue Armory as part of the Lincoln Center Festival, July 10–13. Earlier this year, HGO gave the American premiere of the work in Houston with the same cast. There was special praise for the production and performances, conducted by HGO Artistic and Music Director Patrick Summers. New York magazine described David Pountney's staging as “a multi-story set so vivid you can practically smell the machine oil and coal smoke,” while the Financial Times said: “The production, imported from Houston, is imposing in every way.” The New York Times called the cast “flawless,” adding: “The conductor, Patrick Summers, drew a surging, textured, richly detailed performance of this challenging score (lasting three hours) from the inspired musicians of the Houston Grand Opera.” WQXR's Operavore summed up the import of the performances: “The Passenger shows how a Holocaust opera can hold the stage while examining important, complex issues—and could certainly point the way for future composers to deal with such important but delicate subject matter.”
After a worldwide search, Houston Grand Opera has chosen the members of the 2014–15 HGO Studio program. One of the most respected and highly competitive young artist programs in the world, the HGO Studio provides comprehensive career development to young artists who have demonstrated potential to make major contributions to the field of opera. The HGO Studio received applications from 552 artists; of those, about 250 were heard in Houston, New York, Philadelphia, Cincinnati, and San Francisco. From these auditions, six candidates were awarded positions in the Studio for the 2014–15 season.
The Metropolitan Opera and The Juilliard School announce casting for 'A Concert of Comic Operas' featuring varied excerpts and scenes from operas by Berlioz, Donizetti, and Mozart, and Stravinsky's rarely-performed Mavra, conducted by James Levine. The program includes Mozart's Die Entführung aus dem Serail (Act 1); Stravinsky's Mavra; Berlioz's Benvenuto Cellini (Act 1, Scene 1); and Donizetti's L'elisir d'amore (Act 1, Part 2). Performances take place on Tuesday, February 11 and Friday, February 14, 2014 at 8 PM; and Sunday, February 16, 2014 at 2 PM in Juilliard's Peter Jay Sharp Theater. Met Opera Music Director James Levine conducts the Juilliard Orchestra and singers from the Met Opera's Lindemann Young Artist Development Program, as well as singers from the Ellen and James S. Marcus Institute for Vocal Arts at Juilliard. Director Edward Berkeley will direct the program in a semi-staged concert version.
The Georg Solti Accademia and The Juilliard School invite the public to attend an historic evening with one of the classical music world's acclaimed elder statesman, Australian conductor and pianist Richard Bonynge, celebrating the Georg Solti Accademia's 10th Anniversary and first master classes in New York City. Maestro Bonynge leads singers from Juilliard's Ellen and James S. Marcus Institute for Vocal Arts, The public master classes are also the first to be given by Mr. Bonynge in New York City, and the first collaboration between the Accademia and Juilliard.Tickets for this October 9 event are available to the public starting today, September 25, 2013, via the Janet and Leonard Kramer Box Office at Juilliard or via events.juilliard.edu.
The Georg Solti Accademia and The Juilliard School invite the public to attend an historic evening with one of the classical music world's acclaimed elder statesman, Australian conductor and pianist Richard Bonynge
Lincoln Center Festival, which runs from today, July 6 through 28, 2013 will unfold in six venues on and off the Lincoln Center campus. Music figures prominently in the 2013 Festival with international productions by an eclectic range of renowned composers, singers, musicians and directors. In addition to performances, a panel discussion on Lera Auerbach's opera, The Blind, is scheduled. A chronological listing follows.
Lincoln Center Festival, which runs from July 6 through 28, 2013 will unfold in six venues on and off the Lincoln Center campus. Music figures prominently in the 2013 Festival with international productions by an eclectic range of renowned composers, singers, musicians and directors. In addition to performances, a panel discussion on Lera Auerbach's opera, The Blind, is scheduled. A chronological listing follows.
Internationally recognized for its adventurous opera and classical music programming, Spoleto Festival USA offers an eclectic program of music and opera for its 37th season. In addition to the American premiere of Matsukaze-the first of Japanese composer Toshio Hosokawa's operas to be produced in the United States-the program includes American premiere performances of P?teris Vasks' Credo and Pierre Boulez's arrangement of Ravel's Frontispice. Also to be performed are a double-bill of rarely performed Italian operas, Puccini's Le Villi and Giordano's Mese Mariano, and Verdi's Messa da Requiem conducted by Joseph Flummerfelt in his farewell appearance as Spoleto's Artistic Director for Choral Activities.
